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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00C150 it is the complementary color #FF3EAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00C150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00C150 shade: #05C14B, #16D35E, #27E571, #38F784 and #49FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00C150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00C150 shade: #00C150, #00AF3D, #009D2A, #008B17 and #007904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00C150 shade: #00C250, #00C21C, #18C200, #4CC200 and #81C200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00C150 shade: #00C250, #00C285, #00C2B9, #0096C2 and #0062C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00C150 shade matches the following richer shades: #00C250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00C150 shade: #00C250, #10B253, #1FA256, #2F9358 and #3F835B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00C150 shade: #1AC200, #00C21A, #00C24E, #00C281 and #00C2B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00C150 shade: #006F2E, #00993F, #00C250, #00EB61 and #15FF76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00C150 shade: #00C150, #004EC2 and #C20000

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00C150 shade: #00C150, #4E00C2 and #C24E00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00C150 shade: #00C150, #004EC2, #C20074 and #C27400

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00C150 shade: #00C150, #0013C2, #C20074 and #C2AE00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 59 / 24

HEX #00C150

RGB 0 193 80

HSL 144.87, 1%, 0.38%

LAB 68.55, -64.49, 44.87

 

Complementary color

CMYK 0 / 76 / 31 / 0

HEX #FF3EAF

RGB 255 62 175

HSL 324.87, 1%, 0.62%

LAB 59.71, 79.18, -16.49

 

CMYK 97 / 0 / 61 / 24

HEX #05C14B

RGB 5 193 75

HSL 142.34, 0.95%, 0.39%

LAB 68.52, -64.93, 47.12

 

CMYK 90 / 0 / 55 / 17

HEX #16D35E

RGB 22 211 94

HSL 142.86, 0.81%, 0.46%

LAB 74.55, -67.21, 45.51

 

CMYK 83 / 0 / 51 / 10

HEX #27E571

RGB 39 229 113

HSL 143.37, 0.79%, 0.53%

LAB 80.55, -68.92, 43.88

 

CMYK 77 / 0 / 47 / 3

HEX #38F784

RGB 56 247 132

HSL 143.87, 0.92%, 0.59%

LAB 86.52, -70.16, 42.28

 

CMYK 71 / 0 / 41 / 0

HEX #49FF97

RGB 73 255 151

HSL 145.71, 1%, 0.64%

LAB 89.47, -67.56, 36.88

 

CMYK 100 / 0 / 59 / 24

HEX #00C150

RGB 0 193 80

HSL 144.87, 1%, 0.38%

LAB 68.55, -64.49, 44.87

 

CMYK 100 / 0 / 65 / 31

HEX #00AF3D

RGB 0 175 61

HSL 140.91, 1%, 0.34%

LAB 62.5, -61.32, 46.51

 

CMYK 100 / 0 / 73 / 38

HEX #009D2A

RGB 0 157 42

HSL 136.05, 1%, 0.31%

LAB 56.37, -57.83, 47.75

 

CMYK 100 / 0 / 83 / 45

HEX #008B17

RGB 0 139 23

HSL 129.93, 1%, 0.27%

LAB 50.13, -53.92, 48.13

 

CMYK 100 / 0 / 97 / 53

HEX #007904

RGB 0 121 4

HSL 121.98, 1%, 0.24%

LAB 43.78, -49.48, 47.03

 

CMYK 100 / 0 / 59 / 24

HEX #00C250

RGB 0 194 80

HSL 144.74, 1%, 0.38%

LAB 68.87, -64.8, 45.25

 

CMYK 100 / 0 / 86 / 24

HEX #00C21C

RGB 0 194 28

HSL 128.66, 1%, 0.38%

LAB 68.51, -69.36, 63.6

 

CMYK 88 / 0 / 100 / 24

HEX #18C200

RGB 24 194 0

HSL 112.58, 1%, 0.38%

LAB 68.59, -68.87, 67.89

 

CMYK 61 / 0 / 100 / 24

HEX #4CC200

RGB 76 194 0

HSL 96.49, 1%, 0.38%

LAB 69.55, -60.52, 69.06

 

CMYK 34 / 0 / 100 / 24

HEX #81C200

RGB 129 194 0

HSL 80.1, 1%, 0.38%

LAB 71.72, -44.07, 71.69

 

CMYK 100 / 0 / 59 / 24

HEX #00C250

RGB 0 194 80

HSL 144.74, 1%, 0.38%

LAB 68.87, -64.8, 45.25

 

CMYK 100 / 0 / 31 / 24

HEX #00C285

RGB 0 194 133

HSL 161.13, 1%, 0.38%

LAB 69.67, -55.32, 19.43

 

CMYK 100 / 0 / 5 / 24

HEX #00C2B9

RGB 0 194 185

HSL 177.22, 1%, 0.38%

LAB 70.93, -41.81, -6.99

 

CMYK 100 / 23 / 0 / 24

HEX #0096C2

RGB 0 150 194

HSL 193.61, 1%, 0.38%

LAB 57.76, -17.37, -32.03

 

CMYK 100 / 49 / 0 / 24

HEX #0062C2

RGB 0 98 194

HSL 209.69, 1%, 0.38%

LAB 42.2, 13.85, -56.72

 

CMYK 100 / 0 / 59 / 24

HEX #00C250

RGB 0 194 80

HSL 144.74, 1%, 0.38%

LAB 68.87, -64.8, 45.25

 

CMYK 100 / 0 / 59 / 24

HEX #00C250

RGB 0 194 80

HSL 144.74, 1%, 0.38%

LAB 68.87, -64.8, 45.25

 

CMYK 91 / 0 / 53 / 30

HEX #10B253

RGB 16 178 83

HSL 144.81, 0.84%, 0.38%

LAB 63.82, -58.53, 37.79

 

CMYK 81 / 0 / 47 / 36

HEX #1FA256

RGB 31 162 86

HSL 145.19, 0.68%, 0.38%

LAB 58.79, -51.19, 30.02

 

CMYK 68 / 0 / 40 / 42

HEX #2F9358

RGB 47 147 88

HSL 144.6, 0.52%, 0.38%

LAB 54.21, -42.62, 23.06

 

CMYK 52 / 0 / 31 / 49

HEX #3F835B

RGB 63 131 91

HSL 144.71, 0.35%, 0.38%

LAB 49.55, -31.33, 15.18

 

CMYK 87 / 0 / 100 / 24

HEX #1AC200

RGB 26 194 0

HSL 111.96, 1%, 0.38%

LAB 68.61, -68.7, 67.91

 

CMYK 100 / 0 / 87 / 24

HEX #00C21A

RGB 0 194 26

HSL 128.04, 1%, 0.38%

LAB 68.5, -69.45, 64.03

 

CMYK 100 / 0 / 60 / 24

HEX #00C24E

RGB 0 194 78

HSL 144.12, 1%, 0.38%

LAB 68.85, -65.06, 46.14

 

CMYK 100 / 0 / 34 / 24

HEX #00C281

RGB 0 194 129

HSL 159.9, 1%, 0.38%

LAB 69.59, -56.2, 21.46

 

CMYK 100 / 0 / 7 / 24

HEX #00C2B5

RGB 0 194 181

HSL 175.98, 1%, 0.38%

LAB 70.82, -42.98, -4.98

 

CMYK 100 / 0 / 59 / 56

HEX #006F2E

RGB 0 111 46

HSL 144.86, 1%, 0.22%

LAB 40.52, -42.58, 28.34

 

CMYK 100 / 0 / 59 / 40

HEX #00993F

RGB 0 153 63

HSL 144.71, 1%, 0.3%

LAB 55.22, -54.15, 37.24

 

CMYK 100 / 0 / 59 / 24

HEX #00C250

RGB 0 194 80

HSL 144.74, 1%, 0.38%

LAB 68.87, -64.8, 45.25

 

CMYK 100 / 0 / 59 / 8

HEX #00EB61

RGB 0 235 97

HSL 144.77, 1%, 0.46%

LAB 81.99, -75.02, 52.91

 

CMYK 92 / 0 / 54 / 0

HEX #15FF76

RGB 21 255 118

HSL 144.87, 1%, 0.54%

LAB 88.44, -77.56, 51.16

 

CMYK 100 / 0 / 59 / 24

HEX #00C150

RGB 0 193 80

HSL 144.87, 1%, 0.38%

LAB 68.55, -64.49, 44.87

 

CMYK 100 / 60 / 0 / 24

HEX #004EC2

RGB 0 78 194

HSL 215.88, 1%, 0.38%

LAB 36.64, 27.12, -65.76

 

CMYK 0 / 100 / 100 / 24

HEX #C20000

RGB 194 0 0

HSL 0, 1%, 0.38%

LAB 40.36, 65.21, 54.72

 

CMYK 100 / 0 / 59 / 24

HEX #00C150

RGB 0 193 80

HSL 144.87, 1%, 0.38%

LAB 68.55, -64.49, 44.87

 

CMYK 60 / 100 / 0 / 24

HEX #4E00C2

RGB 78 0 194

HSL 264.12, 1%, 0.38%

LAB 28.15, 66.5, -79.63

 

CMYK 0 / 60 / 100 / 24

HEX #C24E00

RGB 194 78 0

HSL 24.12, 1%, 0.38%

LAB 48.16, 43.7, 58.29

 

CMYK 100 / 0 / 59 / 24

HEX #00C150

RGB 0 193 80

HSL 144.87, 1%, 0.38%

LAB 68.55, -64.49, 44.87

 

CMYK 100 / 60 / 0 / 24

HEX #004EC2

RGB 0 78 194

HSL 215.88, 1%, 0.38%

LAB 36.64, 27.12, -65.76

 

CMYK 0 / 100 / 40 / 24

HEX #C20074

RGB 194 0 116

HSL 324.12, 1%, 0.38%

LAB 42.35, 70.54, -8.42

 

CMYK 0 / 40 / 100 / 24

HEX #C27400

RGB 194 116 0

HSL 35.88, 1%, 0.38%

LAB 56.05, 24.08, 63

 

CMYK 100 / 0 / 59 / 24

HEX #00C150

RGB 0 193 80

HSL 144.87, 1%, 0.38%

LAB 68.55, -64.49, 44.87

 

CMYK 100 / 90 / 0 / 24

HEX #0013C2

RGB 0 19 194

HSL 234.12, 1%, 0.38%

LAB 24.83, 59.82, -85.29

 

CMYK 0 / 100 / 40 / 24

HEX #C20074

RGB 194 0 116

HSL 324.12, 1%, 0.38%

LAB 42.35, 70.54, -8.42

 

CMYK 0 / 10 / 100 / 24

HEX #C2AE00

RGB 194 174 0

HSL 53.81, 1%, 0.38%

LAB 70.69, -7.33, 73

 

Description

Color code: HEX #00C150 | qconv.com Color code: HEX #00C150 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 193 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 193 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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