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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01A842 it is the complementary color #FE57BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01A842. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01A842 shade: #06A83D, #17BA50, #28CC63, #39DE76 and #4AF089

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01A842. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01A842 shade: #01A842, #00962F, #00841C, #007209 and #006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01A842 shade: #01A742, #01A715, #1AA701, #47A701 and #74A701

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01A842 shade: #01A742, #01A76F, #01A79C, #0186A7 and #015AA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01A842 shade matches the following richer shades: #01A742

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01A842 shade: #01A742, #0E9A45, #1C8C48, #2A7F4B and #37714E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01A842 shade: #1AA701, #01A714, #01A741, #01A76D and #01A79A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01A842 shade: #005521, #017E32, #01A742, #01D152 and #01FA62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01A842 shade: #01A842, #0146A7 and #A70104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01A842 shade: #01A842, #4101A7 and #A74101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01A842 shade: #01A842, #0146A7, #A70168 and #A76201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01A842 shade: #01A842, #0114A7, #A70168 and #A79401

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 61 / 34

HEX #01A842

RGB 1 168 66

HSL 143.35, 0.99%, 0.33%

LAB 60.25, -58.48, 41.7

 

Complementary color

CMYK 0 / 66 / 26 / 0

HEX #FE57BD

RGB 254 87 189

HSL 323.35, 0.99%, 0.67%

LAB 62.98, 72.32, -19.58

 

CMYK 96 / 0 / 64 / 34

HEX #06A83D

RGB 6 168 61

HSL 140.37, 0.93%, 0.34%

LAB 60.23, -58.86, 43.97

 

CMYK 88 / 0 / 57 / 27

HEX #17BA50

RGB 23 186 80

HSL 140.98, 0.78%, 0.41%

LAB 66.43, -61.1, 42.4

 

CMYK 80 / 0 / 51 / 20

HEX #28CC63

RGB 40 204 99

HSL 141.59, 0.67%, 0.48%

LAB 72.59, -62.68, 40.78

 

CMYK 74 / 0 / 47 / 13

HEX #39DE76

RGB 57 222 118

HSL 142.18, 0.71%, 0.55%

LAB 78.71, -63.75, 39.2

 

CMYK 69 / 0 / 43 / 6

HEX #4AF089

RGB 74 240 137

HSL 142.77, 0.85%, 0.62%

LAB 84.78, -64.46, 37.68

 

CMYK 99 / 0 / 61 / 34

HEX #01A842

RGB 1 168 66

HSL 143.35, 0.99%, 0.33%

LAB 60.25, -58.48, 41.7

 

CMYK 100 / 0 / 69 / 41

HEX #00962F

RGB 0 150 47

HSL 138.8, 1%, 0.29%

LAB 54.05, -55.2, 43.26

 

CMYK 100 / 0 / 79 / 48

HEX #00841C

RGB 0 132 28

HSL 132.73, 1%, 0.26%

LAB 47.73, -51.47, 44.22

 

CMYK 100 / 0 / 92 / 55

HEX #007209

RGB 0 114 9

HSL 124.74, 1%, 0.22%

LAB 41.3, -47.17, 43.79

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 99 / 0 / 60 / 35

HEX #01A742

RGB 1 167 66

HSL 143.49, 0.99%, 0.33%

LAB 59.92, -58.17, 41.32

 

CMYK 99 / 0 / 87 / 35

HEX #01A715

RGB 1 167 21

HSL 127.23, 0.99%, 0.33%

LAB 59.61, -62.08, 57.26

 

CMYK 84 / 0 / 99 / 35

HEX #1AA701

RGB 26 167 1

HSL 110.96, 0.99%, 0.33%

LAB 59.76, -60.94, 60.69

 

CMYK 57 / 0 / 99 / 35

HEX #47A701

RGB 71 167 1

HSL 94.7, 0.99%, 0.33%

LAB 60.76, -52.39, 61.91

 

CMYK 31 / 0 / 99 / 35

HEX #74A701

RGB 116 167 1

HSL 78.43, 0.99%, 0.33%

LAB 62.8, -37.27, 64.38

 

CMYK 99 / 0 / 60 / 35

HEX #01A742

RGB 1 167 66

HSL 143.49, 0.99%, 0.33%

LAB 59.92, -58.17, 41.32

 

CMYK 99 / 0 / 34 / 35

HEX #01A76F

RGB 1 167 111

HSL 159.76, 0.99%, 0.33%

LAB 60.6, -50.11, 18.92

 

CMYK 99 / 0 / 7 / 35

HEX #01A79C

RGB 1 167 156

HSL 176.02, 0.99%, 0.33%

LAB 61.69, -38.32, -4.61

 

CMYK 99 / 20 / 0 / 35

HEX #0186A7

RGB 1 134 167

HSL 191.93, 0.99%, 0.33%

LAB 51.66, -18.41, -26.07

 

CMYK 99 / 46 / 0 / 35

HEX #015AA7

RGB 1 90 167

HSL 207.83, 0.99%, 0.33%

LAB 38.04, 8.08, -47.58

 

CMYK 99 / 0 / 60 / 35

HEX #01A742

RGB 1 167 66

HSL 143.49, 0.99%, 0.33%

LAB 59.92, -58.17, 41.32

 

CMYK 99 / 0 / 60 / 35

HEX #01A742

RGB 1 167 66

HSL 143.49, 0.99%, 0.33%

LAB 59.92, -58.17, 41.32

 

CMYK 91 / 0 / 55 / 40

HEX #0E9A45

RGB 14 154 69

HSL 143.57, 0.83%, 0.33%

LAB 55.72, -52.78, 34.9

 

CMYK 80 / 0 / 49 / 45

HEX #1C8C48

RGB 28 140 72

HSL 143.57, 0.67%, 0.33%

LAB 51.23, -45.94, 27.82

 

CMYK 67 / 0 / 41 / 50

HEX #2A7F4B

RGB 42 127 75

HSL 143.29, 0.5%, 0.33%

LAB 47.21, -37.88, 21.02

 

CMYK 51 / 0 / 31 / 56

HEX #37714E

RGB 55 113 78

HSL 143.79, 0.35%, 0.33%

LAB 43.02, -27.73, 13.74

 

CMYK 84 / 0 / 99 / 35

HEX #1AA701

RGB 26 167 1

HSL 110.96, 0.99%, 0.33%

LAB 59.76, -60.94, 60.69

 

CMYK 99 / 0 / 88 / 35

HEX #01A714

RGB 1 167 20

HSL 126.87, 0.99%, 0.33%

LAB 59.61, -62.12, 57.47

 

CMYK 99 / 0 / 61 / 35

HEX #01A741

RGB 1 167 65

HSL 143.13, 0.99%, 0.33%

LAB 59.91, -58.3, 41.77

 

CMYK 99 / 0 / 35 / 35

HEX #01A76D

RGB 1 167 109

HSL 159.04, 0.99%, 0.33%

LAB 60.56, -50.56, 19.96

 

CMYK 99 / 0 / 8 / 35

HEX #01A79A

RGB 1 167 154

HSL 175.3, 0.99%, 0.33%

LAB 61.63, -38.91, -3.57

 

CMYK 100 / 0 / 61 / 67

HEX #005521

RGB 0 85 33

HSL 143.29, 1%, 0.17%

LAB 30.89, -35.42, 23.79

 

CMYK 99 / 0 / 60 / 51

HEX #017E32

RGB 1 126 50

HSL 143.52, 0.98%, 0.25%

LAB 45.85, -47.03, 32.62

 

CMYK 99 / 0 / 60 / 35

HEX #01A742

RGB 1 167 66

HSL 143.49, 0.99%, 0.33%

LAB 59.92, -58.17, 41.32

 

CMYK 100 / 0 / 61 / 18

HEX #01D152

RGB 1 209 82

HSL 143.37, 0.99%, 0.41%

LAB 73.69, -69.08, 49.93

 

CMYK 100 / 0 / 61 / 2

HEX #01FA62

RGB 1 250 98

HSL 143.37, 0.99%, 0.49%

LAB 86.63, -79.27, 57.83

 

CMYK 99 / 0 / 61 / 34

HEX #01A842

RGB 1 168 66

HSL 143.35, 0.99%, 0.33%

LAB 60.25, -58.48, 41.7

 

CMYK 99 / 58 / 0 / 35

HEX #0146A7

RGB 1 70 167

HSL 215.06, 0.99%, 0.33%

LAB 32.21, 21.6, -57.03

 

CMYK 0 / 99 / 98 / 35

HEX #A70104

RGB 167 1 4

HSL 358.92, 0.99%, 0.33%

LAB 34.49, 58.27, 47.1

 

CMYK 99 / 0 / 61 / 34

HEX #01A842

RGB 1 168 66

HSL 143.35, 0.99%, 0.33%

LAB 60.25, -58.48, 41.7

 

CMYK 61 / 99 / 0 / 35

HEX #4101A7

RGB 65 1 167

HSL 263.13, 0.99%, 0.33%

LAB 23.46, 59.21, -71.33

 

CMYK 0 / 61 / 99 / 35

HEX #A74101

RGB 167 65 1

HSL 23.13, 0.99%, 0.33%

LAB 41.21, 39.63, 51.74

 

CMYK 99 / 0 / 61 / 34

HEX #01A842

RGB 1 168 66

HSL 143.35, 0.99%, 0.33%

LAB 60.25, -58.48, 41.7

 

CMYK 99 / 58 / 0 / 35

HEX #0146A7

RGB 1 70 167

HSL 215.06, 0.99%, 0.33%

LAB 32.21, 21.6, -57.03

 

CMYK 0 / 99 / 38 / 35

HEX #A70168

RGB 167 1 104

HSL 322.77, 0.99%, 0.33%

LAB 36.44, 63.47, -10.32

 

CMYK 0 / 41 / 99 / 35

HEX #A76201

RGB 167 98 1

HSL 35.06, 0.99%, 0.33%

LAB 48.2, 22.19, 55.97

 

CMYK 99 / 0 / 61 / 34

HEX #01A842

RGB 1 168 66

HSL 143.35, 0.99%, 0.33%

LAB 60.25, -58.48, 41.7

 

CMYK 99 / 88 / 0 / 35

HEX #0114A7

RGB 1 20 167

HSL 233.13, 0.99%, 0.33%

LAB 21.2, 51.6, -75.2

 

CMYK 0 / 99 / 38 / 35

HEX #A70168

RGB 167 1 104

HSL 322.77, 0.99%, 0.33%

LAB 36.44, 63.47, -10.32

 

CMYK 0 / 11 / 99 / 35

HEX #A79401

RGB 167 148 1

HSL 53.13, 0.99%, 0.33%

LAB 61.13, -5.69, 64.85

 

Description

Color code: HEX #01A842 | qconv.com Color code: HEX #01A842 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 168 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 168 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 61 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 61% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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