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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0182FACE it is the complementary color #FE7D05CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0182FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0182FACE shade: #0682F5CE, #1794FFCE, #28A6FFCE, #39B8FFCE and #4ACAFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0182FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0182FACE shade: #0182FACE, #0070E7CE, #005ED4CE, #004CC1CE and #003AAECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0182FACE shade: #0181F9, #013FF9, #0701F9, #4901F9 and #8C01F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0182FACE shade: #0181F9, #013FF9 and #0101F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0182FACE shade matches the following richer shades: #0181F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0182FACE shade: #0181F9, #1581E4, #2A80D0, #3E7FBC and #527EA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0182FACE shade: #01F9E8, #01C7F9, #0185F9, #0143F9 and #0101F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0182FACE shade: #0157A7, #016CD0, #0181F9, #2595FE and #4EA9FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0182FACE shade: #0182FA, #A601F9 and #E8F901

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0182FACE shade: #0182FA, #F90185 and #85F901

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0182FACE shade: #0182FA, #A601F9, #F97501 and #54F901

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0182FACE shade: #0182FA, #F001F9, #F97501 and #09F901

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 39 / 0 / 2

HEX #0182FACE

RGBA 1 130 250 0.81

HSLA 208.92, 0.99%, 0.49%, 0.81

LABA 54.94, 15.64, -67.8, 0.81

 

Complementary color

CMYK 0 / 41 / 79 / 0

HEX #FE7D05CE

RGBA 254 125 5 0.81

HSLA 28.92, 0.99%, 0.51%, 0.81

LABA 66.33, 43.96, 72.79, 0.81

 

CMYK 79 / 38 / 0 / 3

HEX #0682F5CE

RGBA 6 130 245 0.81

HSLA 208.87, 0.95%, 0.49%, 0.81

LABA 54.65, 13.83, -65.5, 0.81

 

CMYK 74 / 34 / 0 / 0

HEX #1794FFCE

RGBA 23 148 255 0.81

HSLA 207.67, 1%, 0.55%, 0.81

LABA 60.41, 7.22, -61.75, 0.81

 

CMYK 68 / 28 / 0 / 0

HEX #28A6FFCE

RGBA 40 166 255 0.81

HSLA 204.84, 1%, 0.58%, 0.81

LABA 65.7, -2.32, -53.3, 0.81

 

CMYK 63 / 23 / 0 / 0

HEX #39B8FFCE

RGBA 57 184 255 0.81

HSLA 201.52, 1%, 0.61%, 0.81

LABA 71.13, -10.86, -44.73, 0.81

 

CMYK 57 / 17 / 0 / 0

HEX #4ACAFFCE

RGBA 74 202 255 0.81

HSLA 197.57, 1%, 0.65%, 0.81

LABA 76.63, -18.44, -36.13, 0.81

 

CMYK 81 / 39 / 0 / 2

HEX #0182FACE

RGBA 1 130 250 0.81

HSLA 208.92, 0.99%, 0.49%, 0.81

LABA 54.94, 15.64, -67.8, 0.81

 

CMYK 81 / 42 / 0 / 8

HEX #0070E7CE

RGBA 0 112 231 0.81

HSLA 210.91, 1%, 0.45%, 0.81

LABA 48.71, 19.56, -67.3, 0.81

 

CMYK 81 / 45 / 0 / 14

HEX #005ED4CE

RGBA 0 94 212 0.81

HSLA 213.4, 1%, 0.42%, 0.81

LABA 42.4, 23.71, -66.77, 0.81

 

CMYK 81 / 49 / 0 / 20

HEX #004CC1CE

RGBA 0 76 193 0.81

HSLA 216.37, 1%, 0.38%, 0.81

LABA 36.02, 28.06, -66.19, 0.81

 

CMYK 81 / 54 / 0 / 26

HEX #003AAECE

RGBA 0 58 174 0.81

HSLA 220, 1%, 0.34%, 0.81

LABA 29.62, 32.55, -65.46, 0.81

 

CMYK 100 / 48 / 0 / 2

HEX #0181F9

RGB 1 129 249

HSL 209.03, 0.99%, 0.49%

LAB 54.6, 15.88, -67.8

 

CMYK 100 / 75 / 0 / 2

HEX #013FF9

RGB 1 63 249

HSL 225, 0.99%, 0.49%

LAB 38.55, 56.64, -94.08

 

CMYK 97 / 100 / 0 / 2

HEX #0701F9

RGB 7 1 249

HSL 241.45, 0.99%, 0.49%

LAB 31.59, 77.66, -105.67

 

CMYK 71 / 100 / 0 / 2

HEX #4901F9

RGB 73 1 249

HSL 257.42, 0.99%, 0.49%

LAB 34.55, 78.78, -100.65

 

CMYK 44 / 100 / 0 / 2

HEX #8C01F9

RGB 140 1 249

HSL 273.63, 0.99%, 0.49%

LAB 41.9, 82.82, -88.25

 

CMYK 100 / 48 / 0 / 2

HEX #0181F9

RGB 1 129 249

HSL 209.03, 0.99%, 0.49%

LAB 54.6, 15.88, -67.8

 

CMYK 100 / 75 / 0 / 2

HEX #013FF9

RGB 1 63 249

HSL 225, 0.99%, 0.49%

LAB 38.55, 56.64, -94.08

 

CMYK 100 / 100 / 0 / 2

HEX #0101F9

RGB 1 1 249

HSL 240, 0.99%, 0.49%

LAB 31.5, 77.63, -105.83

 

CMYK 100 / 48 / 0 / 2

HEX #0181F9

RGB 1 129 249

HSL 209.03, 0.99%, 0.49%

LAB 54.6, 15.88, -67.8

 

CMYK 100 / 48 / 0 / 2

HEX #0181F9

RGB 1 129 249

HSL 209.03, 0.99%, 0.49%

LAB 54.6, 15.88, -67.8

 

CMYK 91 / 43 / 0 / 11

HEX #1581E4

RGB 21 129 228

HSL 208.7, 0.83%, 0.49%

LAB 53.45, 8.4, -57.96

 

CMYK 80 / 38 / 0 / 18

HEX #2A80D0

RGB 42 128 208

HSL 208.92, 0.66%, 0.49%

LAB 52.38, 2.94, -48.38

 

CMYK 67 / 32 / 0 / 26

HEX #3E7FBC

RGB 62 127 188

HSL 209.05, 0.5%, 0.49%

LAB 51.65, -1.03, -38.1

 

CMYK 51 / 25 / 0 / 34

HEX #527EA8

RGB 82 126 168

HSL 209.3, 0.34%, 0.49%

LAB 51.32, -2.98, -27.02

 

CMYK 100 / 0 / 7 / 2

HEX #01F9E8

RGB 1 249 232

HSL 175.89, 0.99%, 0.49%

LAB 88.73, -51.98, -5.73

 

CMYK 100 / 20 / 0 / 2

HEX #01C7F9

RGB 1 199 249

HSL 192.1, 0.99%, 0.49%

LAB 74.63, -23.82, -36.08

 

CMYK 100 / 47 / 0 / 2

HEX #0185F9

RGB 1 133 249

HSL 208.06, 0.99%, 0.49%

LAB 55.71, 13.4, -66.02

 

CMYK 100 / 73 / 0 / 2

HEX #0143F9

RGB 1 67 249

HSL 224.03, 0.99%, 0.49%

LAB 39.34, 54.41, -92.77

 

CMYK 100 / 100 / 0 / 2

HEX #0101F9

RGB 1 1 249

HSL 240, 0.99%, 0.49%

LAB 31.5, 77.63, -105.83

 

CMYK 99 / 48 / 0 / 35

HEX #0157A7

RGB 1 87 167

HSL 208.92, 0.99%, 0.33%

LAB 37.14, 10.07, -49.03

 

CMYK 100 / 48 / 0 / 18

HEX #016CD0

RGB 1 108 208

HSL 208.99, 0.99%, 0.41%

LAB 46.02, 13.04, -58.6

 

CMYK 100 / 48 / 0 / 2

HEX #0181F9

RGB 1 129 249

HSL 209.03, 0.99%, 0.49%

LAB 54.6, 15.88, -67.8

 

CMYK 85 / 41 / 0 / 0

HEX #2595FE

RGB 37 149 254

HSL 209.03, 0.99%, 0.57%

LAB 60.82, 7.02, -60.54

 

CMYK 69 / 33 / 0 / 0

HEX #4EA9FE

RGB 78 169 254

HSL 208.98, 0.99%, 0.65%

LAB 67.39, -0.31, -50.03

 

CMYK 100 / 48 / 0 / 2

HEX #0182FA

RGB 1 130 250

HSL 208.92, 0.99%, 0.49%

LAB 54.94, 15.64, -67.8

 

CMYK 33 / 100 / 0 / 2

HEX #A601F9

RGB 166 1 249

HSL 279.92, 0.99%, 0.49%

LAB 45.59, 85.36, -82.05

 

CMYK 7 / 0 / 100 / 2

HEX #E8F901

RGB 232 249 1

HSL 64.11, 0.99%, 0.49%

LAB 93.84, -28.12, 91.21

 

CMYK 100 / 48 / 0 / 2

HEX #0182FA

RGB 1 130 250

HSL 208.92, 0.99%, 0.49%

LAB 54.94, 15.64, -67.8

 

CMYK 0 / 100 / 47 / 2

HEX #F90185

RGB 249 1 133

HSL 328.06, 0.99%, 0.49%

LAB 53.87, 83.59, -0.55

 

CMYK 47 / 0 / 100 / 2

HEX #85F901

RGB 133 249 1

HSL 88.06, 0.99%, 0.49%

LAB 88.32, -64.19, 84.59

 

CMYK 100 / 48 / 0 / 2

HEX #0182FA

RGB 1 130 250

HSL 208.92, 0.99%, 0.49%

LAB 54.94, 15.64, -67.8

 

CMYK 33 / 100 / 0 / 2

HEX #A601F9

RGB 166 1 249

HSL 279.92, 0.99%, 0.49%

LAB 45.59, 85.36, -82.05

 

CMYK 0 / 53 / 100 / 2

HEX #F97501

RGB 249 117 1

HSL 28.06, 0.99%, 0.49%

LAB 64.05, 45.9, 71.66

 

CMYK 66 / 0 / 100 / 2

HEX #54F901

RGB 84 249 1

HSL 99.92, 0.99%, 0.49%

LAB 86.82, -76.34, 82.76

 

CMYK 100 / 48 / 0 / 2

HEX #0182FA

RGB 1 130 250

HSL 208.92, 0.99%, 0.49%

LAB 54.94, 15.64, -67.8

 

CMYK 4 / 100 / 0 / 2

HEX #F001F9

RGB 240 1 249

HSL 297.82, 0.99%, 0.49%

LAB 57.45, 95.06, -62.25

 

CMYK 0 / 53 / 100 / 2

HEX #F97501

RGB 249 117 1

HSL 28.06, 0.99%, 0.49%

LAB 64.05, 45.9, 71.66

 

CMYK 96 / 0 / 100 / 2

HEX #09F901

RGB 9 249 1

HSL 118.06, 0.99%, 0.49%

LAB 85.91, -84.36, 81.65

 

Description

Color code: HEX #0182FACE | qconv.com Color code: HEX #0182FACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 130 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 130 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 39 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 39% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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