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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00F590 it is the complementary color #FF0A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00F590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00F590 shade: #05F58B, #16FF9E, #27FFB1, #38FFC4 and #49FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00F590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00F590 shade: #00F590, #00E37D, #00D16A, #00BF57 and #00AD44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00F590 shade: #00F590, #00F54E, #00F50C, #36F500 and #78F500

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00F590 shade: #00F590, #00F5D2, #00D6F5, #0094F5 and #0052F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00F590 shade matches the following richer shades: #00F590

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00F590 shade: #00F590, #14E18C, #28CD89, #3BB985 and #4FA682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00F590 shade: #00F50C, #00F54E, #00F58F, #00F5D0 and #00D8F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00F590 shade: #00A25F, #00CC78, #00F590, #1FFFA3 and #48FFB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00F590 shade: #00F590, #0035F5 and #F52D00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00F590 shade: #00F590, #8F00F5 and #F58F00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00F590 shade: #00F590, #0035F5, #F50066 and #F5C000

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00F590 shade: #00F590, #1400F5, #F50066 and #E0F500

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

Complementary color

CMYK 0 / 96 / 56 / 0

HEX #FF0A6F

RGB 255 10 111

HSL 335.27, 1%, 0.52%

LAB 54.68, 82.76, 14.02

 

CMYK 98 / 0 / 43 / 4

HEX #05F58B

RGB 5 245 139

HSL 153.5, 0.96%, 0.49%

LAB 85.61, -71.64, 37.62

 

CMYK 91 / 0 / 38 / 0

HEX #16FF9E

RGB 22 255 158

HSL 155.02, 1%, 0.54%

LAB 89, -70.95, 32.68

 

CMYK 85 / 0 / 31 / 0

HEX #27FFB1

RGB 39 255 177

HSL 158.33, 1%, 0.58%

LAB 89.45, -66.19, 23.75

 

CMYK 78 / 0 / 23 / 0

HEX #38FFC4

RGB 56 255 196

HSL 162.21, 1%, 0.61%

LAB 90.02, -60.6, 14.85

 

CMYK 71 / 0 / 16 / 0

HEX #49FFD7

RGB 73 255 215

HSL 166.81, 1%, 0.64%

LAB 90.71, -54.25, 6.07

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 100 / 0 / 45 / 11

HEX #00E37D

RGB 0 227 125

HSL 153.04, 1%, 0.45%

LAB 79.85, -68.35, 37.1

 

CMYK 100 / 0 / 49 / 18

HEX #00D16A

RGB 0 209 106

HSL 150.43, 1%, 0.41%

LAB 73.96, -65.69, 39

 

CMYK 100 / 0 / 54 / 25

HEX #00BF57

RGB 0 191 87

HSL 147.33, 1%, 0.37%

LAB 67.98, -62.87, 40.89

 

CMYK 100 / 0 / 61 / 32

HEX #00AD44

RGB 0 173 68

HSL 143.58, 1%, 0.34%

LAB 61.92, -59.84, 42.69

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 100 / 0 / 68 / 4

HEX #00F54E

RGB 0 245 78

HSL 139.1, 1%, 0.48%

LAB 84.92, -79.98, 63.98

 

CMYK 100 / 0 / 95 / 4

HEX #00F50C

RGB 0 245 12

HSL 122.94, 1%, 0.48%

LAB 84.65, -83.43, 79.74

 

CMYK 78 / 0 / 100 / 4

HEX #36F500

RGB 54 245 0

HSL 106.78, 1%, 0.48%

LAB 85.04, -79.99, 81.19

 

CMYK 51 / 0 / 100 / 4

HEX #78F500

RGB 120 245 0

HSL 90.61, 1%, 0.48%

LAB 86.65, -66.53, 83.15

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 100 / 0 / 14 / 4

HEX #00F5D2

RGB 0 245 210

HSL 171.43, 1%, 0.48%

LAB 86.98, -56.24, 3.19

 

CMYK 100 / 13 / 0 / 4

HEX #00D6F5

RGB 0 214 245

HSL 187.59, 1%, 0.48%

LAB 78.86, -32.54, -27.43

 

CMYK 100 / 40 / 0 / 4

HEX #0094F5

RGB 0 148 245

HSL 203.76, 1%, 0.48%

LAB 59.68, 2.76, -57.43

 

CMYK 100 / 67 / 0 / 4

HEX #0052F5

RGB 0 82 245

HSL 219.92, 1%, 0.48%

LAB 42.2, 44.04, -85.81

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 91 / 0 / 38 / 12

HEX #14E18C

RGB 20 225 140

HSL 155.12, 0.84%, 0.48%

LAB 79.55, -64.22, 29.17

 

CMYK 80 / 0 / 33 / 20

HEX #28CD89

RGB 40 205 137

HSL 155.27, 0.67%, 0.48%

LAB 73.49, -56.17, 22.59

 

CMYK 68 / 0 / 28 / 27

HEX #3BB985

RGB 59 185 133

HSL 155.24, 0.52%, 0.48%

LAB 67.52, -46.68, 16.57

 

CMYK 52 / 0 / 22 / 35

HEX #4FA682

RGB 79 166 130

HSL 155.17, 0.36%, 0.48%

LAB 62.12, -34.99, 10.75

 

CMYK 100 / 0 / 95 / 4

HEX #00F50C

RGB 0 245 12

HSL 122.94, 1%, 0.48%

LAB 84.65, -83.43, 79.74

 

CMYK 100 / 0 / 68 / 4

HEX #00F54E

RGB 0 245 78

HSL 139.1, 1%, 0.48%

LAB 84.92, -79.98, 63.98

 

CMYK 100 / 0 / 42 / 4

HEX #00F58F

RGB 0 245 143

HSL 155.02, 1%, 0.48%

LAB 85.65, -71.06, 35.7

 

CMYK 100 / 0 / 15 / 4

HEX #00F5D0

RGB 0 245 208

HSL 170.94, 1%, 0.48%

LAB 86.93, -56.75, 4.16

 

CMYK 100 / 12 / 0 / 4

HEX #00D8F5

RGB 0 216 245

HSL 187.1, 1%, 0.48%

LAB 79.45, -33.5, -26.53

 

CMYK 100 / 0 / 41 / 36

HEX #00A25F

RGB 0 162 95

HSL 155.19, 1%, 0.32%

LAB 58.66, -51.71, 25.02

 

CMYK 100 / 0 / 41 / 20

HEX #00CC78

RGB 0 204 120

HSL 155.29, 1%, 0.4%

LAB 72.59, -61.56, 30.19

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 88 / 0 / 36 / 0

HEX #1FFFA3

RGB 31 255 163

HSL 155.36, 1%, 0.56%

LAB 89.14, -69.53, 30.38

 

CMYK 72 / 0 / 29 / 0

HEX #48FFB4

RGB 72 255 180

HSL 155.41, 1%, 0.64%

LAB 89.95, -62.21, 22.98

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 100 / 78 / 0 / 4

HEX #0035F5

RGB 0 53 245

HSL 227.02, 1%, 0.48%

LAB 36.25, 60.6, -95.65

 

CMYK 0 / 82 / 100 / 4

HEX #F52D00

RGB 245 45 0

HSL 11.02, 1%, 0.48%

LAB 53.26, 71.7, 66

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 42 / 100 / 0 / 4

HEX #8F00F5

RGB 143 0 245

HSL 275.02, 1%, 0.48%

LAB 41.89, 82.39, -86

 

CMYK 0 / 42 / 100 / 4

HEX #F58F00

RGB 245 143 0

HSL 35.02, 1%, 0.48%

LAB 68.79, 31.24, 74.4

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 100 / 78 / 0 / 4

HEX #0035F5

RGB 0 53 245

HSL 227.02, 1%, 0.48%

LAB 36.25, 60.6, -95.65

 

CMYK 0 / 100 / 58 / 4

HEX #F50066

RGB 245 0 102

HSL 335.02, 1%, 0.48%

LAB 52.25, 80.66, 15.8

 

CMYK 0 / 22 / 100 / 4

HEX #F5C000

RGB 245 192 0

HSL 47.02, 1%, 0.48%

LAB 80.24, 5.59, 82.01

 

CMYK 100 / 0 / 41 / 4

HEX #00F590

RGB 0 245 144

HSL 155.27, 1%, 0.48%

LAB 85.66, -70.88, 35.23

 

CMYK 92 / 100 / 0 / 4

HEX #1400F5

RGB 20 0 245

HSL 244.9, 1%, 0.48%

LAB 31.21, 76.94, -104.05

 

CMYK 0 / 100 / 58 / 4

HEX #F50066

RGB 245 0 102

HSL 335.02, 1%, 0.48%

LAB 52.25, 80.66, 15.8

 

CMYK 9 / 0 / 100 / 4

HEX #E0F500

RGB 224 245 0

HSL 65.14, 1%, 0.48%

LAB 92.2, -29.52, 89.81

 

Description

Color code: HEX #00F590 | qconv.com Color code: HEX #00F590 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 245 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 245 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 41 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 41% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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