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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01519A it is the complementary color #FEAE65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01519A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01519A shade: #065195, #1763A8, #2875BB, #3987CE and #4A99E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01519A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01519A shade: #01519A, #003F87, #002D74, #001B61 and #00094E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01519A shade: #015098, #012798, #030198, #2C0198 and #550198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01519A shade: #015098, #012798 and #010198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01519A shade matches the following richer shades: #015098

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01519A shade: #015098, #0D4F8C, #1A4F7F, #264E73 and #324E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01519A shade: #01988E, #017A98, #015298, #012998 and #010198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01519A shade: #002546, #013A6F, #015098, #0166C1 and #017BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01519A shade: #01519A, #660198 and #8E9801

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01519A shade: #01519A, #980152 and #529801

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01519A shade: #01519A, #660198, #984701 and #339801

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01519A shade: #01519A, #930198, #984701 and #069801

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 47 / 0 / 40

HEX #01519A

RGB 1 81 154

HSL 208.63, 0.99%, 0.3%

LAB 34.45, 8.65, -45.57

 

Complementary color

CMYK 0 / 31 / 60 / 0

HEX #FEAE65

RGB 254 174 101

HSL 28.63, 0.99%, 0.7%

LAB 77.45, 22.17, 48.72

 

CMYK 96 / 46 / 0 / 42

HEX #065195

RGB 6 81 149

HSL 208.53, 0.92%, 0.3%

LAB 34.18, 6.81, -42.98

 

CMYK 86 / 41 / 0 / 34

HEX #1763A8

RGB 23 99 168

HSL 208.55, 0.76%, 0.37%

LAB 41.11, 3.85, -43.23

 

CMYK 79 / 37 / 0 / 27

HEX #2875BB

RGB 40 117 187

HSL 208.57, 0.65%, 0.45%

LAB 47.96, 1.58, -43.4

 

CMYK 72 / 34 / 0 / 19

HEX #3987CE

RGB 57 135 206

HSL 208.59, 0.6%, 0.52%

LAB 54.71, -0.19, -43.52

 

CMYK 67 / 32 / 0 / 12

HEX #4A99E1

RGB 74 153 225

HSL 208.61, 0.72%, 0.59%

LAB 61.37, -1.58, -43.62

 

CMYK 99 / 47 / 0 / 40

HEX #01519A

RGB 1 81 154

HSL 208.63, 0.99%, 0.3%

LAB 34.45, 8.65, -45.57

 

CMYK 100 / 53 / 0 / 47

HEX #003F87

RGB 0 63 135

HSL 212, 1%, 0.26%

LAB 27.58, 12.87, -45.03

 

CMYK 100 / 61 / 0 / 55

HEX #002D74

RGB 0 45 116

HSL 216.72, 1%, 0.23%

LAB 20.59, 17.52, -44.43

 

CMYK 100 / 72 / 0 / 62

HEX #001B61

RGB 0 27 97

HSL 223.3, 1%, 0.19%

LAB 13.51, 22.46, -43.63

 

CMYK 100 / 88 / 0 / 69

HEX #00094E

RGB 0 9 78

HSL 233.08, 1%, 0.15%

LAB 6.73, 26.67, -41.96

 

CMYK 99 / 47 / 0 / 40

HEX #015098

RGB 1 80 152

HSL 208.61, 0.99%, 0.3%

LAB 34.01, 8.48, -45.07

 

CMYK 99 / 74 / 0 / 40

HEX #012798

RGB 1 39 152

HSL 224.9, 0.99%, 0.3%

LAB 22.74, 36.5, -63.48

 

CMYK 98 / 99 / 0 / 40

HEX #030198

RGB 3 1 152

HSL 240.79, 0.99%, 0.3%

LAB 17.03, 53.53, -72.98

 

CMYK 71 / 99 / 0 / 40

HEX #2C0198

RGB 44 1 152

HSL 257.09, 0.99%, 0.3%

LAB 19.33, 54.46, -69.09

 

CMYK 44 / 99 / 0 / 40

HEX #550198

RGB 85 1 152

HSL 273.38, 0.99%, 0.3%

LAB 24.39, 57.35, -60.55

 

CMYK 99 / 47 / 0 / 40

HEX #015098

RGB 1 80 152

HSL 208.61, 0.99%, 0.3%

LAB 34.01, 8.48, -45.07

 

CMYK 99 / 74 / 0 / 40

HEX #012798

RGB 1 39 152

HSL 224.9, 0.99%, 0.3%

LAB 22.74, 36.5, -63.48

 

CMYK 99 / 99 / 0 / 40

HEX #010198

RGB 1 1 152

HSL 240, 0.99%, 0.3%

LAB 16.97, 53.51, -73.09

 

CMYK 99 / 47 / 0 / 40

HEX #015098

RGB 1 80 152

HSL 208.61, 0.99%, 0.3%

LAB 34.01, 8.48, -45.07

 

CMYK 99 / 47 / 0 / 40

HEX #015098

RGB 1 80 152

HSL 208.61, 0.99%, 0.3%

LAB 34.01, 8.48, -45.07

 

CMYK 91 / 44 / 0 / 45

HEX #0D4F8C

RGB 13 79 140

HSL 208.82, 0.83%, 0.3%

LAB 33.07, 4.79, -39.26

 

CMYK 80 / 38 / 0 / 50

HEX #1A4F7F

RGB 26 79 127

HSL 208.51, 0.66%, 0.3%

LAB 32.58, 0.72, -32.03

 

CMYK 67 / 32 / 0 / 55

HEX #264E73

RGB 38 78 115

HSL 208.83, 0.5%, 0.3%

LAB 32.03, -1.33, -25.39

 

CMYK 51 / 24 / 0 / 60

HEX #324E67

RGB 50 78 103

HSL 208.3, 0.35%, 0.3%

LAB 32.05, -2.76, -17.77

 

CMYK 99 / 0 / 7 / 40

HEX #01988E

RGB 1 152 142

HSL 176.03, 0.99%, 0.3%

LAB 56.5, -35.72, -4.34

 

CMYK 99 / 20 / 0 / 40

HEX #017A98

RGB 1 122 152

HSL 191.92, 0.99%, 0.3%

LAB 47.23, -17.31, -24.19

 

CMYK 99 / 46 / 0 / 40

HEX #015298

RGB 1 82 152

HSL 207.81, 0.99%, 0.3%

LAB 34.62, 7.14, -44.09

 

CMYK 99 / 73 / 0 / 40

HEX #012998

RGB 1 41 152

HSL 224.11, 0.99%, 0.3%

LAB 23.2, 35.22, -62.71

 

CMYK 99 / 99 / 0 / 40

HEX #010198

RGB 1 1 152

HSL 240, 0.99%, 0.3%

LAB 16.97, 53.51, -73.09

 

CMYK 100 / 47 / 0 / 73

HEX #002546

RGB 0 37 70

HSL 208.29, 1%, 0.14%

LAB 14.2, 2.27, -24.21

 

CMYK 99 / 48 / 0 / 56

HEX #013A6F

RGB 1 58 111

HSL 208.91, 0.98%, 0.22%

LAB 24.26, 5.93, -35.27

 

CMYK 99 / 47 / 0 / 40

HEX #015098

RGB 1 80 152

HSL 208.61, 0.99%, 0.3%

LAB 34.01, 8.48, -45.07

 

CMYK 99 / 47 / 0 / 24

HEX #0166C1

RGB 1 102 193

HSL 208.44, 0.99%, 0.38%

LAB 43.3, 10.88, -54.36

 

CMYK 100 / 47 / 0 / 8

HEX #017BEA

RGB 1 123 234

HSL 208.58, 0.99%, 0.46%

LAB 51.96, 13.8, -63.72

 

CMYK 99 / 47 / 0 / 40

HEX #01519A

RGB 1 81 154

HSL 208.63, 0.99%, 0.3%

LAB 34.45, 8.65, -45.57

 

CMYK 33 / 99 / 0 / 40

HEX #660198

RGB 102 1 152

HSL 280.13, 0.99%, 0.3%

LAB 27.06, 59.24, -56.06

 

CMYK 7 / 0 / 99 / 40

HEX #8E9801

RGB 142 152 1

HSL 63.97, 0.99%, 0.3%

LAB 60.08, -19.13, 63.09

 

CMYK 99 / 47 / 0 / 40

HEX #01519A

RGB 1 81 154

HSL 208.63, 0.99%, 0.3%

LAB 34.45, 8.65, -45.57

 

CMYK 0 / 99 / 46 / 40

HEX #980152

RGB 152 1 82

HSL 327.81, 0.99%, 0.3%

LAB 32.49, 58.03, -2.3

 

CMYK 46 / 0 / 99 / 40

HEX #529801

RGB 82 152 1

HSL 87.81, 0.99%, 0.3%

LAB 56.34, -43.34, 58.6

 

CMYK 99 / 47 / 0 / 40

HEX #01519A

RGB 1 81 154

HSL 208.63, 0.99%, 0.3%

LAB 34.45, 8.65, -45.57

 

CMYK 33 / 99 / 0 / 40

HEX #660198

RGB 102 1 152

HSL 280.13, 0.99%, 0.3%

LAB 27.06, 59.24, -56.06

 

CMYK 0 / 53 / 99 / 40

HEX #984701

RGB 152 71 1

HSL 27.81, 0.99%, 0.3%

LAB 39.89, 30.54, 49.66

 

CMYK 66 / 0 / 99 / 40

HEX #339801

RGB 51 152 1

HSL 100.13, 0.99%, 0.3%

LAB 55.24, -52.13, 57.26

 

CMYK 99 / 47 / 0 / 40

HEX #01519A

RGB 1 81 154

HSL 208.63, 0.99%, 0.3%

LAB 34.45, 8.65, -45.57

 

CMYK 3 / 99 / 0 / 40

HEX #930198

RGB 147 1 152

HSL 298.01, 0.99%, 0.3%

LAB 34.99, 65.82, -42.83

 

CMYK 0 / 53 / 99 / 40

HEX #984701

RGB 152 71 1

HSL 27.81, 0.99%, 0.3%

LAB 39.89, 30.54, 49.66

 

CMYK 96 / 0 / 99 / 40

HEX #069801

RGB 6 152 1

HSL 118.01, 0.99%, 0.3%

LAB 54.55, -58.18, 56.42

 

Description

Color code: HEX #01519A | qconv.com Color code: HEX #01519A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 81 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 81 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 47 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 47% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - ぐるなび-宴会・グルメ情報検索サイト
Link: http://gnavi.co.jp

26% - ぐるなび-宴会・グルメ情報検索サイト
Link: http://www.gnavi.co.jp

12% - 设计艺术网 -派图啦-设计艺术门户网站-...
Link: http://paiwaimai.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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