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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00AFC1 it is the complementary color #FF503E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00AFC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00AFC1 shade: #05AFBC, #16C1CF, #27D3E2, #38E5F5 and #49F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00AFC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00AFC1 shade: #00AFC1, #009DAE, #008B9B, #007988 and #006775

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00AFC1 shade: #00B0C2, #007BC2, #0047C2, #0013C2 and #2100C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00AFC1 shade: #00B0C2, #007BC2, #0047C2, #0013C2 and #0000C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00AFC1 shade matches the following richer shades: #00B0C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00AFC1 shade: #00B0C2, #10A3B2, #1F96A2, #2F8993 and #3F7D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00AFC1 shade: #00C26B, #00C29E, #00B2C2, #007EC2 and #004AC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00AFC1 shade: #00656F, #008A99, #00B0C2, #00D5EB and #15E9FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00AFC1 shade: #00AFC1, #3700C2 and #C28400

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00AFC1 shade: #00AFC1, #C200B2 and #B2C200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00AFC1 shade: #00AFC1, #3700C2, #C21000 and #8BC200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00AFC1 shade: #00AFC1, #7100C2, #C21000 and #51C200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 9 / 0 / 24

HEX #00AFC1

RGB 0 175 193

HSL 185.6, 1%, 0.38%

LAB 65.37, -30.54, -19.76

 

Complementary color

CMYK 0 / 69 / 76 / 0

HEX #FF503E

RGB 255 80 62

HSL 5.6, 1%, 0.62%

LAB 59.29, 65.1, 47.96

 

CMYK 97 / 7 / 0 / 26

HEX #05AFBC

RGB 5 175 188

HSL 184.26, 0.95%, 0.38%

LAB 65.22, -32, -17.21

 

CMYK 89 / 7 / 0 / 19

HEX #16C1CF

RGB 22 193 207

HSL 184.54, 0.81%, 0.45%

LAB 71.43, -33.93, -18.25

 

CMYK 83 / 7 / 0 / 11

HEX #27D3E2

RGB 39 211 226

HSL 184.81, 0.76%, 0.52%

LAB 77.59, -35.5, -19.19

 

CMYK 77 / 7 / 0 / 4

HEX #38E5F5

RGB 56 229 245

HSL 185.08, 0.9%, 0.59%

LAB 83.69, -36.76, -20.04

 

CMYK 71 / 3 / 0 / 0

HEX #49F7FF

RGB 73 247 255

HSL 182.64, 1%, 0.64%

LAB 89.47, -40.33, -16.54

 

CMYK 100 / 9 / 0 / 24

HEX #00AFC1

RGB 0 175 193

HSL 185.6, 1%, 0.38%

LAB 65.37, -30.54, -19.76

 

CMYK 100 / 10 / 0 / 32

HEX #009DAE

RGB 0 157 174

HSL 185.86, 1%, 0.34%

LAB 59.13, -27.96, -18.61

 

CMYK 100 / 10 / 0 / 39

HEX #008B9B

RGB 0 139 155

HSL 186.19, 1%, 0.3%

LAB 52.76, -25.31, -17.44

 

CMYK 100 / 11 / 0 / 47

HEX #007988

RGB 0 121 136

HSL 186.62, 1%, 0.27%

LAB 46.25, -22.59, -16.25

 

CMYK 100 / 12 / 0 / 54

HEX #006775

RGB 0 103 117

HSL 187.18, 1%, 0.23%

LAB 39.55, -19.78, -15.04

 

CMYK 100 / 9 / 0 / 24

HEX #00B0C2

RGB 0 176 194

HSL 185.57, 1%, 0.38%

LAB 65.71, -30.7, -19.8

 

CMYK 100 / 37 / 0 / 24

HEX #007BC2

RGB 0 123 194

HSL 201.96, 1%, 0.38%

LAB 49.57, -1.91, -44.9

 

CMYK 100 / 63 / 0 / 24

HEX #0047C2

RGB 0 71 194

HSL 218.04, 1%, 0.38%

LAB 34.81, 31.78, -68.76

 

CMYK 100 / 90 / 0 / 24

HEX #0013C2

RGB 0 19 194

HSL 234.12, 1%, 0.38%

LAB 24.83, 59.82, -85.29

 

CMYK 83 / 100 / 0 / 24

HEX #2100C2

RGB 33 0 194

HSL 250.21, 1%, 0.38%

LAB 24.38, 64.82, -86.01

 

CMYK 100 / 9 / 0 / 24

HEX #00B0C2

RGB 0 176 194

HSL 185.57, 1%, 0.38%

LAB 65.71, -30.7, -19.8

 

CMYK 100 / 37 / 0 / 24

HEX #007BC2

RGB 0 123 194

HSL 201.96, 1%, 0.38%

LAB 49.57, -1.91, -44.9

 

CMYK 100 / 63 / 0 / 24

HEX #0047C2

RGB 0 71 194

HSL 218.04, 1%, 0.38%

LAB 34.81, 31.78, -68.76

 

CMYK 100 / 90 / 0 / 24

HEX #0013C2

RGB 0 19 194

HSL 234.12, 1%, 0.38%

LAB 24.83, 59.82, -85.29

 

CMYK 100 / 100 / 0 / 24

HEX #0000C2

RGB 0 0 194

HSL 240, 1%, 0.38%

LAB 23.32, 64.47, -87.81

 

CMYK 100 / 9 / 0 / 24

HEX #00B0C2

RGB 0 176 194

HSL 185.57, 1%, 0.38%

LAB 65.71, -30.7, -19.8

 

CMYK 100 / 9 / 0 / 24

HEX #00B0C2

RGB 0 176 194

HSL 185.57, 1%, 0.38%

LAB 65.71, -30.7, -19.8

 

CMYK 91 / 8 / 0 / 30

HEX #10A3B2

RGB 16 163 178

HSL 185.56, 0.84%, 0.38%

LAB 61.24, -28.99, -17.65

 

CMYK 81 / 7 / 0 / 36

HEX #1F96A2

RGB 31 150 162

HSL 185.5, 0.68%, 0.38%

LAB 56.79, -26.67, -15.31

 

CMYK 68 / 7 / 0 / 42

HEX #2F8993

RGB 47 137 147

HSL 186, 0.52%, 0.38%

LAB 52.51, -22.82, -13.12

 

CMYK 52 / 5 / 0 / 49

HEX #3F7D83

RGB 63 125 131

HSL 185.29, 0.35%, 0.38%

LAB 48.71, -18.19, -9.43

 

CMYK 100 / 0 / 45 / 24

HEX #00C26B

RGB 0 194 107

HSL 153.09, 1%, 0.38%

LAB 69.22, -60.57, 32.47

 

CMYK 100 / 0 / 19 / 24

HEX #00C29E

RGB 0 194 158

HSL 168.87, 1%, 0.38%

LAB 70.21, -49.28, 6.69

 

CMYK 100 / 8 / 0 / 24

HEX #00B2C2

RGB 0 178 194

HSL 184.95, 1%, 0.38%

LAB 66.32, -31.67, -18.87

 

CMYK 100 / 35 / 0 / 24

HEX #007EC2

RGB 0 126 194

HSL 201.03, 1%, 0.38%

LAB 50.47, -3.71, -43.47

 

CMYK 100 / 62 / 0 / 24

HEX #004AC2

RGB 0 74 194

HSL 217.11, 1%, 0.38%

LAB 35.58, 29.79, -67.49

 

CMYK 100 / 9 / 0 / 56

HEX #00656F

RGB 0 101 111

HSL 185.41, 1%, 0.22%

LAB 38.65, -20.87, -12.75

 

CMYK 100 / 10 / 0 / 40

HEX #008A99

RGB 0 138 153

HSL 185.88, 1%, 0.3%

LAB 52.37, -25.48, -16.88

 

CMYK 100 / 9 / 0 / 24

HEX #00B0C2

RGB 0 176 194

HSL 185.57, 1%, 0.38%

LAB 65.71, -30.7, -19.8

 

CMYK 100 / 9 / 0 / 8

HEX #00D5EB

RGB 0 213 235

HSL 185.62, 1%, 0.46%

LAB 78.22, -35.24, -23.07

 

CMYK 92 / 9 / 0 / 0

HEX #15E9FF

RGB 21 233 255

HSL 185.64, 1%, 0.54%

LAB 84.82, -37.79, -23.62

 

CMYK 100 / 9 / 0 / 24

HEX #00AFC1

RGB 0 175 193

HSL 185.6, 1%, 0.38%

LAB 65.37, -30.54, -19.76

 

CMYK 72 / 100 / 0 / 24

HEX #3700C2

RGB 55 0 194

HSL 257.01, 1%, 0.38%

LAB 25.88, 65.42, -83.46

 

CMYK 0 / 32 / 100 / 24

HEX #C28400

RGB 194 132 0

HSL 40.82, 1%, 0.38%

LAB 59.86, 15.31, 65.49

 

CMYK 100 / 9 / 0 / 24

HEX #00AFC1

RGB 0 175 193

HSL 185.6, 1%, 0.38%

LAB 65.37, -30.54, -19.76

 

CMYK 0 / 100 / 8 / 24

HEX #C200B2

RGB 194 0 178

HSL 304.95, 1%, 0.38%

LAB 45.2, 77.72, -41.63

 

CMYK 8 / 0 / 100 / 24

HEX #B2C200

RGB 178 194 0

HSL 64.95, 1%, 0.38%

LAB 74.86, -24.4, 75.44

 

CMYK 100 / 9 / 0 / 24

HEX #00AFC1

RGB 0 175 193

HSL 185.6, 1%, 0.38%

LAB 65.37, -30.54, -19.76

 

CMYK 72 / 100 / 0 / 24

HEX #3700C2

RGB 55 0 194

HSL 257.01, 1%, 0.38%

LAB 25.88, 65.42, -83.46

 

CMYK 0 / 92 / 100 / 24

HEX #C21000

RGB 194 16 0

HSL 4.95, 1%, 0.38%

LAB 40.96, 63.48, 54.93

 

CMYK 28 / 0 / 100 / 24

HEX #8BC200

RGB 139 194 0

HSL 77.01, 1%, 0.38%

LAB 72.28, -40.3, 72.35

 

CMYK 100 / 9 / 0 / 24

HEX #00AFC1

RGB 0 175 193

HSL 185.6, 1%, 0.38%

LAB 65.37, -30.54, -19.76

 

CMYK 42 / 100 / 0 / 24

HEX #7100C2

RGB 113 0 194

HSL 274.95, 1%, 0.38%

LAB 32.71, 69.22, -71.94

 

CMYK 0 / 92 / 100 / 24

HEX #C21000

RGB 194 16 0

HSL 4.95, 1%, 0.38%

LAB 40.96, 63.48, 54.93

 

CMYK 58 / 0 / 100 / 24

HEX #51C200

RGB 81 194 0

HSL 94.95, 1%, 0.38%

LAB 69.71, -59.27, 69.25

 

Description

Color code: HEX #00AFC1 | qconv.com Color code: HEX #00AFC1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 175 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 175 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 9 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 9% 0% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - Inicio
Link: http://energiasanluis.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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