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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00BB4C it is the complementary color #FF44B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00BB4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00BB4C shade: #05BB47, #16CD5A, #27DF6D, #38F180 and #49FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00BB4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00BB4C shade: #00BB4C, #00A939, #009726, #008513 and #007300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00BB4C shade: #00BD4D, #00BD1A, #19BD00, #4CBD00 and #7FBD00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00BB4C shade: #00BD4D, #00BD80, #00BDB2, #0094BD and #0061BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00BB4C shade matches the following richer shades: #00BD4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00BB4C shade: #00BD4D, #0FAD50, #1F9E52, #2E8F55 and #3D8058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00BB4C shade: #19BD00, #00BD19, #00BD4B, #00BD7E and #00BDB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00BB4C shade: #006A2B, #00933C, #00BD4D, #00E65D and #10FF71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00BB4C shade: #00BB4C, #004BBD and #BD0000

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00BB4C shade: #00BB4C, #4B00BD and #BD4B00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00BB4C shade: #00BB4C, #004BBD, #BD0071 and #BD7100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00BB4C shade: #00BB4C, #0013BD, #BD0071 and #BDAA00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 59 / 27

HEX #00BB4C

RGB 0 187 76

HSL 144.39, 1%, 0.37%

LAB 66.57, -63.16, 44.4

 

Complementary color

CMYK 0 / 73 / 30 / 0

HEX #FF44B3

RGB 255 68 179

HSL 324.39, 1%, 0.63%

LAB 60.47, 77.86, -17.64

 

CMYK 97 / 0 / 62 / 27

HEX #05BB47

RGB 5 187 71

HSL 141.76, 0.95%, 0.38%

LAB 66.54, -63.58, 46.65

 

CMYK 89 / 0 / 56 / 20

HEX #16CD5A

RGB 22 205 90

HSL 142.3, 0.81%, 0.45%

LAB 72.61, -65.87, 45.06

 

CMYK 83 / 0 / 51 / 13

HEX #27DF6D

RGB 39 223 109

HSL 142.83, 0.74%, 0.51%

LAB 78.64, -67.57, 43.43

 

CMYK 77 / 0 / 47 / 5

HEX #38F180

RGB 56 241 128

HSL 143.35, 0.87%, 0.58%

LAB 84.64, -68.78, 41.84

 

CMYK 71 / 0 / 42 / 0

HEX #49FF93

RGB 73 255 147

HSL 144.4, 1%, 0.64%

LAB 89.41, -68.24, 38.77

 

CMYK 100 / 0 / 59 / 27

HEX #00BB4C

RGB 0 187 76

HSL 144.39, 1%, 0.37%

LAB 66.57, -63.16, 44.4

 

CMYK 100 / 0 / 66 / 34

HEX #00A939

RGB 0 169 57

HSL 140.24, 1%, 0.33%

LAB 60.49, -59.94, 46.01

 

CMYK 100 / 0 / 75 / 41

HEX #009726

RGB 0 151 38

HSL 135.1, 1%, 0.3%

LAB 54.32, -56.39, 47.16

 

CMYK 100 / 0 / 86 / 48

HEX #008513

RGB 0 133 19

HSL 128.57, 1%, 0.26%

LAB 48.04, -52.37, 47.33

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 59 / 26

HEX #00BD4D

RGB 0 189 77

HSL 144.44, 1%, 0.37%

LAB 67.23, -63.65, 44.71

 

CMYK 100 / 0 / 86 / 26

HEX #00BD1A

RGB 0 189 26

HSL 128.25, 1%, 0.37%

LAB 66.88, -68.07, 62.59

 

CMYK 87 / 0 / 100 / 26

HEX #19BD00

RGB 25 189 0

HSL 112.06, 1%, 0.37%

LAB 66.98, -67.38, 66.6

 

CMYK 60 / 0 / 100 / 26

HEX #4CBD00

RGB 76 189 0

HSL 95.87, 1%, 0.37%

LAB 67.97, -58.82, 67.81

 

CMYK 33 / 0 / 100 / 26

HEX #7FBD00

RGB 127 189 0

HSL 79.68, 1%, 0.37%

LAB 70.11, -42.69, 70.4

 

CMYK 100 / 0 / 59 / 26

HEX #00BD4D

RGB 0 189 77

HSL 144.44, 1%, 0.37%

LAB 67.23, -63.65, 44.71

 

CMYK 100 / 0 / 32 / 26

HEX #00BD80

RGB 0 189 128

HSL 160.63, 1%, 0.37%

LAB 67.99, -54.58, 19.8

 

CMYK 100 / 0 / 6 / 26

HEX #00BDB2

RGB 0 189 178

HSL 176.51, 1%, 0.37%

LAB 69.19, -41.66, -5.74

 

CMYK 100 / 22 / 0 / 26

HEX #0094BD

RGB 0 148 189

HSL 193.02, 1%, 0.37%

LAB 56.93, -18.09, -30.48

 

CMYK 100 / 49 / 0 / 26

HEX #0061BD

RGB 0 97 189

HSL 209.21, 1%, 0.37%

LAB 41.57, 12.48, -54.83

 

CMYK 100 / 0 / 59 / 26

HEX #00BD4D

RGB 0 189 77

HSL 144.44, 1%, 0.37%

LAB 67.23, -63.65, 44.71

 

CMYK 100 / 0 / 59 / 26

HEX #00BD4D

RGB 0 189 77

HSL 144.44, 1%, 0.37%

LAB 67.23, -63.65, 44.71

 

CMYK 91 / 0 / 54 / 32

HEX #0FAD50

RGB 15 173 80

HSL 144.68, 0.84%, 0.37%

LAB 62.14, -57.39, 37.23

 

CMYK 80 / 0 / 48 / 38

HEX #1F9E52

RGB 31 158 82

HSL 144.09, 0.67%, 0.37%

LAB 57.42, -50.44, 30.37

 

CMYK 68 / 0 / 41 / 44

HEX #2E8F55

RGB 46 143 85

HSL 144.12, 0.51%, 0.37%

LAB 52.82, -41.77, 22.87

 

CMYK 52 / 0 / 31 / 50

HEX #3D8058

RGB 61 128 88

HSL 144.18, 0.35%, 0.37%

LAB 48.43, -31.1, 15.36

 

CMYK 87 / 0 / 100 / 26

HEX #19BD00

RGB 25 189 0

HSL 112.06, 1%, 0.37%

LAB 66.98, -67.38, 66.6

 

CMYK 100 / 0 / 87 / 26

HEX #00BD19

RGB 0 189 25

HSL 127.94, 1%, 0.37%

LAB 66.87, -68.11, 62.8

 

CMYK 100 / 0 / 60 / 26

HEX #00BD4B

RGB 0 189 75

HSL 143.81, 1%, 0.37%

LAB 67.2, -63.91, 45.6

 

CMYK 100 / 0 / 33 / 26

HEX #00BD7E

RGB 0 189 126

HSL 160, 1%, 0.37%

LAB 67.95, -55.02, 20.82

 

CMYK 100 / 0 / 7 / 26

HEX #00BDB0

RGB 0 189 176

HSL 175.87, 1%, 0.37%

LAB 69.13, -42.24, -4.72

 

CMYK 100 / 0 / 59 / 58

HEX #006A2B

RGB 0 106 43

HSL 144.34, 1%, 0.21%

LAB 38.69, -41.31, 27.74

 

CMYK 100 / 0 / 59 / 42

HEX #00933C

RGB 0 147 60

HSL 144.49, 1%, 0.29%

LAB 53.16, -52.62, 36.28

 

CMYK 100 / 0 / 59 / 26

HEX #00BD4D

RGB 0 189 77

HSL 144.44, 1%, 0.37%

LAB 67.23, -63.65, 44.71

 

CMYK 100 / 0 / 60 / 10

HEX #00E65D

RGB 0 230 93

HSL 144.26, 1%, 0.45%

LAB 80.4, -74.04, 52.82

 

CMYK 94 / 0 / 56 / 0

HEX #10FF71

RGB 16 255 113

HSL 144.35, 1%, 0.53%

LAB 88.36, -78.44, 53.32

 

CMYK 100 / 0 / 59 / 27

HEX #00BB4C

RGB 0 187 76

HSL 144.39, 1%, 0.37%

LAB 66.57, -63.16, 44.4

 

CMYK 100 / 60 / 0 / 26

HEX #004BBD

RGB 0 75 189

HSL 216.19, 1%, 0.37%

LAB 35.41, 27.13, -64.84

 

CMYK 0 / 100 / 100 / 26

HEX #BD0000

RGB 189 0 0

HSL 0, 1%, 0.37%

LAB 39.27, 63.96, 53.67

 

CMYK 100 / 0 / 59 / 27

HEX #00BB4C

RGB 0 187 76

HSL 144.39, 1%, 0.37%

LAB 66.57, -63.16, 44.4

 

CMYK 60 / 100 / 0 / 26

HEX #4B00BD

RGB 75 0 189

HSL 263.81, 1%, 0.37%

LAB 27.21, 65.17, -78.24

 

CMYK 0 / 60 / 100 / 26

HEX #BD4B00

RGB 189 75 0

HSL 23.81, 1%, 0.37%

LAB 46.78, 43.23, 57.09

 

CMYK 100 / 0 / 59 / 27

HEX #00BB4C

RGB 0 187 76

HSL 144.39, 1%, 0.37%

LAB 66.57, -63.16, 44.4

 

CMYK 100 / 60 / 0 / 26

HEX #004BBD

RGB 0 75 189

HSL 216.19, 1%, 0.37%

LAB 35.41, 27.13, -64.84

 

CMYK 0 / 100 / 40 / 26

HEX #BD0071

RGB 189 0 113

HSL 324.13, 1%, 0.37%

LAB 41.23, 69.19, -8.33

 

CMYK 0 / 40 / 100 / 26

HEX #BD7100

RGB 189 113 0

HSL 35.87, 1%, 0.37%

LAB 54.69, 23.55, 61.8

 

CMYK 100 / 0 / 59 / 27

HEX #00BB4C

RGB 0 187 76

HSL 144.39, 1%, 0.37%

LAB 66.57, -63.16, 44.4

 

CMYK 100 / 90 / 0 / 26

HEX #0013BD

RGB 0 19 189

HSL 233.97, 1%, 0.37%

LAB 24.13, 58.41, -83.5

 

CMYK 0 / 100 / 40 / 26

HEX #BD0071

RGB 189 0 113

HSL 324.13, 1%, 0.37%

LAB 41.23, 69.19, -8.33

 

CMYK 0 / 10 / 100 / 26

HEX #BDAA00

RGB 189 170 0

HSL 53.97, 1%, 0.37%

LAB 69.16, -7.46, 71.69

 

Description

Color code: HEX #00BB4C | qconv.com Color code: HEX #00BB4C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 187 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 187 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 59 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 59% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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