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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00778B it is the complementary color #FF8874. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00778B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00778B shade: #057786, #168999, #279BAC, #38ADBF and #49BFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00778B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00778B shade: #00778B, #006578, #005365, #004152 and #002F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00778B shade: #00768A, #00518A, #002C8A, #00068A and #1F008A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00778B shade: #00768A, #00518A, #002C8A, #00068A and #00008A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00778B shade matches the following richer shades: #00768A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00778B shade: #00768A, #0B6E7F, #166673, #215E68 and #2D565D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00778B shade: #008A53, #008A77, #00778A, #00538A and #002E8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00778B shade: #002F37, #005360, #00768A, #0099B3 and #00BDDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00778B shade: #00778B, #2E008A and #8A6500

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00778B shade: #00778B, #8A0077 and #778A00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00778B shade: #00778B, #2E008A, #8A1200 and #5C8A00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00778B shade: #00778B, #57008A, #8A1200 and #328A00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 14 / 0 / 45

HEX #00778B

RGB 0 119 139

HSL 188.63, 1%, 0.27%

LAB 45.71, -20.46, -18.84

Complementary color

CMYK 0 / 47 / 55 / 0

HEX #FF8874

RGB 255 136 116

HSL 8.63, 1%, 0.73%

LAB 69.56, 43.25, 31.12

 

CMYK 96 / 11 / 0 / 47

HEX #057786

RGB 5 119 134

HSL 186.98, 0.93%, 0.27%

LAB 45.56, -21.97, -16.1

 

CMYK 86 / 10 / 0 / 40

HEX #168999

RGB 22 137 153

HSL 187.33, 0.75%, 0.34%

LAB 52.24, -23.8, -17.05

 

CMYK 77 / 10 / 0 / 33

HEX #279BAC

RGB 39 155 172

HSL 187.67, 0.63%, 0.41%

LAB 58.84, -25.16, -17.88

 

CMYK 71 / 9 / 0 / 25

HEX #38ADBF

RGB 56 173 191

HSL 188, 0.55%, 0.48%

LAB 65.35, -26.16, -18.62

 

CMYK 65 / 9 / 0 / 18

HEX #49BFD2

RGB 73 191 210

HSL 188.32, 0.6%, 0.55%

LAB 71.78, -26.9, -19.27

 

CMYK 100 / 14 / 0 / 45

HEX #00778B

RGB 0 119 139

HSL 188.63, 1%, 0.27%

LAB 45.71, -20.46, -18.84

HEX #00778B

CMYK 100 / 16 / 0 / 53

HEX #006578

RGB 0 101 120

HSL 189.5, 1%, 0.24%

LAB 39.01, -17.58, -17.71

HEX #006578

CMYK 100 / 18 / 0 / 60

HEX #005365

RGB 0 83 101

HSL 190.69, 1%, 0.2%

LAB 32.09, -14.58, -16.57

HEX #005365

CMYK 100 / 21 / 0 / 68

HEX #004152

RGB 0 65 82

HSL 192.44, 1%, 0.16%

LAB 24.92, -11.42, -15.42

HEX #004152

CMYK 100 / 25 / 0 / 75

HEX #002F3F

RGB 0 47 63

HSL 195.24, 1%, 0.12%

LAB 17.42, -8.04, -14.3

HEX #002F3F

CMYK 100 / 14 / 0 / 46

HEX #00768A

RGB 0 118 138

HSL 188.7, 1%, 0.27%

LAB 45.35, -20.28, -18.81

 

CMYK 100 / 41 / 0 / 46

HEX #00518A

RGB 0 81 138

HSL 204.78, 1%, 0.27%

LAB 33.39, 1.84, -37.53

 

CMYK 100 / 68 / 0 / 46

HEX #002C8A

RGB 0 44 138

HSL 220.87, 1%, 0.27%

LAB 22.43, 27.61, -55.32

 

CMYK 100 / 96 / 0 / 46

HEX #00068A

RGB 0 6 138

HSL 237.39, 1%, 0.27%

LAB 15.3, 47.97, -67.14

 

CMYK 78 / 100 / 0 / 46

HEX #1F008A

RGB 31 0 138

HSL 253.48, 1%, 0.27%

LAB 16.14, 50.71, -65.71

 

CMYK 100 / 14 / 0 / 46

HEX #00768A

RGB 0 118 138

HSL 188.7, 1%, 0.27%

LAB 45.35, -20.28, -18.81

 

CMYK 100 / 41 / 0 / 46

HEX #00518A

RGB 0 81 138

HSL 204.78, 1%, 0.27%

LAB 33.39, 1.84, -37.53

 

CMYK 100 / 68 / 0 / 46

HEX #002C8A

RGB 0 44 138

HSL 220.87, 1%, 0.27%

LAB 22.43, 27.61, -55.32

 

CMYK 100 / 96 / 0 / 46

HEX #00068A

RGB 0 6 138

HSL 237.39, 1%, 0.27%

LAB 15.3, 47.97, -67.14

 

CMYK 100 / 100 / 0 / 46

HEX #00008A

RGB 0 0 138

HSL 240, 1%, 0.27%

LAB 14.6, 50.17, -68.32

 

CMYK 100 / 14 / 0 / 46

HEX #00768A

RGB 0 118 138

HSL 188.7, 1%, 0.27%

LAB 45.35, -20.28, -18.81

 

CMYK 100 / 14 / 0 / 46

HEX #00768A

RGB 0 118 138

HSL 188.7, 1%, 0.27%

LAB 45.35, -20.28, -18.81

 

CMYK 91 / 13 / 0 / 50

HEX #0B6E7F

RGB 11 110 127

HSL 188.79, 0.84%, 0.27%

LAB 42.39, -19.29, -16.75

 

CMYK 81 / 11 / 0 / 55

HEX #166673

RGB 22 102 115

HSL 188.39, 0.68%, 0.27%

LAB 39.43, -18.2, -13.98

 

CMYK 68 / 10 / 0 / 59

HEX #215E68

RGB 33 94 104

HSL 188.45, 0.52%, 0.27%

LAB 36.61, -15.9, -11.48

 

CMYK 52 / 8 / 0 / 64

HEX #2D565D

RGB 45 86 93

HSL 188.75, 0.35%, 0.27%

LAB 33.99, -12.21, -8.52

 

CMYK 100 / 0 / 40 / 46

HEX #008A53

RGB 0 138 83

HSL 156.09, 1%, 0.27%

LAB 50.45, -45.39, 20.72

 

CMYK 100 / 0 / 14 / 46

HEX #008A77

RGB 0 138 119

HSL 171.74, 1%, 0.27%

LAB 51.28, -36.27, 1.25

 

CMYK 100 / 14 / 0 / 46

HEX #00778A

RGB 0 119 138

HSL 188.26, 1%, 0.27%

LAB 45.67, -20.82, -18.31

 

CMYK 100 / 40 / 0 / 46

HEX #00538A

RGB 0 83 138

HSL 203.91, 1%, 0.27%

LAB 34.03, 0.53, -36.52

 

CMYK 100 / 67 / 0 / 46

HEX #002E8A

RGB 0 46 138

HSL 220, 1%, 0.27%

LAB 22.96, 26.21, -54.44

 

CMYK 100 / 15 / 0 / 78

HEX #002F37

RGB 0 47 55

HSL 188.73, 1%, 0.11%

LAB 17.03, -11.46, -9.37

 

CMYK 100 / 14 / 0 / 62

HEX #005360

RGB 0 83 96

HSL 188.13, 1%, 0.19%

LAB 31.88, -16.5, -13.74

 

CMYK 100 / 14 / 0 / 46

HEX #00768A

RGB 0 118 138

HSL 188.7, 1%, 0.27%

LAB 45.35, -20.28, -18.81

 

CMYK 100 / 15 / 0 / 30

HEX #0099B3

RGB 0 153 179

HSL 188.72, 1%, 0.35%

LAB 58.07, -24.24, -23.06

 

CMYK 100 / 14 / 0 / 14

HEX #00BDDC

RGB 0 189 220

HSL 188.45, 1%, 0.43%

LAB 70.57, -28.54, -26.66

 

CMYK 100 / 14 / 0 / 45

HEX #00778B

RGB 0 119 139

HSL 188.63, 1%, 0.27%

LAB 45.71, -20.46, -18.84

HEX #00778B

CMYK 67 / 100 / 0 / 46

HEX #2E008A

RGB 46 0 138

HSL 260, 1%, 0.27%

LAB 17.53, 51.33, -63.35

HEX #2E008A

CMYK 0 / 27 / 100 / 46

HEX #8A6500

RGB 138 101 0

HSL 43.91, 1%, 0.27%

LAB 45.24, 7.06, 52.44

HEX #8A6500

CMYK 100 / 14 / 0 / 45

HEX #00778B

RGB 0 119 139

HSL 188.63, 1%, 0.27%

LAB 45.71, -20.46, -18.84

HEX #00778B

CMYK 0 / 100 / 14 / 46

HEX #8A0077

RGB 138 0 119

HSL 308.26, 1%, 0.27%

LAB 31.2, 59.43, -28.44

HEX #8A0077

CMYK 14 / 0 / 100 / 46

HEX #778A00

RGB 119 138 0

HSL 68.26, 1%, 0.27%

LAB 54.13, -22.27, 58.03

HEX #778A00

CMYK 100 / 14 / 0 / 45

HEX #00778B

RGB 0 119 139

HSL 188.63, 1%, 0.27%

LAB 45.71, -20.46, -18.84

HEX #00778B

CMYK 67 / 100 / 0 / 46

HEX #2E008A

RGB 46 0 138

HSL 260, 1%, 0.27%

LAB 17.53, 51.33, -63.35

HEX #2E008A

CMYK 0 / 87 / 100 / 46

HEX #8A1200

RGB 138 18 0

HSL 7.83, 1%, 0.27%

LAB 28.99, 47.47, 41.94

HEX #8A1200

CMYK 33 / 0 / 100 / 46

HEX #5C8A00

RGB 92 138 0

HSL 80, 1%, 0.27%

LAB 52.34, -33.7, 55.88

HEX #5C8A00

CMYK 100 / 14 / 0 / 45

HEX #00778B

RGB 0 119 139

HSL 188.63, 1%, 0.27%

LAB 45.71, -20.46, -18.84

HEX #00778B

CMYK 37 / 100 / 0 / 46

HEX #57008A

RGB 87 0 138

HSL 277.83, 1%, 0.27%

LAB 23.21, 54.76, -53.78

HEX #57008A

CMYK 0 / 87 / 100 / 46

HEX #8A1200

RGB 138 18 0

HSL 7.83, 1%, 0.27%

LAB 28.99, 47.47, 41.94

HEX #8A1200

CMYK 64 / 0 / 100 / 46

HEX #328A00

RGB 50 138 0

HSL 98.26, 1%, 0.27%

LAB 50.52, -47.53, 53.67

HEX #328A00

Description

Color code: HEX #00778B | qconv.com Color code: HEX #00778B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 119 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 119 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 14 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 14% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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