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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01826C it is the complementary color #FE7D93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01826C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01826C shade: #068267, #17947A, #28A68D, #39B8A0 and #4ACAB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01826C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01826C shade: #01826C, #007059, #005E46, #004C33 and #003A20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01826C shade: #01836D, #01834A, #018327, #018304 and #228301

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01826C shade: #01836D, #017683, #015383, #013083 and #010D83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01826C shade matches the following richer shades: #01836D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01826C shade: #01836D, #0C7966, #176E5F, #226358 and #2C5851

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01826C shade: #018326, #018349, #01836B, #017883 and #015683

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01826C shade: #013229, #015A4B, #01836D, #02AC8F and #02D5B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01826C shade: #01826C, #030183 and #833701

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01826C shade: #01826C, #6B0183 and #836B01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01826C shade: #01826C, #030183, #830119 and #818301

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01826C shade: #01826C, #2A0183, #830119 and #5A8301

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 17 / 49

HEX #01826C

RGB 1 130 108

HSL 169.77, 0.98%, 0.26%

LAB 48.33, -35.84, 3.4

 

Complementary color

CMYK 0 / 51 / 42 / 0

HEX #FE7D93

RGB 254 125 147

HSL 349.77, 0.98%, 0.74%

LAB 67.91, 51.1, 11.57

 

CMYK 95 / 0 / 21 / 49

HEX #068267

RGB 6 130 103

HSL 166.94, 0.91%, 0.27%

LAB 48.24, -36.93, 6.2

 

CMYK 84 / 0 / 18 / 42

HEX #17947A

RGB 23 148 122

HSL 167.52, 0.73%, 0.34%

LAB 54.83, -38.41, 4.68

 

CMYK 76 / 0 / 15 / 35

HEX #28A68D

RGB 40 166 141

HSL 168.1, 0.61%, 0.4%

LAB 61.35, -39.42, 3.36

 

CMYK 69 / 0 / 13 / 28

HEX #39B8A0

RGB 57 184 160

HSL 168.66, 0.53%, 0.47%

LAB 67.79, -40.07, 2.18

 

CMYK 63 / 0 / 11 / 21

HEX #4ACAB3

RGB 74 202 179

HSL 169.22, 0.55%, 0.54%

LAB 74.16, -40.49, 1.13

 

CMYK 99 / 0 / 17 / 49

HEX #01826C

RGB 1 130 108

HSL 169.77, 0.98%, 0.26%

LAB 48.33, -35.84, 3.4

 

CMYK 100 / 0 / 21 / 56

HEX #007059

RGB 0 112 89

HSL 167.68, 1%, 0.22%

LAB 41.7, -33.34, 5.15

 

CMYK 100 / 0 / 26 / 63

HEX #005E46

RGB 0 94 70

HSL 164.68, 1%, 0.18%

LAB 34.9, -30.7, 7.05

 

CMYK 100 / 0 / 33 / 70

HEX #004C33

RGB 0 76 51

HSL 160.26, 1%, 0.15%

LAB 27.87, -27.93, 9.1

 

CMYK 100 / 0 / 45 / 77

HEX #003A20

RGB 0 58 32

HSL 153.1, 1%, 0.11%

LAB 20.56, -24.96, 11.36

 

CMYK 99 / 0 / 17 / 49

HEX #01836D

RGB 1 131 109

HSL 169.85, 0.98%, 0.26%

LAB 48.69, -35.99, 3.33

 

CMYK 99 / 0 / 44 / 49

HEX #01834A

RGB 1 131 74

HSL 153.69, 0.98%, 0.26%

LAB 47.92, -44.59, 22.4

 

CMYK 99 / 0 / 70 / 49

HEX #018327

RGB 1 131 39

HSL 137.54, 0.98%, 0.26%

LAB 47.48, -50.05, 39.61

 

CMYK 99 / 0 / 97 / 49

HEX #018304

RGB 1 131 4

HSL 121.38, 0.98%, 0.26%

LAB 47.3, -52.35, 49.95

 

CMYK 74 / 0 / 99 / 49

HEX #228301

RGB 34 131 1

HSL 104.77, 0.98%, 0.26%

LAB 47.72, -48.62, 51.07

 

CMYK 99 / 0 / 17 / 49

HEX #01836D

RGB 1 131 109

HSL 169.85, 0.98%, 0.26%

LAB 48.69, -35.99, 3.33

 

CMYK 99 / 10 / 0 / 49

HEX #017683

RGB 1 118 131

HSL 186, 0.98%, 0.26%

LAB 45.08, -22.72, -15.05

 

CMYK 99 / 37 / 0 / 49

HEX #015383

RGB 1 83 131

HSL 202.15, 0.98%, 0.26%

LAB 33.63, -2.34, -32.86

 

CMYK 99 / 63 / 0 / 49

HEX #013083

RGB 1 48 131

HSL 218.31, 0.98%, 0.26%

LAB 22.86, 21.91, -50.23

 

CMYK 99 / 90 / 0 / 49

HEX #010D83

RGB 1 13 131

HSL 234.46, 0.98%, 0.26%

LAB 15.13, 43.32, -63.01

 

CMYK 99 / 0 / 17 / 49

HEX #01836D

RGB 1 131 109

HSL 169.85, 0.98%, 0.26%

LAB 48.69, -35.99, 3.33

 

CMYK 99 / 0 / 17 / 49

HEX #01836D

RGB 1 131 109

HSL 169.85, 0.98%, 0.26%

LAB 48.69, -35.99, 3.33

 

CMYK 90 / 0 / 16 / 53

HEX #0C7966

RGB 12 121 102

HSL 169.54, 0.82%, 0.26%

LAB 45.24, -32.84, 2.48

 

CMYK 79 / 0 / 14 / 57

HEX #176E5F

RGB 23 110 95

HSL 169.66, 0.65%, 0.26%

LAB 41.47, -28.64, 1.23

 

CMYK 66 / 0 / 11 / 61

HEX #226358

RGB 34 99 88

HSL 169.85, 0.49%, 0.26%

LAB 37.79, -23.43, 0.17

 

CMYK 50 / 0 / 8 / 65

HEX #2C5851

RGB 44 88 81

HSL 170.45, 0.33%, 0.26%

LAB 34.21, -17.18, -0.66

 

CMYK 99 / 0 / 71 / 49

HEX #018326

RGB 1 131 38

HSL 137.08, 0.98%, 0.26%

LAB 47.47, -50.16, 40.03

 

CMYK 99 / 0 / 44 / 49

HEX #018349

RGB 1 131 73

HSL 153.23, 0.98%, 0.26%

LAB 47.91, -44.79, 22.94

 

CMYK 99 / 0 / 18 / 49

HEX #01836B

RGB 1 131 107

HSL 168.92, 0.98%, 0.26%

LAB 48.64, -36.56, 4.43

 

CMYK 99 / 8 / 0 / 49

HEX #017883

RGB 1 120 131

HSL 185.08, 0.98%, 0.26%

LAB 45.74, -23.76, -14.05

 

CMYK 99 / 34 / 0 / 49

HEX #015683

RGB 1 86 131

HSL 200.77, 0.98%, 0.26%

LAB 34.6, -4.25, -31.32

 

CMYK 98 / 0 / 18 / 80

HEX #013229

RGB 1 50 41

HSL 168.98, 0.96%, 0.1%

LAB 17.68, -18.29, 1.31

 

CMYK 99 / 0 / 17 / 65

HEX #015A4B

RGB 1 90 75

HSL 169.89, 0.98%, 0.18%

LAB 33.62, -27.3, 2.11

 

CMYK 99 / 0 / 17 / 49

HEX #01836D

RGB 1 131 109

HSL 169.85, 0.98%, 0.26%

LAB 48.69, -35.99, 3.33

 

CMYK 99 / 0 / 17 / 33

HEX #02AC8F

RGB 2 172 143

HSL 169.76, 0.98%, 0.34%

LAB 62.93, -44.13, 4.47

 

CMYK 99 / 0 / 17 / 16

HEX #02D5B1

RGB 2 213 177

HSL 169.76, 0.98%, 0.42%

LAB 76.54, -51.95, 5.54

 

CMYK 99 / 0 / 17 / 49

HEX #01826C

RGB 1 130 108

HSL 169.77, 0.98%, 0.26%

LAB 48.33, -35.84, 3.4

 

CMYK 98 / 99 / 0 / 49

HEX #030183

RGB 3 1 131

HSL 240.92, 0.98%, 0.26%

LAB 13.71, 47.94, -65.38

 

CMYK 0 / 58 / 99 / 49

HEX #833701

RGB 131 55 1

HSL 24.92, 0.98%, 0.26%

LAB 33.05, 30.25, 43.79

 

CMYK 99 / 0 / 17 / 49

HEX #01826C

RGB 1 130 108

HSL 169.77, 0.98%, 0.26%

LAB 48.33, -35.84, 3.4

 

CMYK 18 / 99 / 0 / 49

HEX #6B0183

RGB 107 1 131

HSL 288.92, 0.98%, 0.26%

LAB 26.12, 55.84, -44.5

 

CMYK 0 / 18 / 99 / 49

HEX #836B01

RGB 131 107 1

HSL 48.92, 0.98%, 0.26%

LAB 46.1, 0.25, 52.44

 

CMYK 99 / 0 / 17 / 49

HEX #01826C

RGB 1 130 108

HSL 169.77, 0.98%, 0.26%

LAB 48.33, -35.84, 3.4

 

CMYK 98 / 99 / 0 / 49

HEX #030183

RGB 3 1 131

HSL 240.92, 0.98%, 0.26%

LAB 13.71, 47.94, -65.38

 

CMYK 0 / 99 / 81 / 49

HEX #830119

RGB 131 1 25

HSL 348.92, 0.98%, 0.26%

LAB 26.5, 49.24, 26.8

 

CMYK 2 / 0 / 99 / 49

HEX #818301

RGB 129 131 1

HSL 60.92, 0.98%, 0.26%

LAB 52.84, -14.06, 57.24

 

CMYK 99 / 0 / 17 / 49

HEX #01826C

RGB 1 130 108

HSL 169.77, 0.98%, 0.26%

LAB 48.33, -35.84, 3.4

 

CMYK 68 / 99 / 0 / 49

HEX #2A0183

RGB 42 1 131

HSL 258.92, 0.98%, 0.26%

LAB 16.27, 49.03, -61.05

 

CMYK 0 / 99 / 81 / 49

HEX #830119

RGB 131 1 25

HSL 348.92, 0.98%, 0.26%

LAB 26.5, 49.24, 26.8

 

CMYK 31 / 0 / 99 / 49

HEX #5A8301

RGB 90 131 1

HSL 78.92, 0.98%, 0.26%

LAB 49.99, -31.26, 53.83

 

Description

Color code: HEX #01826C | qconv.com Color code: HEX #01826C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 130 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 130 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 17 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 17% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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