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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00AFB1 it is the complementary color #FF504E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00AFB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00AFB1 shade: #05AFAC, #16C1BF, #27D3D2, #38E5E5 and #49F7F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00AFB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00AFB1 shade: #00AFB1, #009D9E, #008B8B, #007978 and #006765

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00AFB1 shade: #00B0B3, #0080B3, #0050B3, #0020B3 and #1000B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00AFB1 shade: #00B0B3, #0080B3, #0050B3, #0020B3 and #0000B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00AFB1 shade matches the following richer shades: #00B0B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00AFB1 shade: #00B0B3, #0EA2A4, #1D9496, #2B8687 and #3A7879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00AFB1 shade: #00B353, #00B383, #00B3B3, #0083B3 and #0053B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00AFB1 shade: #005F60, #008889, #00B0B3, #00D9DC and #06FCFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00AFB1 shade: #00AFB1, #2400B3 and #B36B00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00AFB1 shade: #00AFB1, #B300B3 and #B3B300

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00AFB1 shade: #00AFB1, #2400B3, #B30000 and #8FB300

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00AFB1 shade: #00AFB1, #5900B3, #B30000 and #59B300

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 1 / 0 / 31

HEX #00AFB1

RGB 0 175 177

HSL 180.68, 1%, 0.35%

LAB 64.83, -35.64, -11.68

 

Complementary color

CMYK 0 / 69 / 69 / 0

HEX #FF504E

RGB 255 80 78

HSL 0.68, 1%, 0.65%

LAB 59.48, 65.75, 39.52

 

CMYK 97 / 0 / 2 / 31

HEX #05AFAC

RGB 5 175 172

HSL 178.94, 0.94%, 0.35%

LAB 64.7, -37, -9.09

 

CMYK 89 / 0 / 1 / 24

HEX #16C1BF

RGB 22 193 191

HSL 179.3, 0.8%, 0.42%

LAB 70.92, -38.81, -10.28

 

CMYK 82 / 0 / 0 / 17

HEX #27D3D2

RGB 39 211 210

HSL 179.65, 0.69%, 0.49%

LAB 77.08, -40.26, -11.35

 

CMYK 76 / 0 / 0 / 10

HEX #38E5E5

RGB 56 229 229

HSL 180, 0.77%, 0.56%

LAB 83.2, -41.4, -12.32

 

CMYK 71 / 0 / 0 / 3

HEX #49F7F8

RGB 73 247 248

HSL 180.34, 0.93%, 0.63%

LAB 89.26, -42.29, -13.21

 

CMYK 100 / 1 / 0 / 31

HEX #00AFB1

RGB 0 175 177

HSL 180.68, 1%, 0.35%

LAB 64.83, -35.64, -11.68

 

CMYK 100 / 1 / 0 / 38

HEX #009D9E

RGB 0 157 158

HSL 180.38, 1%, 0.31%

LAB 58.59, -33.15, -10.36

 

CMYK 100 / 0 / 0 / 45

HEX #008B8B

RGB 0 139 139

HSL 180, 1%, 0.27%

LAB 52.21, -30.62, -9

 

CMYK 100 / 0 / 1 / 53

HEX #007978

RGB 0 121 120

HSL 179.5, 1%, 0.24%

LAB 45.68, -28.03, -7.6

 

CMYK 100 / 0 / 2 / 60

HEX #006765

RGB 0 103 101

HSL 178.83, 1%, 0.2%

LAB 38.97, -25.38, -6.14

 

CMYK 100 / 2 / 0 / 30

HEX #00B0B3

RGB 0 176 179

HSL 181.01, 1%, 0.35%

LAB 65.2, -35.48, -12.23

 

CMYK 100 / 28 / 0 / 30

HEX #0080B3

RGB 0 128 179

HSL 197.09, 1%, 0.35%

LAB 50.33, -10.64, -35.08

 

CMYK 100 / 55 / 0 / 30

HEX #0050B3

RGB 0 80 179

HSL 213.18, 1%, 0.35%

LAB 35.97, 19.7, -58.04

 

CMYK 100 / 82 / 0 / 30

HEX #0020B3

RGB 0 32 179

HSL 229.27, 1%, 0.35%

LAB 24.6, 49.93, -76.76

 

CMYK 91 / 100 / 0 / 30

HEX #1000B3

RGB 16 0 179

HSL 245.36, 1%, 0.35%

LAB 21.45, 60.86, -82

 

CMYK 100 / 2 / 0 / 30

HEX #00B0B3

RGB 0 176 179

HSL 181.01, 1%, 0.35%

LAB 65.2, -35.48, -12.23

 

CMYK 100 / 28 / 0 / 30

HEX #0080B3

RGB 0 128 179

HSL 197.09, 1%, 0.35%

LAB 50.33, -10.64, -35.08

 

CMYK 100 / 55 / 0 / 30

HEX #0050B3

RGB 0 80 179

HSL 213.18, 1%, 0.35%

LAB 35.97, 19.7, -58.04

 

CMYK 100 / 82 / 0 / 30

HEX #0020B3

RGB 0 32 179

HSL 229.27, 1%, 0.35%

LAB 24.6, 49.93, -76.76

 

CMYK 100 / 100 / 0 / 30

HEX #0000B3

RGB 0 0 179

HSL 240, 1%, 0.35%

LAB 21.04, 60.72, -82.71

 

CMYK 100 / 2 / 0 / 30

HEX #00B0B3

RGB 0 176 179

HSL 181.01, 1%, 0.35%

LAB 65.2, -35.48, -12.23

 

CMYK 100 / 2 / 0 / 30

HEX #00B0B3

RGB 0 176 179

HSL 181.01, 1%, 0.35%

LAB 65.2, -35.48, -12.23

 

CMYK 91 / 1 / 0 / 36

HEX #0EA2A4

RGB 14 162 164

HSL 180.8, 0.84%, 0.35%

LAB 60.44, -33.07, -10.97

 

CMYK 81 / 1 / 0 / 41

HEX #1D9496

RGB 29 148 150

HSL 180.99, 0.68%, 0.35%

LAB 55.73, -29.68, -10.05

 

CMYK 68 / 1 / 0 / 47

HEX #2B8687

RGB 43 134 135

HSL 180.65, 0.52%, 0.35%

LAB 51.05, -25.62, -8.34

 

CMYK 52 / 1 / 0 / 53

HEX #3A7879

RGB 58 120 121

HSL 180.95, 0.35%, 0.35%

LAB 46.6, -19.59, -6.69

 

CMYK 100 / 0 / 54 / 30

HEX #00B353

RGB 0 179 83

HSL 147.82, 1%, 0.35%

LAB 64.05, -59.62, 38.06

 

CMYK 100 / 0 / 27 / 30

HEX #00B383

RGB 0 179 131

HSL 163.91, 1%, 0.35%

LAB 64.87, -50.1, 13.86

 

CMYK 100 / 0 / 0 / 30

HEX #00B3B3

RGB 0 179 179

HSL 180, 1%, 0.35%

LAB 66.13, -36.87, -10.84

 

CMYK 100 / 27 / 0 / 30

HEX #0083B3

RGB 0 131 179

HSL 196.09, 1%, 0.35%

LAB 51.25, -12.36, -33.63

 

CMYK 100 / 54 / 0 / 30

HEX #0053B3

RGB 0 83 179

HSL 212.18, 1%, 0.35%

LAB 36.82, 17.67, -56.66

 

CMYK 100 / 1 / 0 / 62

HEX #005F60

RGB 0 95 96

HSL 180.63, 1%, 0.19%

LAB 36.04, -23, -7.43

HEX #005F60

CMYK 100 / 1 / 0 / 46

HEX #008889

RGB 0 136 137

HSL 180.44, 1%, 0.27%

LAB 51.17, -29.81, -9.39

HEX #008889

CMYK 100 / 2 / 0 / 30

HEX #00B0B3

RGB 0 176 179

HSL 181.01, 1%, 0.35%

LAB 65.2, -35.48, -12.23

HEX #00B0B3

CMYK 100 / 1 / 0 / 14

HEX #00D9DC

RGB 0 217 220

HSL 180.82, 1%, 0.43%

LAB 78.92, -41.67, -13.98

HEX #00D9DC

CMYK 98 / 1 / 0 / 0

HEX #06FCFF

RGB 6 252 255

HSL 180.72, 1%, 0.51%

LAB 90.27, -46.67, -15.41

HEX #06FCFF

CMYK 100 / 1 / 0 / 31

HEX #00AFB1

RGB 0 175 177

HSL 180.68, 1%, 0.35%

LAB 64.83, -35.64, -11.68

 

CMYK 80 / 100 / 0 / 30

HEX #2400B3

RGB 36 0 179

HSL 252.07, 1%, 0.35%

LAB 22.41, 61.2, -80.38

 

CMYK 0 / 40 / 100 / 30

HEX #B36B00

RGB 179 107 0

HSL 35.87, 1%, 0.35%

LAB 51.95, 22.48, 59.39

 

CMYK 100 / 1 / 0 / 31

HEX #00AFB1

RGB 0 175 177

HSL 180.68, 1%, 0.35%

LAB 64.83, -35.64, -11.68

 

CMYK 0 / 100 / 0 / 30

HEX #B300B3

RGB 179 0 179

HSL 300, 1%, 0.35%

LAB 42.52, 75.34, -46.65

 

CMYK 0 / 0 / 100 / 30

HEX #B3B300

RGB 179 179 0

HSL 60, 1%, 0.35%

LAB 70.75, -16.53, 72.44

 

CMYK 100 / 1 / 0 / 31

HEX #00AFB1

RGB 0 175 177

HSL 180.68, 1%, 0.35%

LAB 64.83, -35.64, -11.68

 

CMYK 80 / 100 / 0 / 30

HEX #2400B3

RGB 36 0 179

HSL 252.07, 1%, 0.35%

LAB 22.41, 61.2, -80.38

 

CMYK 0 / 100 / 100 / 30

HEX #B30000

RGB 179 0 0

HSL 0, 1%, 0.35%

LAB 37.08, 61.42, 51.49

 

CMYK 20 / 0 / 100 / 30

HEX #8FB300

RGB 143 179 0

HSL 72.07, 1%, 0.35%

LAB 68.08, -31.92, 69.27

 

CMYK 100 / 1 / 0 / 31

HEX #00AFB1

RGB 0 175 177

HSL 180.68, 1%, 0.35%

LAB 64.83, -35.64, -11.68

 

CMYK 50 / 100 / 0 / 30

HEX #5900B3

RGB 89 0 179

HSL 269.83, 1%, 0.35%

LAB 27.79, 63.87, -71.29

 

CMYK 0 / 100 / 100 / 30

HEX #B30000

RGB 179 0 0

HSL 0, 1%, 0.35%

LAB 37.08, 61.42, 51.49

 

CMYK 50 / 0 / 100 / 30

HEX #59B300

RGB 89 179 0

HSL 90.17, 1%, 0.35%

LAB 65.25, -51.64, 65.86

 

Description

Color code: HEX #00AFB1 | qconv.com Color code: HEX #00AFB1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 175 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 175 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 1 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 1% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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