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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00F115 it is the complementary color #FF0EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00F115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00F115 shade: #05F110, #16FF23, #27FF36, #38FF49 and #49FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00F115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00F115 shade: #00F115, #00DF02, #00CD00, #00BB00 and #00A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00F115 shade: #00F015, #2CF000, #6CF000, #ADF000 and #EEF000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00F115 shade: #00F015, #00F056, #00F096, #00F0D7 and #00C8F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00F115 shade matches the following richer shades: #00F015

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00F115 shade: #00F015, #13DC25, #27C935, #3AB645 and #4EA255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00F115 shade: #6CF000, #2CF000, #00F014, #00F054 and #00F094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00F115 shade: #009D0E, #00C611, #00F015, #1AFF2E and #43FF54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00F115 shade: #00F115, #00ACF0 and #F0004C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00F115 shade: #00F115, #1400F0 and #F01400

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00F115 shade: #00F115, #00ACF0, #F000DC and #F04400

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00F115 shade: #00F115, #0064F0, #F000DC and #F08C00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 91 / 5

HEX #00F115

RGB 0 241 21

HSL 125.23, 1%, 0.47%

LAB 83.42, -82.21, 77.72

 

Complementary color

CMYK 0 / 95 / 8 / 0

HEX #FF0EEA

RGB 255 14 234

HSL 305.23, 1%, 0.53%

LAB 59.45, 94.58, -50.53

 

CMYK 98 / 0 / 93 / 5

HEX #05F110

RGB 5 241 16

HSL 122.8, 0.96%, 0.48%

LAB 83.43, -82.16, 78.34

 

CMYK 91 / 0 / 86 / 0

HEX #16FF23

RGB 22 255 35

HSL 123.35, 1%, 0.54%

LAB 87.88, -84.67, 79.29

 

CMYK 85 / 0 / 79 / 0

HEX #27FF36

RGB 39 255 54

HSL 124.17, 1%, 0.58%

LAB 88.07, -82.65, 75.09

 

CMYK 78 / 0 / 71 / 0

HEX #38FF49

RGB 56 255 73

HSL 125.13, 1%, 0.61%

LAB 88.37, -79.63, 69.52

 

CMYK 71 / 0 / 64 / 0

HEX #49FF5C

RGB 73 255 92

HSL 126.26, 1%, 0.64%

LAB 88.78, -75.6, 62.91

 

CMYK 100 / 0 / 91 / 5

HEX #00F115

RGB 0 241 21

HSL 125.23, 1%, 0.47%

LAB 83.42, -82.21, 77.72

 

CMYK 100 / 0 / 99 / 13

HEX #00DF02

RGB 0 223 2

HSL 120.54, 1%, 0.44%

LAB 77.74, -77.85, 74.98

 

CMYK 100 / 0 / 100 / 20

HEX #00CD00

RGB 0 205 0

HSL 120, 1%, 0.4%

LAB 72, -73.11, 70.56

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 91 / 6

HEX #00F015

RGB 0 240 21

HSL 125.25, 1%, 0.47%

LAB 83.11, -81.94, 77.45

 

CMYK 82 / 0 / 100 / 6

HEX #2CF000

RGB 44 240 0

HSL 109, 1%, 0.47%

LAB 83.37, -79.75, 79.8

 

CMYK 55 / 0 / 100 / 6

HEX #6CF000

RGB 108 240 0

HSL 93, 1%, 0.47%

LAB 84.74, -68.03, 81.47

 

CMYK 28 / 0 / 100 / 6

HEX #ADF000

RGB 173 240 0

HSL 76.75, 1%, 0.47%

LAB 87.58, -47.23, 84.9

 

CMYK 1 / 0 / 100 / 6

HEX #EEF000

RGB 238 240 0

HSL 60.5, 1%, 0.47%

LAB 91.91, -21.42, 90.06

 

CMYK 100 / 0 / 91 / 6

HEX #00F015

RGB 0 240 21

HSL 125.25, 1%, 0.47%

LAB 83.11, -81.94, 77.45

 

CMYK 100 / 0 / 64 / 6

HEX #00F056

RGB 0 240 86

HSL 141.5, 1%, 0.47%

LAB 83.44, -77.76, 59.23

 

CMYK 100 / 0 / 38 / 6

HEX #00F096

RGB 0 240 150

HSL 157.5, 1%, 0.47%

LAB 84.24, -68.08, 30.33

 

CMYK 100 / 0 / 10 / 6

HEX #00F0D7

RGB 0 240 215

HSL 173.75, 1%, 0.47%

LAB 85.62, -52.91, -1.41

 

CMYK 100 / 17 / 0 / 6

HEX #00C8F0

RGB 0 200 240

HSL 190, 1%, 0.47%

LAB 74.57, -27.36, -31.34

 

CMYK 100 / 0 / 91 / 6

HEX #00F015

RGB 0 240 21

HSL 125.25, 1%, 0.47%

LAB 83.11, -81.94, 77.45

 

CMYK 100 / 0 / 91 / 6

HEX #00F015

RGB 0 240 21

HSL 125.25, 1%, 0.47%

LAB 83.11, -81.94, 77.45

 

CMYK 91 / 0 / 83 / 14

HEX #13DC25

RGB 19 220 37

HSL 125.37, 0.84%, 0.47%

LAB 76.96, -75.28, 69.13

 

CMYK 81 / 0 / 74 / 21

HEX #27C935

RGB 39 201 53

HSL 125.19, 0.68%, 0.47%

LAB 71.19, -67.12, 58.94

 

CMYK 68 / 0 / 62 / 29

HEX #3AB645

RGB 58 182 69

HSL 125.32, 0.52%, 0.47%

LAB 65.58, -56.51, 46.63

 

CMYK 52 / 0 / 48 / 36

HEX #4EA255

RGB 78 162 85

HSL 125, 0.35%, 0.47%

LAB 59.99, -42.02, 32.32

 

CMYK 55 / 0 / 100 / 6

HEX #6CF000

RGB 108 240 0

HSL 93, 1%, 0.47%

LAB 84.74, -68.03, 81.47

 

CMYK 82 / 0 / 100 / 6

HEX #2CF000

RGB 44 240 0

HSL 109, 1%, 0.47%

LAB 83.37, -79.75, 79.8

 

CMYK 100 / 0 / 92 / 6

HEX #00F014

RGB 0 240 20

HSL 125, 1%, 0.47%

LAB 83.11, -81.97, 77.59

 

CMYK 100 / 0 / 65 / 6

HEX #00F054

RGB 0 240 84

HSL 141, 1%, 0.47%

LAB 83.42, -77.97, 60.02

 

CMYK 100 / 0 / 38 / 6

HEX #00F094

RGB 0 240 148

HSL 157, 1%, 0.47%

LAB 84.2, -68.46, 31.3

 

CMYK 100 / 0 / 91 / 38

HEX #009D0E

RGB 0 157 14

HSL 125.35, 1%, 0.31%

LAB 56.23, -59.57, 55.72

 

CMYK 100 / 0 / 91 / 22

HEX #00C611

RGB 0 198 17

HSL 125.15, 1%, 0.39%

LAB 69.77, -70.86, 66.77

 

CMYK 100 / 0 / 91 / 6

HEX #00F015

RGB 0 240 21

HSL 125.25, 1%, 0.47%

LAB 83.11, -81.94, 77.45

 

CMYK 90 / 0 / 82 / 0

HEX #1AFF2E

RGB 26 255 46

HSL 125.24, 1%, 0.55%

LAB 87.94, -83.99, 76.98

 

CMYK 74 / 0 / 67 / 0

HEX #43FF54

RGB 67 255 84

HSL 125.43, 1%, 0.63%

LAB 88.62, -77.25, 65.83

 

CMYK 100 / 0 / 91 / 5

HEX #00F115

RGB 0 241 21

HSL 125.23, 1%, 0.47%

LAB 83.42, -82.21, 77.72

 

CMYK 100 / 28 / 0 / 6

HEX #00ACF0

RGB 0 172 240

HSL 197, 1%, 0.47%

LAB 66.36, -12.78, -44.11

 

CMYK 0 / 100 / 68 / 6

HEX #F0004C

RGB 240 0 76

HSL 341, 1%, 0.47%

LAB 50.74, 78.19, 29.42

 

CMYK 100 / 0 / 91 / 5

HEX #00F115

RGB 0 241 21

HSL 125.23, 1%, 0.47%

LAB 83.42, -82.21, 77.72

 

CMYK 92 / 100 / 0 / 6

HEX #1400F0

RGB 20 0 240

HSL 245, 1%, 0.47%

LAB 30.5, 75.76, -102.41

 

CMYK 0 / 92 / 100 / 6

HEX #F01400

RGB 240 20 0

HSL 5, 1%, 0.47%

LAB 50.72, 74.81, 64.41

 

CMYK 100 / 0 / 91 / 5

HEX #00F115

RGB 0 241 21

HSL 125.23, 1%, 0.47%

LAB 83.42, -82.21, 77.72

 

CMYK 100 / 28 / 0 / 6

HEX #00ACF0

RGB 0 172 240

HSL 197, 1%, 0.47%

LAB 66.36, -12.78, -44.11

 

CMYK 0 / 100 / 8 / 6

HEX #F000DC

RGB 240 0 220

HSL 305, 1%, 0.47%

LAB 55.78, 91.13, -48.62

 

CMYK 0 / 72 / 100 / 6

HEX #F04400

RGB 240 68 0

HSL 17, 1%, 0.47%

LAB 54.72, 63.52, 66.08

 

CMYK 100 / 0 / 91 / 5

HEX #00F115

RGB 0 241 21

HSL 125.23, 1%, 0.47%

LAB 83.42, -82.21, 77.72

 

CMYK 100 / 58 / 0 / 6

HEX #0064F0

RGB 0 100 240

HSL 215, 1%, 0.47%

LAB 46.18, 30.76, -76.46

 

CMYK 0 / 100 / 8 / 6

HEX #F000DC

RGB 240 0 220

HSL 305, 1%, 0.47%

LAB 55.78, 91.13, -48.62

 

CMYK 0 / 42 / 100 / 6

HEX #F08C00

RGB 240 140 0

HSL 35, 1%, 0.47%

LAB 67.49, 30.74, 73.25

 

Description

Color code: HEX #00F115 | qconv.com Color code: HEX #00F115 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 241 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 241 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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