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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00EC53 it is the complementary color #FF13AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00EC53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00EC53 shade: #05EC4E, #16FE61, #27FF74, #38FF87 and #49FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00EC53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00EC53 shade: #00EC53, #00DA40, #00C82D, #00B61A and #00A407

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00EC53 shade: #00EB53, #00EB13, #2CEB00, #6BEB00 and #ABEB00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00EC53 shade: #00EB53, #00EB92, #00EBD1, #00C5EB and #0086EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00EC53 shade matches the following richer shades: #00EB53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00EC53 shade: #00EB53, #13D858, #26C55E, #39B263 and #4C9F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00EC53 shade: #2BEB00, #00EB14, #00EB52, #00EB91 and #00EBCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00EC53 shade: #009835, #00C144, #00EB53, #15FF67 and #3EFF82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00EC53 shade: #00EC53, #006AEB and #EB000C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00EC53 shade: #00EC53, #5200EB and #EB5200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00EC53 shade: #00EC53, #006AEB, #EB0098 and #EB8100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00EC53 shade: #00EC53, #0023EB, #EB0098 and #EBC700

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 65 / 7

HEX #00EC53

RGB 0 236 83

HSL 141.1, 1%, 0.46%

LAB 82.17, -76.93, 59.05

 

Complementary color

CMYK 0 / 93 / 33 / 0

HEX #FF13AC

RGB 255 19 172

HSL 321.1, 1%, 0.54%

LAB 56.79, 86.96, -19.19

 

CMYK 98 / 0 / 67 / 7

HEX #05EC4E

RGB 5 236 78

HSL 138.96, 0.96%, 0.47%

LAB 82.15, -77.29, 61.02

 

CMYK 91 / 0 / 62 / 0

HEX #16FE61

RGB 22 254 97

HSL 139.4, 0.99%, 0.54%

LAB 87.93, -79.85, 59.75

 

CMYK 85 / 0 / 55 / 0

HEX #27FF74

RGB 39 255 116

HSL 141.39, 1%, 0.58%

LAB 88.55, -76.73, 52.23

 

CMYK 78 / 0 / 47 / 0

HEX #38FF87

RGB 56 255 135

HSL 143.82, 1%, 0.61%

LAB 88.97, -72.35, 43.95

 

CMYK 71 / 0 / 40 / 0

HEX #49FF9A

RGB 73 255 154

HSL 146.7, 1%, 0.64%

LAB 89.52, -67.04, 35.46

 

CMYK 100 / 0 / 65 / 7

HEX #00EC53

RGB 0 236 83

HSL 141.1, 1%, 0.46%

LAB 82.17, -76.93, 59.05

 

CMYK 100 / 0 / 71 / 15

HEX #00DA40

RGB 0 218 64

HSL 137.61, 1%, 0.43%

LAB 76.38, -73.64, 60.22

 

CMYK 100 / 0 / 78 / 22

HEX #00C82D

RGB 0 200 45

HSL 133.5, 1%, 0.39%

LAB 70.52, -70.06, 60.85

 

CMYK 100 / 0 / 86 / 29

HEX #00B61A

RGB 0 182 26

HSL 128.57, 1%, 0.36%

LAB 64.59, -66.12, 60.55

 

CMYK 100 / 0 / 96 / 36

HEX #00A407

RGB 0 164 7

HSL 122.56, 1%, 0.32%

LAB 58.57, -61.75, 58.78

 

CMYK 100 / 0 / 65 / 8

HEX #00EB53

RGB 0 235 83

HSL 141.19, 1%, 0.46%

LAB 81.86, -76.64, 58.71

 

CMYK 100 / 0 / 92 / 8

HEX #00EB13

RGB 0 235 19

HSL 124.85, 1%, 0.46%

LAB 81.55, -80.68, 76.4

 

CMYK 81 / 0 / 100 / 8

HEX #2CEB00

RGB 44 235 0

HSL 108.77, 1%, 0.46%

LAB 81.81, -78.37, 78.55

 

CMYK 54 / 0 / 100 / 8

HEX #6BEB00

RGB 107 235 0

HSL 92.68, 1%, 0.46%

LAB 83.2, -66.59, 80.24

 

CMYK 27 / 0 / 100 / 8

HEX #ABEB00

RGB 171 235 0

HSL 76.34, 1%, 0.46%

LAB 86.04, -45.85, 83.68

 

CMYK 100 / 0 / 65 / 8

HEX #00EB53

RGB 0 235 83

HSL 141.19, 1%, 0.46%

LAB 81.86, -76.64, 58.71

 

CMYK 100 / 0 / 38 / 8

HEX #00EB92

RGB 0 235 146

HSL 157.28, 1%, 0.46%

LAB 82.64, -67.15, 30.23

 

CMYK 100 / 0 / 11 / 8

HEX #00EBD1

RGB 0 235 209

HSL 173.36, 1%, 0.46%

LAB 83.98, -52.48, -0.66

 

CMYK 100 / 16 / 0 / 8

HEX #00C5EB

RGB 0 197 235

HSL 189.7, 1%, 0.46%

LAB 73.5, -27.53, -30.29

 

CMYK 100 / 43 / 0 / 8

HEX #0086EB

RGB 0 134 235

HSL 205.79, 1%, 0.46%

LAB 55.12, 7.35, -59.19

 

CMYK 100 / 0 / 65 / 8

HEX #00EB53

RGB 0 235 83

HSL 141.19, 1%, 0.46%

LAB 81.86, -76.64, 58.71

 

CMYK 100 / 0 / 65 / 8

HEX #00EB53

RGB 0 235 83

HSL 141.19, 1%, 0.46%

LAB 81.86, -76.64, 58.71

 

CMYK 91 / 0 / 59 / 15

HEX #13D858

RGB 19 216 88

HSL 141.02, 0.84%, 0.46%

LAB 76.04, -69.74, 50.01

 

CMYK 81 / 0 / 52 / 23

HEX #26C55E

RGB 38 197 94

HSL 141.13, 0.68%, 0.46%

LAB 70.28, -61.3, 40.37

 

CMYK 68 / 0 / 44 / 30

HEX #39B263

RGB 57 178 99

HSL 140.83, 0.51%, 0.46%

LAB 64.65, -50.94, 30.85

 

CMYK 52 / 0 / 34 / 38

HEX #4C9F69

RGB 76 159 105

HSL 140.96, 0.35%, 0.46%

LAB 59.3, -37.82, 20.68

 

CMYK 82 / 0 / 100 / 8

HEX #2BEB00

RGB 43 235 0

HSL 109.02, 1%, 0.46%

LAB 81.8, -78.48, 78.54

 

CMYK 100 / 0 / 91 / 8

HEX #00EB14

RGB 0 235 20

HSL 125.11, 1%, 0.46%

LAB 81.55, -80.66, 76.27

 

CMYK 100 / 0 / 65 / 8

HEX #00EB52

RGB 0 235 82

HSL 140.94, 1%, 0.46%

LAB 81.85, -76.75, 59.1

 

CMYK 100 / 0 / 38 / 8

HEX #00EB91

RGB 0 235 145

HSL 157.02, 1%, 0.46%

LAB 82.63, -67.35, 30.71

 

CMYK 100 / 0 / 12 / 8

HEX #00EBCF

RGB 0 235 207

HSL 172.85, 1%, 0.46%

LAB 83.92, -53.01, 0.32

 

CMYK 100 / 0 / 65 / 40

HEX #009835

RGB 0 152 53

HSL 140.92, 1%, 0.3%

LAB 54.78, -55.14, 41.43

 

CMYK 100 / 0 / 65 / 24

HEX #00C144

RGB 0 193 68

HSL 141.14, 1%, 0.38%

LAB 68.43, -65.96, 50.08

 

CMYK 100 / 0 / 65 / 8

HEX #00EB53

RGB 0 235 83

HSL 141.19, 1%, 0.46%

LAB 81.86, -76.64, 58.71

 

CMYK 92 / 0 / 60 / 0

HEX #15FF67

RGB 21 255 103

HSL 141.03, 1%, 0.54%

LAB 88.28, -79.5, 57.62

 

CMYK 76 / 0 / 49 / 0

HEX #3EFF82

RGB 62 255 130

HSL 141.14, 1%, 0.62%

LAB 89, -72.41, 46.37

 

CMYK 100 / 0 / 65 / 7

HEX #00EC53

RGB 0 236 83

HSL 141.1, 1%, 0.46%

LAB 82.17, -76.93, 59.05

 

CMYK 100 / 55 / 0 / 8

HEX #006AEB

RGB 0 106 235

HSL 212.94, 1%, 0.46%

LAB 47.37, 24.97, -71.72

 

CMYK 0 / 100 / 95 / 8

HEX #EB000C

RGB 235 0 12

HSL 356.94, 1%, 0.46%

LAB 49.12, 75.4, 59.92

 

CMYK 100 / 0 / 65 / 7

HEX #00EC53

RGB 0 236 83

HSL 141.1, 1%, 0.46%

LAB 82.17, -76.93, 59.05

 

CMYK 65 / 100 / 0 / 8

HEX #5200EB

RGB 82 0 235

HSL 260.94, 1%, 0.46%

LAB 33.55, 76.08, -94.39

 

CMYK 0 / 65 / 100 / 8

HEX #EB5200

RGB 235 82 0

HSL 20.94, 1%, 0.46%

LAB 55.78, 56.59, 66.1

 

CMYK 100 / 0 / 65 / 7

HEX #00EC53

RGB 0 236 83

HSL 141.1, 1%, 0.46%

LAB 82.17, -76.93, 59.05

 

CMYK 100 / 55 / 0 / 8

HEX #006AEB

RGB 0 106 235

HSL 212.94, 1%, 0.46%

LAB 47.37, 24.97, -71.72

 

CMYK 0 / 100 / 35 / 8

HEX #EB0098

RGB 235 0 152

HSL 321.19, 1%, 0.46%

LAB 51.76, 82.41, -15.38

 

CMYK 0 / 45 / 100 / 8

HEX #EB8100

RGB 235 129 0

HSL 32.94, 1%, 0.46%

LAB 64.45, 34.39, 71.03

 

CMYK 100 / 0 / 65 / 7

HEX #00EC53

RGB 0 236 83

HSL 141.1, 1%, 0.46%

LAB 82.17, -76.93, 59.05

 

CMYK 100 / 85 / 0 / 8

HEX #0023EB

RGB 0 35 235

HSL 231.06, 1%, 0.46%

LAB 32.26, 65.73, -96.64

 

CMYK 0 / 100 / 35 / 8

HEX #EB0098

RGB 235 0 152

HSL 321.19, 1%, 0.46%

LAB 51.76, 82.41, -15.38

 

CMYK 0 / 15 / 100 / 8

HEX #EBC700

RGB 235 199 0

HSL 50.81, 1%, 0.46%

LAB 81.02, -2.34, 82.1

 

Description

Color code: HEX #00EC53 | qconv.com Color code: HEX #00EC53 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 236 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 236 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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