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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00A5E5 it is the complementary color #FF5A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00A5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00A5E5 shade: #05A5E0, #16B7F3, #27C9FF, #38DBFF and #49EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00A5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00A5E5 shade: #00A5E5, #0093D2, #0081BF, #006FAC and #005D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00A5E5 shade: #00A5E5, #0067E5, #0029E5, #1400E5 and #5200E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00A5E5 shade: #00A5E5, #0067E5, #0029E5 and #0000E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00A5E5 shade matches the following richer shades: #00A5E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00A5E5 shade: #00A5E5, #129DD2, #2594C0, #378CAD and #4A849B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00A5E5 shade: #00E5A8, #00E5E5, #00A8E5, #006BE5 and #002DE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00A5E5 shade: #006992, #0087BC, #00A5E5, #0FBCFF and #39C7FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00A5E5 shade: #00A5E5, #6B00E5 and #E5C600

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00A5E5 shade: #00A5E5, #E500A8 and #A8E500

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00A5E5 shade: #00A5E5, #6B00E5, #E53D00 and #7AE500

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00A5E5 shade: #00A5E5, #AF00E5, #E53D00 and #35E500

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

Complementary color

CMYK 0 / 65 / 90 / 0

HEX #FF5A1A

RGB 255 90 26

HSL 16.77, 1%, 0.55%

LAB 60.47, 60.33, 64.64

 

CMYK 98 / 26 / 0 / 12

HEX #05A5E0

RGB 5 165 224

HSL 196.16, 0.96%, 0.45%

LAB 63.61, -14.58, -39.64

 

CMYK 91 / 25 / 0 / 5

HEX #16B7F3

RGB 22 183 243

HSL 196.29, 0.9%, 0.52%

LAB 69.83, -16.97, -40.3

 

CMYK 85 / 21 / 0 / 0

HEX #27C9FF

RGB 39 201 255

HSL 195, 1%, 0.58%

LAB 75.71, -21.34, -37.6

 

CMYK 78 / 14 / 0 / 0

HEX #38DBFF

RGB 56 219 255

HSL 190.85, 1%, 0.61%

LAB 81.14, -28.97, -29.21

 

CMYK 71 / 7 / 0 / 0

HEX #49EDFF

RGB 73 237 255

HSL 185.93, 1%, 0.64%

LAB 86.61, -35.75, -20.86

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 100 / 30 / 0 / 18

HEX #0093D2

RGB 0 147 210

HSL 198, 1%, 0.41%

LAB 57.58, -9.85, -41.31

 

CMYK 100 / 32 / 0 / 25

HEX #0081BF

RGB 0 129 191

HSL 199.48, 1%, 0.37%

LAB 51.22, -6.65, -40.57

 

CMYK 100 / 35 / 0 / 33

HEX #006FAC

RGB 0 111 172

HSL 201.28, 1%, 0.34%

LAB 44.73, -3.28, -39.85

 

CMYK 100 / 39 / 0 / 40

HEX #005D99

RGB 0 93 153

HSL 203.53, 1%, 0.3%

LAB 38.07, 0.3, -39.16

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 100 / 55 / 0 / 10

HEX #0067E5

RGB 0 103 229

HSL 213.01, 1%, 0.45%

LAB 46.12, 24.56, -70.38

 

CMYK 100 / 82 / 0 / 10

HEX #0029E5

RGB 0 41 229

HSL 229.26, 1%, 0.45%

LAB 32.35, 61.39, -93.06

 

CMYK 91 / 100 / 0 / 10

HEX #1400E5

RGB 20 0 229

HSL 245.24, 1%, 0.45%

LAB 28.92, 73.13, -98.78

 

CMYK 64 / 100 / 0 / 10

HEX #5200E5

RGB 82 0 229

HSL 261.48, 1%, 0.45%

LAB 32.81, 74.71, -92.19

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 100 / 55 / 0 / 10

HEX #0067E5

RGB 0 103 229

HSL 213.01, 1%, 0.45%

LAB 46.12, 24.56, -70.38

 

CMYK 100 / 82 / 0 / 10

HEX #0029E5

RGB 0 41 229

HSL 229.26, 1%, 0.45%

LAB 32.35, 61.39, -93.06

 

CMYK 100 / 100 / 0 / 10

HEX #0000E5

RGB 0 0 229

HSL 240, 1%, 0.45%

LAB 28.53, 73.01, -99.44

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 91 / 25 / 0 / 18

HEX #129DD2

RGB 18 157 210

HSL 196.56, 0.84%, 0.45%

LAB 60.69, -14.8, -36.43

 

CMYK 81 / 23 / 0 / 25

HEX #2594C0

RGB 37 148 192

HSL 197.03, 0.68%, 0.45%

LAB 57.44, -14.93, -31.36

 

CMYK 68 / 19 / 0 / 32

HEX #378CAD

RGB 55 140 173

HSL 196.78, 0.52%, 0.45%

LAB 54.64, -14.75, -24.85

 

CMYK 52 / 15 / 0 / 39

HEX #4A849B

RGB 74 132 155

HSL 197.04, 0.35%, 0.45%

LAB 52.2, -12.31, -18.15

 

CMYK 100 / 0 / 27 / 10

HEX #00E5A8

RGB 0 229 168

HSL 164.02, 1%, 0.45%

LAB 81.22, -60.36, 16.94

 

CMYK 100 / 0 / 0 / 10

HEX #00E5E5

RGB 0 229 229

HSL 180, 1%, 0.45%

LAB 82.75, -44.32, -13.03

 

CMYK 100 / 27 / 0 / 10

HEX #00A8E5

RGB 0 168 229

HSL 195.98, 1%, 0.45%

LAB 64.69, -14.55, -40.7

 

CMYK 100 / 53 / 0 / 10

HEX #006BE5

RGB 0 107 229

HSL 211.97, 1%, 0.45%

LAB 47.2, 21.98, -68.62

 

CMYK 100 / 80 / 0 / 10

HEX #002DE5

RGB 0 45 229

HSL 228.21, 1%, 0.45%

LAB 32.99, 59.51, -91.99

 

CMYK 100 / 28 / 0 / 43

HEX #006992

RGB 0 105 146

HSL 196.85, 1%, 0.29%

LAB 41.5, -9.92, -29.55

 

CMYK 100 / 28 / 0 / 26

HEX #0087BC

RGB 0 135 188

HSL 196.91, 1%, 0.37%

LAB 52.9, -11.25, -36.2

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 94 / 26 / 0 / 0

HEX #0FBCFF

RGB 15 188 255

HSL 196.75, 1%, 0.53%

LAB 71.75, -15.7, -43.79

 

CMYK 78 / 22 / 0 / 0

HEX #39C7FF

RGB 57 199 255

HSL 196.97, 1%, 0.61%

LAB 75.41, -18.82, -38.05

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 53 / 100 / 0 / 10

HEX #6B00E5

RGB 107 0 229

HSL 268.03, 1%, 0.45%

LAB 35.56, 76.16, -87.54

 

CMYK 0 / 14 / 100 / 10

HEX #E5C600

RGB 229 198 0

HSL 51.88, 1%, 0.45%

LAB 80.21, -4.42, 81.26

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 0 / 100 / 27 / 10

HEX #E500A8

RGB 229 0 168

HSL 315.98, 1%, 0.45%

LAB 51.25, 82.88, -25.76

 

CMYK 27 / 0 / 100 / 10

HEX #A8E500

RGB 168 229 0

HSL 75.98, 1%, 0.45%

LAB 84.15, -44.42, 82.16

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 53 / 100 / 0 / 10

HEX #6B00E5

RGB 107 0 229

HSL 268.03, 1%, 0.45%

LAB 35.56, 76.16, -87.54

 

CMYK 0 / 73 / 100 / 10

HEX #E53D00

RGB 229 61 0

HSL 15.98, 1%, 0.45%

LAB 51.83, 62.49, 63.59

 

CMYK 47 / 0 / 100 / 10

HEX #7AE500

RGB 122 229 0

HSL 88.03, 1%, 0.45%

LAB 81.93, -60.21, 79.48

 

CMYK 100 / 28 / 0 / 10

HEX #00A5E5

RGB 0 165 229

HSL 196.77, 1%, 0.45%

LAB 63.81, -12.91, -42.08

 

CMYK 24 / 100 / 0 / 10

HEX #AF00E5

RGB 175 0 229

HSL 285.85, 1%, 0.45%

LAB 45.32, 82.88, -71.14

 

CMYK 0 / 73 / 100 / 10

HEX #E53D00

RGB 229 61 0

HSL 15.98, 1%, 0.45%

LAB 51.83, 62.49, 63.59

 

CMYK 77 / 0 / 100 / 10

HEX #35E500

RGB 53 229 0

HSL 106.11, 1%, 0.45%

LAB 80.06, -75.59, 77.21

 

Description

Color code: HEX #00A5E5 | qconv.com Color code: HEX #00A5E5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 165 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 165 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 28 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 28% 0% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - Partners Overview | ...
Link: http://samsungsdsa.vslaunchpad.com

45% - SDS University | Sam...
Link: http://samsungsdsa.vslaunchpad.com

44% - Samsung SDS Universi...
Link: http://www.samsungsdsa.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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