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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #011EB5 it is the complementary color #FEE14A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #011EB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #011EB5: #061EB0, #1730C3, #2842D6, #3954E9 and #4A66FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #011EB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #011EB5: #011EB5, #000CA2, #00008F, #00007C and #000069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 83 / 0 / 29

HEX #011EB5

RGB 1 30 181

HSL 230.33, 0.99%, 0.36%

LAB 24.55, 51.57, -78.04

 

Complementary color

CMYK 0 / 11 / 71 / 0

HEX #FEE14A

RGB 254 225 74

HSL 50.33, 0.99%, 0.64%

LAB 89.59, -5.67, 73.52

 

CMYK 97 / 83 / 0 / 31

HEX #061EB0

RGB 6 30 176

HSL 231.53, 0.93%, 0.36%

LAB 24.01, 50.06, -75.95

 

CMYK 88 / 75 / 0 / 24

HEX #1730C3

RGB 23 48 195

HSL 231.28, 0.79%, 0.43%

LAB 30, 47.29, -77.26

 

CMYK 81 / 69 / 0 / 16

HEX #2842D6

RGB 40 66 214

HSL 231.03, 0.69%, 0.5%

LAB 36.37, 44.23, -77.77

 

CMYK 76 / 64 / 0 / 9

HEX #3954E9

RGB 57 84 233

HSL 230.8, 0.8%, 0.57%

LAB 42.9, 41.33, -77.84

 

CMYK 71 / 60 / 0 / 1

HEX #4A66FC

RGB 74 102 252

HSL 230.56, 0.97%, 0.64%

LAB 49.48, 38.74, -77.7

 

CMYK 99 / 83 / 0 / 29

HEX #011EB5

RGB 1 30 181

HSL 230.33, 0.99%, 0.36%

LAB 24.55, 51.57, -78.04

 

CMYK 100 / 93 / 0 / 36

HEX #000CA2

RGB 0 12 162

HSL 235.56, 1%, 0.32%

LAB 19.52, 52.95, -74.95

 

CMYK 100 / 100 / 0 / 44

HEX #00008F

RGB 0 0 143

HSL 240, 1%, 0.28%

LAB 15.4, 51.48, -70.12

 

CMYK 100 / 100 / 0 / 51

HEX #00007C

RGB 0 0 124

HSL 240, 1%, 0.24%

LAB 12.32, 46.43, -63.24

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 99 / 83 / 0 / 29

HEX #011EB5

RGB 1 30 181

HSL 230.33, 0.99%, 0.36%

LAB 24.55, 51.57, -78.04

 

CMYK 100 / 100 / 0 / 29

HEX #0000B6

RGB 0 0 182

HSL 240, 1%, 0.36%

LAB 21.5, 61.48, -83.73

 

CMYK 83 / 100 / 0 / 29

HEX #1F00B6

RGB 31 0 182

HSL 250.22, 1%, 0.36%

LAB 22.54, 61.83, -81.95

 

CMYK 66 / 100 / 0 / 29

HEX #3D00B6

RGB 61 0 182

HSL 260.11, 1%, 0.36%

LAB 24.86, 62.79, -78.04

 

CMYK 50 / 100 / 0 / 29

HEX #5B00B6

RGB 91 0 182

HSL 270, 1%, 0.36%

LAB 28.38, 64.7, -72.08

 

CMYK 99 / 83 / 0 / 29

HEX #011EB5

RGB 1 30 181

HSL 230.33, 0.99%, 0.36%

LAB 24.55, 51.57, -78.04

 

CMYK 100 / 84 / 0 / 9

HEX #0126E8

RGB 1 38 232

HSL 230.39, 0.99%, 0.46%

LAB 32.3, 63.63, -94.86

 

CMYK 100 / 82 / 0 / 89

HEX #00051C

RGB 0 5 28

HSL 229.29, 1%, 0.05%

LAB 1.74, 3.32, -12.94

 

CMYK 100 / 84 / 0 / 69

HEX #000D4F

RGB 0 13 79

HSL 230.13, 1%, 0.15%

LAB 7.7, 24.78, -41.05

 

CMYK 99 / 83 / 0 / 49

HEX #011682

RGB 1 22 130

HSL 230.23, 0.98%, 0.26%

LAB 16.46, 38.63, -60.15

 

CMYK 99 / 83 / 0 / 29

HEX #011EB5

RGB 1 30 181

HSL 230.33, 0.99%, 0.36%

LAB 24.55, 51.57, -78.04

 

CMYK 0 / 100 / 3 / 29

HEX #B600B0

RGB 182 0 176

HSL 301.98, 1%, 0.36%

LAB 42.88, 75.4, -44.26

 

CMYK 43 / 0 / 100 / 29

HEX #67B600

RGB 103 182 0

HSL 86.04, 1%, 0.36%

LAB 66.78, -48.32, 67.31

 

CMYK 99 / 83 / 0 / 29

HEX #011EB5

RGB 1 30 181

HSL 230.33, 0.99%, 0.36%

LAB 24.55, 51.57, -78.04

 

CMYK 0 / 100 / 83 / 29

HEX #B6001F

RGB 182 0 31

HSL 349.78, 1%, 0.36%

LAB 37.92, 62.67, 38.45

 

CMYK 83 / 0 / 100 / 29

HEX #1FB600

RGB 31 182 0

HSL 109.78, 1%, 0.36%

LAB 64.76, -64.79, 64.86

 

CMYK 99 / 83 / 0 / 29

HEX #011EB5

RGB 1 30 181

HSL 230.33, 0.99%, 0.36%

LAB 24.55, 51.57, -78.04

 

CMYK 0 / 100 / 3 / 29

HEX #B600B0

RGB 182 0 176

HSL 301.98, 1%, 0.36%

LAB 42.88, 75.4, -44.26

 

CMYK 0 / 16 / 100 / 29

HEX #B69800

RGB 182 152 0

HSL 50.11, 1%, 0.36%

LAB 63.67, -1.03, 67.48

 

CMYK 100 / 0 / 97 / 29

HEX #00B606

RGB 0 182 6

HSL 121.98, 1%, 0.36%

LAB 64.54, -66.76, 63.83

 

CMYK 99 / 83 / 0 / 29

HEX #011EB5

RGB 1 30 181

HSL 230.33, 0.99%, 0.36%

LAB 24.55, 51.57, -78.04

 

CMYK 0 / 100 / 33 / 29

HEX #B6007A

RGB 182 0 122

HSL 319.78, 1%, 0.36%

LAB 40.16, 68.6, -15.71

 

CMYK 0 / 16 / 100 / 29

HEX #B69800

RGB 182 152 0

HSL 50.11, 1%, 0.36%

LAB 63.67, -1.03, 67.48

 

CMYK 100 / 0 / 66 / 29

HEX #00B63D

RGB 0 182 61

HSL 140.11, 1%, 0.36%

LAB 64.8, -63.44, 49.04

 

Description

Color code: HEX #011EB5 | qconv.com Color code: HEX #011EB5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 30 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 30 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 83 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 83% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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