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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01A887 it is the complementary color #FE5778. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01A887. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01A887 shade: #06A882, #17BA95, #28CCA8, #39DEBB and #4AF0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01A887. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01A887 shade: #01A887, #009674, #008461, #00724E and #00603B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01A887 shade: #01A787, #01A75A, #01A72D, #02A701 and #2FA701

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01A887 shade: #01A787, #019BA7, #016FA7, #0142A7 and #0115A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01A887 shade matches the following richer shades: #01A787

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01A887 shade: #01A787, #0E9A7E, #1C8C76, #2A7F6E and #377166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01A887 shade: #01A72D, #01A75A, #01A786, #019CA7 and #0170A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01A887 shade: #005545, #017E66, #01A787, #01D1A8 and #01FAC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01A887 shade: #01A887, #0101A7 and #A74301

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01A887 shade: #01A887, #8601A7 and #A78601

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01A887 shade: #01A887, #0101A7, #A70122 and #A7A701

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01A887 shade: #01A887, #3301A7, #A70122 and #75A701

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 20 / 34

HEX #01A887

RGB 1 168 135

HSL 168.14, 0.99%, 0.33%

LAB 61.45, -44.64, 6.81

 

Complementary color

CMYK 0 / 66 / 53 / 0

HEX #FE5778

RGB 254 87 120

HSL 348.14, 0.99%, 0.67%

LAB 61, 65.38, 17.38

 

CMYK 96 / 0 / 23 / 34

HEX #06A882

RGB 6 168 130

HSL 165.93, 0.93%, 0.34%

LAB 61.36, -45.73, 9.47

 

CMYK 88 / 0 / 20 / 27

HEX #17BA95

RGB 23 186 149

HSL 166.38, 0.78%, 0.41%

LAB 67.63, -47.37, 7.92

 

CMYK 80 / 0 / 18 / 20

HEX #28CCA8

RGB 40 204 168

HSL 166.83, 0.67%, 0.48%

LAB 73.85, -48.6, 6.53

 

CMYK 74 / 0 / 16 / 13

HEX #39DEBB

RGB 57 222 187

HSL 167.27, 0.71%, 0.55%

LAB 80.01, -49.49, 5.28

 

CMYK 69 / 0 / 14 / 6

HEX #4AF0CE

RGB 74 240 206

HSL 167.71, 0.85%, 0.62%

LAB 86.12, -50.13, 4.13

 

CMYK 99 / 0 / 20 / 34

HEX #01A887

RGB 1 168 135

HSL 168.14, 0.99%, 0.33%

LAB 61.45, -44.64, 6.81

 

CMYK 100 / 0 / 23 / 41

HEX #009674

RGB 0 150 116

HSL 166.4, 1%, 0.29%

LAB 55.15, -42.25, 8.53

 

CMYK 100 / 0 / 27 / 48

HEX #008461

RGB 0 132 97

HSL 164.09, 1%, 0.26%

LAB 48.72, -39.74, 10.37

 

CMYK 100 / 0 / 32 / 55

HEX #00724E

RGB 0 114 78

HSL 161.05, 1%, 0.22%

LAB 42.13, -37.13, 12.31

 

CMYK 100 / 0 / 39 / 62

HEX #00603B

RGB 0 96 59

HSL 156.88, 1%, 0.19%

LAB 35.36, -34.39, 14.4

 

CMYK 99 / 0 / 19 / 35

HEX #01A787

RGB 1 167 135

HSL 168.43, 0.99%, 0.33%

LAB 61.13, -44.23, 6.35

 

CMYK 99 / 0 / 46 / 35

HEX #01A75A

RGB 1 167 90

HSL 152.17, 0.99%, 0.33%

LAB 60.23, -54.38, 29.71

 

CMYK 99 / 0 / 73 / 35

HEX #01A72D

RGB 1 167 45

HSL 135.9, 0.99%, 0.33%

LAB 59.74, -60.49, 50.08

 

CMYK 99 / 0 / 99 / 35

HEX #02A701

RGB 2 167 1

HSL 119.64, 0.99%, 0.33%

LAB 59.57, -62.64, 60.46

 

CMYK 72 / 0 / 99 / 35

HEX #2FA701

RGB 47 167 1

HSL 103.37, 0.99%, 0.33%

LAB 60.11, -57.87, 61.11

 

CMYK 99 / 0 / 19 / 35

HEX #01A787

RGB 1 167 135

HSL 168.43, 0.99%, 0.33%

LAB 61.13, -44.23, 6.35

 

CMYK 99 / 7 / 0 / 35

HEX #019BA7

RGB 1 155 167

HSL 184.34, 0.99%, 0.33%

LAB 58.26, -29.25, -15.96

 

CMYK 99 / 34 / 0 / 35

HEX #016FA7

RGB 1 111 167

HSL 200.24, 0.99%, 0.33%

LAB 44.47, -5.21, -37.32

 

CMYK 99 / 60 / 0 / 35

HEX #0142A7

RGB 1 66 167

HSL 216.51, 0.99%, 0.33%

LAB 31.1, 24.35, -58.84

 

CMYK 99 / 87 / 0 / 35

HEX #0115A7

RGB 1 21 167

HSL 232.77, 0.99%, 0.33%

LAB 21.33, 51.2, -74.98

 

CMYK 99 / 0 / 19 / 35

HEX #01A787

RGB 1 167 135

HSL 168.43, 0.99%, 0.33%

LAB 61.13, -44.23, 6.35

 

CMYK 99 / 0 / 19 / 35

HEX #01A787

RGB 1 167 135

HSL 168.43, 0.99%, 0.33%

LAB 61.13, -44.23, 6.35

 

CMYK 91 / 0 / 18 / 40

HEX #0E9A7E

RGB 14 154 126

HSL 168, 0.83%, 0.33%

LAB 56.79, -40.58, 5.21

 

CMYK 80 / 0 / 16 / 45

HEX #1C8C76

RGB 28 140 118

HSL 168.21, 0.67%, 0.33%

LAB 52.19, -35.46, 3.18

 

CMYK 67 / 0 / 13 / 50

HEX #2A7F6E

RGB 42 127 110

HSL 168, 0.5%, 0.33%

LAB 48, -29.59, 1.83

 

CMYK 51 / 0 / 10 / 56

HEX #377166

RGB 55 113 102

HSL 168.62, 0.35%, 0.33%

LAB 43.63, -21.93, 0.27

 

CMYK 99 / 0 / 73 / 35

HEX #01A72D

RGB 1 167 45

HSL 135.9, 0.99%, 0.33%

LAB 59.74, -60.49, 50.08

 

CMYK 99 / 0 / 46 / 35

HEX #01A75A

RGB 1 167 90

HSL 152.17, 0.99%, 0.33%

LAB 60.23, -54.38, 29.71

 

CMYK 99 / 0 / 20 / 35

HEX #01A786

RGB 1 167 134

HSL 168.07, 0.99%, 0.33%

LAB 61.1, -44.49, 6.87

 

CMYK 99 / 7 / 0 / 35

HEX #019CA7

RGB 1 156 167

HSL 183.98, 0.99%, 0.33%

LAB 58.58, -29.74, -15.48

 

CMYK 99 / 33 / 0 / 35

HEX #0170A7

RGB 1 112 167

HSL 199.88, 0.99%, 0.33%

LAB 44.78, -5.82, -36.83

 

CMYK 100 / 0 / 19 / 67

HEX #005545

RGB 0 85 69

HSL 168.71, 1%, 0.17%

LAB 31.64, -26.87, 3.02

 

CMYK 99 / 0 / 19 / 51

HEX #017E66

RGB 1 126 102

HSL 168.48, 0.98%, 0.25%

LAB 46.83, -35.78, 4.76

 

CMYK 99 / 0 / 19 / 35

HEX #01A787

RGB 1 167 135

HSL 168.43, 0.99%, 0.33%

LAB 61.13, -44.23, 6.35

 

CMYK 100 / 0 / 20 / 18

HEX #01D1A8

RGB 1 209 168

HSL 168.17, 0.99%, 0.41%

LAB 75.1, -52.68, 8.29

 

CMYK 100 / 0 / 20 / 2

HEX #01FAC8

RGB 1 250 200

HSL 167.95, 0.99%, 0.49%

LAB 88.23, -60.67, 10.2

 

CMYK 99 / 0 / 20 / 34

HEX #01A887

RGB 1 168 135

HSL 168.14, 0.99%, 0.33%

LAB 61.45, -44.64, 6.81

 

CMYK 99 / 99 / 0 / 35

HEX #0101A7

RGB 1 1 167

HSL 240, 0.99%, 0.33%

LAB 19.3, 57.41, -78.37

 

CMYK 0 / 60 / 99 / 35

HEX #A74301

RGB 167 67 1

HSL 23.86, 0.99%, 0.33%

LAB 41.58, 38.66, 51.94

 

CMYK 99 / 0 / 20 / 34

HEX #01A887

RGB 1 168 135

HSL 168.14, 0.99%, 0.33%

LAB 61.45, -44.64, 6.81

 

CMYK 20 / 99 / 0 / 35

HEX #8601A7

RGB 134 1 167

HSL 288.07, 0.99%, 0.33%

LAB 33.73, 66.34, -54.06

 

CMYK 0 / 20 / 99 / 35

HEX #A78601

RGB 167 134 1

HSL 48.07, 0.99%, 0.33%

LAB 57.34, 1.96, 62.15

 

CMYK 99 / 0 / 20 / 34

HEX #01A887

RGB 1 168 135

HSL 168.14, 0.99%, 0.33%

LAB 61.45, -44.64, 6.81

 

CMYK 99 / 99 / 0 / 35

HEX #0101A7

RGB 1 1 167

HSL 240, 0.99%, 0.33%

LAB 19.3, 57.41, -78.37

 

CMYK 0 / 99 / 80 / 35

HEX #A70122

RGB 167 1 34

HSL 348.07, 0.99%, 0.33%

LAB 34.71, 58.86, 32.38

 

CMYK 0 / 0 / 99 / 35

HEX #A7A701

RGB 167 167 1

HSL 60, 0.99%, 0.33%

LAB 66.41, -15.69, 68.69

 

CMYK 99 / 0 / 20 / 34

HEX #01A887

RGB 1 168 135

HSL 168.14, 0.99%, 0.33%

LAB 61.45, -44.64, 6.81

 

CMYK 69 / 99 / 0 / 35

HEX #3301A7

RGB 51 1 167

HSL 258.07, 0.99%, 0.33%

LAB 22, 58.49, -73.79

 

CMYK 0 / 99 / 80 / 35

HEX #A70122

RGB 167 1 34

HSL 348.07, 0.99%, 0.33%

LAB 34.71, 58.86, 32.38

 

CMYK 30 / 0 / 99 / 35

HEX #75A701

RGB 117 167 1

HSL 78.07, 0.99%, 0.33%

LAB 62.86, -36.88, 64.45

 

Description

Color code: HEX #01A887 | qconv.com Color code: HEX #01A887 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 168 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 168 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 20 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 20% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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