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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01ACE5 it is the complementary color #FE531A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01ACE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01ACE5 shade: #06ACE0, #17BEF3, #28D0FF, #39E2FF and #4AF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01ACE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01ACE5 shade: #01ACE5, #009AD2, #0088BF, #0076AC and #006499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01ACE5 shade: #01ACE4, #016EE4, #0131E4, #0F01E4 and #4C01E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01ACE5 shade: #01ACE4, #016EE4, #0131E4 and #0101E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01ACE5 shade matches the following richer shades: #01ACE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01ACE5 shade: #01ACE4, #14A2D2, #2699BF, #3990AD and #4B869A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01ACE5 shade: #01E4A4, #01E4E1, #01ACE4, #016FE4 and #0132E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01ACE5 shade: #016E92, #018DBB, #01ACE4, #11C3FE and #3ACDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01ACE5 shade: #01ACE5, #6701E4 and #E4C201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01ACE5 shade: #01ACE5, #E401AC and #ACE401

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01ACE5 shade: #01ACE5, #6701E4, #E43A01 and #7EE401

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01ACE5 shade: #01ACE5, #AC01E4, #E43A01 and #3AE401

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 25 / 0 / 10

HEX #01ACE5

RGB 1 172 229

HSL 195, 0.99%, 0.45%

LAB 65.88, -16.68, -38.84

 

Complementary color

CMYK 0 / 67 / 90 / 0

HEX #FE531A

RGB 254 83 26

HSL 15, 0.99%, 0.55%

LAB 59.28, 62.75, 63.72

 

CMYK 97 / 23 / 0 / 12

HEX #06ACE0

RGB 6 172 224

HSL 194.31, 0.95%, 0.45%

LAB 65.69, -18.31, -36.39

 

CMYK 91 / 22 / 0 / 5

HEX #17BEF3

RGB 23 190 243

HSL 194.45, 0.9%, 0.52%

LAB 71.88, -20.6, -37.11

 

CMYK 84 / 18 / 0 / 0

HEX #28D0FF

RGB 40 208 255

HSL 193.12, 1%, 0.58%

LAB 77.75, -24.82, -34.45

 

CMYK 78 / 11 / 0 / 0

HEX #39E2FF

RGB 57 226 255

HSL 188.79, 1%, 0.61%

LAB 83.17, -32.25, -26.11

 

CMYK 71 / 4 / 0 / 0

HEX #4AF4FF

RGB 74 244 255

HSL 183.65, 1%, 0.65%

LAB 88.63, -38.86, -17.81

 

CMYK 100 / 25 / 0 / 10

HEX #01ACE5

RGB 1 172 229

HSL 195, 0.99%, 0.45%

LAB 65.88, -16.68, -38.84

 

CMYK 100 / 27 / 0 / 18

HEX #009AD2

RGB 0 154 210

HSL 196, 1%, 0.41%

LAB 59.68, -13.76, -38.02

 

CMYK 100 / 29 / 0 / 25

HEX #0088BF

RGB 0 136 191

HSL 197.28, 1%, 0.37%

LAB 53.35, -10.7, -37.21

 

CMYK 100 / 31 / 0 / 33

HEX #0076AC

RGB 0 118 172

HSL 198.84, 1%, 0.34%

LAB 46.89, -7.49, -36.43

 

CMYK 100 / 35 / 0 / 40

HEX #006499

RGB 0 100 153

HSL 200.78, 1%, 0.3%

LAB 40.27, -4.11, -35.67

 

CMYK 100 / 25 / 0 / 11

HEX #01ACE4

RGB 1 172 228

HSL 194.8, 0.99%, 0.45%

LAB 65.84, -17.03, -38.36

 

CMYK 100 / 52 / 0 / 11

HEX #016EE4

RGB 1 110 228

HSL 211.19, 0.99%, 0.45%

LAB 47.96, 19.69, -66.83

 

CMYK 100 / 79 / 0 / 11

HEX #0131E4

RGB 1 49 228

HSL 227.31, 0.99%, 0.45%

LAB 33.57, 57.21, -90.46

 

CMYK 93 / 100 / 0 / 11

HEX #0F01E4

RGB 15 1 228

HSL 243.7, 0.99%, 0.45%

LAB 28.71, 72.68, -98.57

 

CMYK 67 / 100 / 0 / 11

HEX #4C01E4

RGB 76 1 228

HSL 259.82, 0.99%, 0.45%

LAB 32.17, 74.07, -92.7

 

CMYK 100 / 25 / 0 / 11

HEX #01ACE4

RGB 1 172 228

HSL 194.8, 0.99%, 0.45%

LAB 65.84, -17.03, -38.36

 

CMYK 100 / 52 / 0 / 11

HEX #016EE4

RGB 1 110 228

HSL 211.19, 0.99%, 0.45%

LAB 47.96, 19.69, -66.83

 

CMYK 100 / 79 / 0 / 11

HEX #0131E4

RGB 1 49 228

HSL 227.31, 0.99%, 0.45%

LAB 33.57, 57.21, -90.46

 

CMYK 100 / 100 / 0 / 11

HEX #0101E4

RGB 1 1 228

HSL 240, 0.99%, 0.45%

LAB 28.46, 72.6, -98.99

 

CMYK 100 / 25 / 0 / 11

HEX #01ACE4

RGB 1 172 228

HSL 194.8, 0.99%, 0.45%

LAB 65.84, -17.03, -38.36

 

CMYK 100 / 25 / 0 / 11

HEX #01ACE4

RGB 1 172 228

HSL 194.8, 0.99%, 0.45%

LAB 65.84, -17.03, -38.36

 

CMYK 90 / 23 / 0 / 18

HEX #14A2D2

RGB 20 162 210

HSL 195.16, 0.83%, 0.45%

LAB 62.2, -17.41, -34.06

 

CMYK 80 / 20 / 0 / 25

HEX #2699BF

RGB 38 153 191

HSL 194.9, 0.67%, 0.45%

LAB 58.93, -17.89, -28.48

 

CMYK 67 / 17 / 0 / 32

HEX #3990AD

RGB 57 144 173

HSL 195, 0.5%, 0.45%

LAB 55.92, -16.61, -22.87

 

CMYK 51 / 13 / 0 / 40

HEX #4B869A

RGB 75 134 154

HSL 195.19, 0.34%, 0.45%

LAB 52.82, -13.49, -16.63

 

CMYK 100 / 0 / 28 / 11

HEX #01E4A4

RGB 1 228 164

HSL 163.08, 0.99%, 0.45%

LAB 80.84, -60.87, 18.5

 

CMYK 100 / 0 / 1 / 11

HEX #01E4E1

RGB 1 228 225

HSL 179.21, 0.99%, 0.45%

LAB 82.34, -45.03, -11.53

 

CMYK 100 / 25 / 0 / 11

HEX #01ACE4

RGB 1 172 228

HSL 194.8, 0.99%, 0.45%

LAB 65.84, -17.03, -38.36

 

CMYK 100 / 51 / 0 / 11

HEX #016FE4

RGB 1 111 228

HSL 210.93, 0.99%, 0.45%

LAB 48.23, 19.05, -66.39

 

CMYK 100 / 78 / 0 / 11

HEX #0132E4

RGB 1 50 228

HSL 227.05, 0.99%, 0.45%

LAB 33.75, 56.7, -90.16

 

CMYK 99 / 25 / 0 / 43

HEX #016E92

RGB 1 110 146

HSL 194.9, 0.99%, 0.29%

LAB 43.11, -12.8, -27.03

 

CMYK 99 / 25 / 0 / 27

HEX #018DBB

RGB 1 141 187

HSL 194.84, 0.99%, 0.37%

LAB 54.7, -14.95, -32.82

 

CMYK 100 / 25 / 0 / 11

HEX #01ACE4

RGB 1 172 228

HSL 194.8, 0.99%, 0.45%

LAB 65.84, -17.03, -38.36

 

CMYK 93 / 23 / 0 / 0

HEX #11C3FE

RGB 17 195 254

HSL 194.94, 0.99%, 0.53%

LAB 73.74, -19.66, -40.14

 

CMYK 77 / 19 / 0 / 0

HEX #3ACDFE

RGB 58 205 254

HSL 195, 0.99%, 0.61%

LAB 77.11, -22.13, -34.88

 

CMYK 100 / 25 / 0 / 10

HEX #01ACE5

RGB 1 172 229

HSL 195, 0.99%, 0.45%

LAB 65.88, -16.68, -38.84

 

CMYK 55 / 100 / 0 / 11

HEX #6701E4

RGB 103 1 228

HSL 266.96, 0.99%, 0.45%

LAB 35.02, 75.54, -87.89

 

CMYK 0 / 15 / 100 / 11

HEX #E4C201

RGB 228 194 1

HSL 51.01, 0.99%, 0.45%

LAB 79.09, -2.78, 80.33

 

CMYK 100 / 25 / 0 / 10

HEX #01ACE5

RGB 1 172 229

HSL 195, 0.99%, 0.45%

LAB 65.88, -16.68, -38.84

 

CMYK 0 / 100 / 25 / 11

HEX #E401AC

RGB 228 1 172

HSL 314.8, 0.99%, 0.45%

LAB 51.26, 83.06, -28.12

 

CMYK 25 / 0 / 100 / 11

HEX #ACE401

RGB 172 228 1

HSL 74.8, 0.99%, 0.45%

LAB 84.1, -42.46, 82.13

 

CMYK 100 / 25 / 0 / 10

HEX #01ACE5

RGB 1 172 229

HSL 195, 0.99%, 0.45%

LAB 65.88, -16.68, -38.84

 

CMYK 55 / 100 / 0 / 11

HEX #6701E4

RGB 103 1 228

HSL 266.96, 0.99%, 0.45%

LAB 35.02, 75.54, -87.89

 

CMYK 0 / 75 / 100 / 11

HEX #E43A01

RGB 228 58 1

HSL 15.07, 0.99%, 0.45%

LAB 51.29, 63.18, 62.98

 

CMYK 45 / 0 / 100 / 11

HEX #7EE401

RGB 126 228 1

HSL 86.96, 0.99%, 0.45%

LAB 81.8, -58.6, 79.36

 

CMYK 100 / 25 / 0 / 10

HEX #01ACE5

RGB 1 172 229

HSL 195, 0.99%, 0.45%

LAB 65.88, -16.68, -38.84

 

CMYK 25 / 100 / 0 / 11

HEX #AC01E4

RGB 172 1 228

HSL 285.2, 0.99%, 0.45%

LAB 44.79, 82.24, -71.45

 

CMYK 0 / 75 / 100 / 11

HEX #E43A01

RGB 228 58 1

HSL 15.07, 0.99%, 0.45%

LAB 51.29, 63.18, 62.98

 

CMYK 75 / 0 / 100 / 11

HEX #3AE401

RGB 58 228 1

HSL 104.93, 0.99%, 0.45%

LAB 79.83, -74.57, 76.97

 

Description

Color code: HEX #01ACE5 | qconv.com Color code: HEX #01ACE5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 172 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 172 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 25 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 25% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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