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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #006BFACE it is the complementary color #FF9405CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #006BFACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #006BFACE shade: #056BF5CE, #167DFFCE, #278FFFCE, #38A1FFCE and #49B3FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #006BFACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #006BFACE shade: #006BFACE, #0059E7CE, #0047D4CE, #0035C1CE and #0023AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #006BFACE shade: #006BFA, #0028FA, #1C00FA, #5F00FA and #A300FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #006BFACE shade: #006BFA, #0028FA and #0000FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #006BFACE shade matches the following richer shades: #006BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #006BFACE shade: #006BFA, #146EE6, #2871D1, #3D74BD and #5177A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #006BFACE shade: #00F2FA, #00AFFA, #006CFA, #002AFA and #1900FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #006BFACE shade: #0048A7, #0059D1, #006BFA, #2482FF and #4D99FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #006BFACE shade: #006BFA, #C000FA and #D0FA00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #006BFACE shade: #006BFA, #FA006C and #6CFA00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #006BFACE shade: #006BFA, #C000FA, #FA8E00 and #3AFA00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #006BFACE shade: #006BFA, #FA00E9, #FA8E00 and #00FA11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 46 / 0 / 2

HEX #006BFACE

RGBA 0 107 250 0.81

HSLA 214.32, 1%, 0.49%, 0.81

LABA 48.78, 30.13, -77.81, 0.81

 

Complementary color

CMYK 0 / 34 / 79 / 0

HEX #FF9405CE

RGBA 255 148 5 0.81

HSLA 34.32, 1%, 0.51%, 0.81

LABA 71.18, 32.79, 75.92, 0.81

 

CMYK 79 / 46 / 0 / 3

HEX #056BF5CE

RGBA 5 107 245 0.81

HSLA 214.5, 0.96%, 0.49%, 0.81

LABA 48.44, 28.33, -75.58, 0.81

 

CMYK 74 / 41 / 0 / 0

HEX #167DFFCE

RGBA 22 125 255 0.81

HSLA 213.48, 1%, 0.54%, 0.81

LABA 54.09, 21.28, -71.94, 0.81

 

CMYK 69 / 36 / 0 / 0

HEX #278FFFCE

RGBA 39 143 255 0.81

HSLA 211.11, 1%, 0.58%, 0.81

LABA 59.25, 11.14, -63.6, 0.81

 

CMYK 63 / 30 / 0 / 0

HEX #38A1FFCE

RGBA 56 161 255 0.81

HSLA 208.34, 1%, 0.61%, 0.81

LABA 64.6, 1.94, -55.03, 0.81

 

CMYK 58 / 24 / 0 / 0

HEX #49B3FFCE

RGBA 73 179 255 0.81

HSLA 205.05, 1%, 0.64%, 0.81

LABA 70.09, -6.26, -46.33, 0.81

 

CMYK 81 / 46 / 0 / 2

HEX #006BFACE

RGBA 0 107 250 0.81

HSLA 214.32, 1%, 0.49%, 0.81

LABA 48.78, 30.13, -77.81, 0.81

 

CMYK 81 / 50 / 0 / 8

HEX #0059E7CE

RGBA 0 89 231 0.81

HSLA 216.88, 1%, 0.45%, 0.81

LABA 42.63, 34.38, -77.21, 0.81

 

CMYK 81 / 54 / 0 / 14

HEX #0047D4CE

RGBA 0 71 212 0.81

HSLA 219.91, 1%, 0.42%, 0.81

LABA 36.48, 38.71, -76.46, 0.81

 

CMYK 81 / 59 / 0 / 20

HEX #0035C1CE

RGBA 0 53 193 0.81

HSLA 223.52, 1%, 0.38%, 0.81

LABA 30.39, 42.95, -75.45, 0.81

 

CMYK 81 / 65 / 0 / 26

HEX #0023AECE

RGBA 0 35 174 0.81

HSLA 227.93, 1%, 0.34%, 0.81

LABA 24.51, 46.7, -73.91, 0.81

 

CMYK 100 / 57 / 0 / 2

HEX #006BFA

RGB 0 107 250

HSL 214.32, 1%, 0.49%

LAB 48.78, 30.13, -77.81

 

CMYK 100 / 84 / 0 / 2

HEX #0028FA

RGB 0 40 250

HSL 230.4, 1%, 0.49%

LAB 34.84, 68.06, -100.81

 

CMYK 89 / 100 / 0 / 2

HEX #1C00FA

RGB 28 0 250

HSL 246.72, 1%, 0.49%

LAB 32.14, 78.2, -105.31

 

CMYK 62 / 100 / 0 / 2

HEX #5F00FA

RGB 95 0 250

HSL 262.8, 1%, 0.49%

LAB 36.62, 80.06, -97.72

 

CMYK 35 / 100 / 0 / 2

HEX #A300FA

RGB 163 0 250

HSL 279.12, 1%, 0.49%

LAB 45.2, 85.32, -83.26

 

CMYK 100 / 57 / 0 / 2

HEX #006BFA

RGB 0 107 250

HSL 214.32, 1%, 0.49%

LAB 48.78, 30.13, -77.81

 

CMYK 100 / 84 / 0 / 2

HEX #0028FA

RGB 0 40 250

HSL 230.4, 1%, 0.49%

LAB 34.84, 68.06, -100.81

 

CMYK 100 / 100 / 0 / 2

HEX #0000FA

RGB 0 0 250

HSL 240, 1%, 0.49%

LAB 31.58, 78.02, -106.26

 

CMYK 100 / 57 / 0 / 2

HEX #006BFA

RGB 0 107 250

HSL 214.32, 1%, 0.49%

LAB 48.78, 30.13, -77.81

 

CMYK 100 / 57 / 0 / 2

HEX #006BFA

RGB 0 107 250

HSL 214.32, 1%, 0.49%

LAB 48.78, 30.13, -77.81

 

CMYK 91 / 52 / 0 / 10

HEX #146EE6

RGB 20 110 230

HSL 214.29, 0.84%, 0.49%

LAB 48.28, 21.07, -67.43

 

CMYK 81 / 46 / 0 / 18

HEX #2871D1

RGB 40 113 209

HSL 214.08, 0.68%, 0.49%

LAB 48.09, 12.41, -55.82

 

CMYK 68 / 39 / 0 / 26

HEX #3D74BD

RGB 61 116 189

HSL 214.22, 0.51%, 0.49%

LAB 48.46, 5.83, -43.72

 

CMYK 52 / 30 / 0 / 34

HEX #5177A9

RGB 81 119 169

HSL 214.09, 0.35%, 0.49%

LAB 49.26, 1.25, -30.8

 

CMYK 100 / 3 / 0 / 2

HEX #00F2FA

RGB 0 242 250

HSL 181.92, 1%, 0.49%

LAB 87.2, -43.87, -17.42

 

CMYK 100 / 30 / 0 / 2

HEX #00AFFA

RGB 0 175 250

HSL 198, 1%, 0.49%

LAB 67.7, -10.82, -47.46

 

CMYK 100 / 57 / 0 / 2

HEX #006CFA

RGB 0 108 250

HSL 214.08, 1%, 0.49%

LAB 49.04, 29.49, -77.38

 

CMYK 100 / 83 / 0 / 2

HEX #002AFA

RGB 0 42 250

HSL 229.92, 1%, 0.49%

LAB 35.12, 67.23, -100.35

 

CMYK 90 / 100 / 0 / 2

HEX #1900FA

RGB 25 0 250

HSL 246, 1%, 0.49%

LAB 32.05, 78.17, -105.46

 

CMYK 100 / 57 / 0 / 35

HEX #0048A7

RGB 0 72 167

HSL 214.13, 1%, 0.33%

LAB 32.75, 20.19, -56.13

 

CMYK 100 / 57 / 0 / 18

HEX #0059D1

RGB 0 89 209

HSL 214.45, 1%, 0.41%

LAB 40.81, 25.8, -67.63

 

CMYK 100 / 57 / 0 / 2

HEX #006BFA

RGB 0 107 250

HSL 214.32, 1%, 0.49%

LAB 48.78, 30.13, -77.81

 

CMYK 86 / 49 / 0 / 0

HEX #2482FF

RGB 36 130 255

HSL 214.25, 1%, 0.57%

LAB 55.64, 18.89, -69.41

 

CMYK 70 / 40 / 0 / 0

HEX #4D99FF

RGB 77 153 255

HSL 214.38, 1%, 0.65%

LAB 62.99, 9.15, -57.55

 

CMYK 100 / 57 / 0 / 2

HEX #006BFA

RGB 0 107 250

HSL 214.32, 1%, 0.49%

LAB 48.78, 30.13, -77.81

 

CMYK 23 / 100 / 0 / 2

HEX #C000FA

RGB 192 0 250

HSL 286.08, 1%, 0.49%

LAB 49.63, 88.65, -75.85

 

CMYK 17 / 0 / 100 / 2

HEX #D0FA00

RGB 208 250 0

HSL 70.08, 1%, 0.49%

LAB 92.48, -38.19, 89.54

 

CMYK 100 / 57 / 0 / 2

HEX #006BFA

RGB 0 107 250

HSL 214.32, 1%, 0.49%

LAB 48.78, 30.13, -77.81

 

CMYK 0 / 100 / 57 / 2

HEX #FA006C

RGB 250 0 108

HSL 334.08, 1%, 0.49%

LAB 53.39, 82.13, 13.88

 

CMYK 57 / 0 / 100 / 2

HEX #6CFA00

RGB 108 250 0

HSL 94.08, 1%, 0.49%

LAB 87.76, -71.38, 83.85

 

CMYK 100 / 57 / 0 / 2

HEX #006BFA

RGB 0 107 250

HSL 214.32, 1%, 0.49%

LAB 48.78, 30.13, -77.81

 

CMYK 23 / 100 / 0 / 2

HEX #C000FA

RGB 192 0 250

HSL 286.08, 1%, 0.49%

LAB 49.63, 88.65, -75.85

 

CMYK 0 / 43 / 100 / 2

HEX #FA8E00

RGB 250 142 0

HSL 34.08, 1%, 0.49%

LAB 69.23, 33.8, 75.01

 

CMYK 77 / 0 / 100 / 2

HEX #3AFA00

RGB 58 250 0

HSL 106.08, 1%, 0.49%

LAB 86.64, -80.87, 82.49

 

CMYK 100 / 57 / 0 / 2

HEX #006BFA

RGB 0 107 250

HSL 214.32, 1%, 0.49%

LAB 48.78, 30.13, -77.81

 

CMYK 0 / 100 / 7 / 2

HEX #FA00E9

RGB 250 0 233

HSL 304.08, 1%, 0.49%

LAB 58.23, 94.48, -51.95

 

CMYK 0 / 43 / 100 / 2

HEX #FA8E00

RGB 250 142 0

HSL 34.08, 1%, 0.49%

LAB 69.23, 33.8, 75.01

 

CMYK 100 / 0 / 93 / 2

HEX #00FA11

RGB 0 250 17

HSL 124.08, 1%, 0.49%

LAB 86.21, -84.64, 80.53

 

Description

Color code: HEX #006BFACE | qconv.com Color code: HEX #006BFACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 107 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 107 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 46 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 46% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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