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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01AD5E it is the complementary color #FE52A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01AD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01AD5E shade: #06AD59, #17BF6C, #28D17F, #39E392 and #4AF5A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01AD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01AD5E shade: #01AD5E, #009B4B, #008938, #007725 and #006512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01AD5E shade: #01AD5E, #01AD2F, #01AD01, #2FAD01 and #5DAD01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01AD5E shade: #01AD5E, #01AD8C, #019FAD, #0171AD and #0142AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01AD5E shade matches the following richer shades: #01AD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01AD5E shade: #01AD5E, #0F9F5D, #1D905B, #2B825A and #397459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01AD5E shade: #01AD01, #01AD2F, #01AD5C, #01AD8A and #01A1AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01AD5E shade: #005A31, #018347, #01AD5E, #01D674 and #02FE8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01AD5E shade: #01AD5E, #012FAD and #AD1801

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01AD5E shade: #01AD5E, #5C01AD and #AD5C01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01AD5E shade: #01AD5E, #012FAD, #AD0151 and #AD7F01

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01AD5E shade: #01AD5E, #0701AD, #AD0151 and #A7AD01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

Complementary color

CMYK 0 / 68 / 37 / 0

HEX #FE52A1

RGB 254 82 161

HSL 332.44, 0.99%, 0.66%

LAB 61.38, 70.98, -5.9

 

CMYK 97 / 0 / 49 / 32

HEX #06AD59

RGB 6 173 89

HSL 149.82, 0.93%, 0.35%

LAB 62.21, -56.38, 32.76

 

CMYK 88 / 0 / 43 / 25

HEX #17BF6C

RGB 23 191 108

HSL 150.36, 0.79%, 0.42%

LAB 68.41, -58.27, 30.94

 

CMYK 81 / 0 / 39 / 18

HEX #28D17F

RGB 40 209 127

HSL 150.89, 0.68%, 0.49%

LAB 74.56, -59.63, 29.24

 

CMYK 75 / 0 / 36 / 11

HEX #39E392

RGB 57 227 146

HSL 151.41, 0.75%, 0.56%

LAB 80.67, -60.57, 27.67

 

CMYK 70 / 0 / 33 / 4

HEX #4AF5A5

RGB 74 245 165

HSL 151.93, 0.9%, 0.63%

LAB 86.74, -61.2, 26.22

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 100 / 0 / 52 / 39

HEX #009B4B

RGB 0 155 75

HSL 149.03, 1%, 0.3%

LAB 56.04, -52.95, 32.21

 

CMYK 100 / 0 / 59 / 46

HEX #008938

RGB 0 137 56

HSL 144.53, 1%, 0.27%

LAB 49.71, -49.9, 34.17

 

CMYK 100 / 0 / 69 / 53

HEX #007725

RGB 0 119 37

HSL 138.66, 1%, 0.23%

LAB 43.25, -46.51, 35.91

 

CMYK 100 / 0 / 82 / 60

HEX #006512

RGB 0 101 18

HSL 130.69, 1%, 0.2%

LAB 36.65, -42.61, 36.92

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 99 / 0 / 73 / 32

HEX #01AD2F

RGB 1 173 47

HSL 136.05, 0.99%, 0.34%

LAB 61.74, -62.09, 51.39

 

CMYK 99 / 0 / 99 / 32

HEX #01AD01

RGB 1 173 1

HSL 120, 0.99%, 0.34%

LAB 61.56, -64.36, 62.06

 

CMYK 73 / 0 / 99 / 32

HEX #2FAD01

RGB 47 173 1

HSL 103.95, 0.99%, 0.34%

LAB 62.08, -59.77, 62.69

 

CMYK 46 / 0 / 99 / 32

HEX #5DAD01

RGB 93 173 1

HSL 87.91, 0.99%, 0.34%

LAB 63.52, -48.05, 64.44

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 99 / 0 / 19 / 32

HEX #01AD8C

RGB 1 173 140

HSL 168.49, 0.99%, 0.34%

LAB 63.17, -45.39, 6.48

 

CMYK 99 / 8 / 0 / 32

HEX #019FAD

RGB 1 159 173

HSL 184.88, 0.99%, 0.34%

LAB 59.73, -29.24, -17.14

 

CMYK 99 / 35 / 0 / 32

HEX #0171AD

RGB 1 113 173

HSL 200.93, 0.99%, 0.34%

LAB 45.41, -4.06, -39.36

 

CMYK 99 / 62 / 0 / 32

HEX #0142AD

RGB 1 66 173

HSL 217.33, 0.99%, 0.34%

LAB 31.62, 26.79, -61.57

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 91 / 0 / 42 / 38

HEX #0F9F5D

RGB 15 159 93

HSL 152.5, 0.83%, 0.34%

LAB 57.74, -50.24, 24.9

 

CMYK 80 / 0 / 37 / 44

HEX #1D905B

RGB 29 144 91

HSL 152.35, 0.66%, 0.34%

LAB 52.91, -43.65, 19.59

 

CMYK 67 / 0 / 31 / 49

HEX #2B825A

RGB 43 130 90

HSL 152.41, 0.5%, 0.34%

LAB 48.53, -35.8, 14.25

 

CMYK 51 / 0 / 23 / 55

HEX #397459

RGB 57 116 89

HSL 152.54, 0.34%, 0.34%

LAB 44.35, -26.18, 9.09

 

CMYK 99 / 0 / 99 / 32

HEX #01AD01

RGB 1 173 1

HSL 120, 0.99%, 0.34%

LAB 61.56, -64.36, 62.06

 

CMYK 99 / 0 / 73 / 32

HEX #01AD2F

RGB 1 173 47

HSL 136.05, 0.99%, 0.34%

LAB 61.74, -62.09, 51.39

 

CMYK 99 / 0 / 47 / 32

HEX #01AD5C

RGB 1 173 92

HSL 151.74, 0.99%, 0.34%

LAB 62.22, -56.08, 31.22

 

CMYK 99 / 0 / 20 / 32

HEX #01AD8A

RGB 1 173 138

HSL 167.79, 0.99%, 0.34%

LAB 63.12, -45.91, 7.53

 

CMYK 99 / 7 / 0 / 32

HEX #01A1AD

RGB 1 161 173

HSL 184.19, 0.99%, 0.34%

LAB 60.35, -30.22, -16.19

 

CMYK 100 / 0 / 46 / 65

HEX #005A31

RGB 0 90 49

HSL 152.67, 1%, 0.18%

LAB 32.99, -34.26, 17.23

 

CMYK 99 / 0 / 46 / 49

HEX #018347

RGB 1 131 71

HSL 152.31, 0.98%, 0.26%

LAB 47.87, -45.19, 24

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 100 / 0 / 46 / 16

HEX #01D674

RGB 1 214 116

HSL 152.39, 0.99%, 0.42%

LAB 75.68, -65.61, 36.22

 

CMYK 99 / 0 / 46 / 0

HEX #02FE8A

RGB 2 254 138

HSL 152.38, 0.99%, 0.5%

LAB 88.32, -74.79, 41.6

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 99 / 73 / 0 / 32

HEX #012FAD

RGB 1 47 173

HSL 223.95, 0.99%, 0.34%

LAB 26.9, 39.33, -69.35

 

CMYK 0 / 86 / 99 / 32

HEX #AD1801

RGB 173 24 1

HSL 8.02, 0.99%, 0.34%

LAB 37, 56.34, 50.29

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 47 / 99 / 0 / 32

HEX #5C01AD

RGB 92 1 173

HSL 271.74, 0.99%, 0.34%

LAB 27.61, 62.62, -67.96

 

CMYK 0 / 47 / 99 / 32

HEX #AD5C01

RGB 173 92 1

HSL 31.74, 0.99%, 0.34%

LAB 47.68, 28.12, 56.06

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 99 / 73 / 0 / 32

HEX #012FAD

RGB 1 47 173

HSL 223.95, 0.99%, 0.34%

LAB 26.9, 39.33, -69.35

 

CMYK 0 / 99 / 53 / 32

HEX #AD0151

RGB 173 1 81

HSL 332.09, 0.99%, 0.34%

LAB 36.93, 62.81, 5.34

 

CMYK 0 / 27 / 99 / 32

HEX #AD7F01

RGB 173 127 1

HSL 43.95, 0.99%, 0.34%

LAB 56.15, 8.62, 61.64

 

CMYK 99 / 0 / 46 / 32

HEX #01AD5E

RGB 1 173 94

HSL 152.44, 0.99%, 0.34%

LAB 62.26, -55.72, 30.22

 

CMYK 96 / 99 / 0 / 32

HEX #0701AD

RGB 7 1 173

HSL 242.09, 0.99%, 0.34%

LAB 20.38, 59, -80.19

 

CMYK 0 / 99 / 53 / 32

HEX #AD0151

RGB 173 1 81

HSL 332.09, 0.99%, 0.34%

LAB 36.93, 62.81, 5.34

 

CMYK 3 / 0 / 99 / 32

HEX #A7AD01

RGB 167 173 1

HSL 62.09, 0.99%, 0.34%

LAB 68.1, -18.74, 69.94

 

Description

Color code: HEX #01AD5E | qconv.com Color code: HEX #01AD5E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 173 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 173 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 46 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 46% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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