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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 9 / 16 / 0 / 16 it is the complementary color CMYK 20 / 0 / 45 / 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 9 / 16 / 0 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 9 / 16 / 0 / 16: CMYK 4 / 14 / 0 / 18, CMYK 5 / 13 / 0 / 11, CMYK 5 / 13 / 0 / 3, CMYK 2 / 8 / 0 / 0 and CMYK 0 / 1 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 9 / 16 / 0 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 9 / 16 / 0 / 16: CMYK 9 / 16 / 0 / 16, CMYK 9 / 17 / 0 / 24, CMYK 9 / 18 / 0 / 31, CMYK 8 / 20 / 0 / 38 and CMYK 8 / 22 / 0 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 16 / 0 / 16

HEX #C3B4D6

RGB 195 180 214

HSL 266.47, 0.29%, 0.77%

LAB 75.51, 11.75, -15.17

 

Complementary color

CMYK 20 / 0 / 45 / 71

HEX #3C4B29

RGB 60 75 41

HSL 86.47, 0.29%, 0.23%

LAB 29.8, -12.84, 18.33

 

CMYK 4 / 14 / 0 / 18

HEX #C8B4D1

RGB 200 180 209

HSL 281.38, 0.24%, 0.76%

LAB 75.78, 12.43, -12.01

 

CMYK 5 / 13 / 0 / 11

HEX #D9C6E4

RGB 217 198 228

HSL 278, 0.36%, 0.84%

LAB 82.24, 12.07, -12.44

 

CMYK 5 / 13 / 0 / 3

HEX #EAD8F7

RGB 234 216 247

HSL 274.84, 0.66%, 0.91%

LAB 88.6, 11.74, -12.88

 

CMYK 2 / 8 / 0 / 0

HEX #FBEAFF

RGB 251 234 255

HSL 288.57, 1%, 0.96%

LAB 94.56, 9.41, -8.05

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 9 / 16 / 0 / 16

HEX #C3B4D6

RGB 195 180 214

HSL 266.47, 0.29%, 0.77%

LAB 75.51, 11.75, -15.17

 

CMYK 9 / 17 / 0 / 24

HEX #B2A2C3

RGB 178 162 195

HSL 269.09, 0.22%, 0.7%

LAB 68.93, 12.12, -14.79

 

CMYK 9 / 18 / 0 / 31

HEX #A190B0

RGB 161 144 176

HSL 271.88, 0.17%, 0.63%

LAB 62.22, 12.52, -14.42

 

CMYK 8 / 20 / 0 / 38

HEX #907E9D

RGB 144 126 157

HSL 274.84, 0.14%, 0.55%

LAB 55.37, 12.96, -14.06

 

CMYK 8 / 22 / 0 / 46

HEX #7F6C8A

RGB 127 108 138

HSL 278, 0.12%, 0.48%

LAB 48.35, 13.45, -13.69

 

CMYK 9 / 16 / 0 / 16

HEX #C3B4D6

RGB 195 180 214

HSL 266.47, 0.29%, 0.77%

LAB 75.51, 11.75, -15.17

 

CMYK 7 / 16 / 0 / 16

HEX #C7B3D5

RGB 199 179 213

HSL 275.29, 0.29%, 0.77%

LAB 75.57, 13.42, -14.51

 

CMYK 4 / 16 / 0 / 16

HEX #CDB3D5

RGB 205 179 213

HSL 285.88, 0.29%, 0.77%

LAB 76.08, 15.42, -13.68

 

CMYK 1 / 16 / 0 / 16

HEX #D3B3D5

RGB 211 179 213

HSL 296.47, 0.29%, 0.77%

LAB 76.61, 17.44, -12.83

 

CMYK 0 / 16 / 2 / 16

HEX #D5B3D1

RGB 213 179 209

HSL 307.06, 0.29%, 0.77%

LAB 76.67, 17.38, -10.55

 

CMYK 9 / 16 / 0 / 16

HEX #C3B4D6

RGB 195 180 214

HSL 266.47, 0.29%, 0.77%

LAB 75.51, 11.75, -15.17

 

CMYK 10 / 20 / 0 / 96

HEX #09080A

RGB 9 8 10

HSL 270, 0.11%, 0.04%

LAB 2.29, 0.54, -0.67

 

CMYK 8 / 16 / 0 / 76

HEX #38333D

RGB 56 51 61

HSL 270, 0.09%, 0.22%

LAB 22.11, 4.54, -5.47

 

CMYK 9 / 16 / 0 / 56

HEX #665E70

RGB 102 94 112

HSL 266.67, 0.09%, 0.4%

LAB 41.22, 7.01, -9.03

 

CMYK 9 / 16 / 0 / 36

HEX #9589A3

RGB 149 137 163

HSL 267.69, 0.12%, 0.59%

LAB 58.91, 9.63, -12.13

 

CMYK 9 / 16 / 0 / 16

HEX #C3B4D6

RGB 195 180 214

HSL 266.47, 0.29%, 0.77%

LAB 75.51, 11.75, -15.17

 

CMYK 0 / 16 / 10 / 16

HEX #D5B3BF

RGB 213 179 191

HSL 338.82, 0.29%, 0.77%

LAB 76.16, 14.21, -1.51

 

CMYK 16 / 0 / 15 / 16

HEX #B3D5B4

RGB 179 213 180

HSL 121.76, 0.29%, 0.77%

LAB 82.09, -17.51, 12.61

 

CMYK 9 / 16 / 0 / 16

HEX #C3B4D6

RGB 195 180 214

HSL 266.47, 0.29%, 0.77%

LAB 75.51, 11.75, -15.17

 

CMYK 0 / 9 / 16 / 16

HEX #D5C2B3

RGB 213 194 179

HSL 26.47, 0.29%, 0.77%

LAB 79.6, 4.24, 9.96

 

CMYK 16 / 0 / 9 / 16

HEX #B3D5C2

RGB 179 213 194

HSL 146.47, 0.29%, 0.77%

LAB 82.41, -14.94, 5.64

 

CMYK 9 / 16 / 0 / 16

HEX #C3B4D6

RGB 195 180 214

HSL 266.47, 0.29%, 0.77%

LAB 75.51, 11.75, -15.17

 

CMYK 0 / 16 / 10 / 16

HEX #D5B3BF

RGB 213 179 191

HSL 338.82, 0.29%, 0.77%

LAB 76.16, 14.21, -1.51

 

CMYK 7 / 0 / 16 / 16

HEX #C6D5B3

RGB 198 213 179

HSL 86.47, 0.29%, 0.77%

LAB 83.36, -11.08, 15.12

 

CMYK 16 / 0 / 6 / 16

HEX #B3D5C8

RGB 179 213 200

HSL 157.06, 0.29%, 0.77%

LAB 82.56, -13.79, 2.66

 

CMYK 9 / 16 / 0 / 16

HEX #C3B4D6

RGB 195 180 214

HSL 266.47, 0.29%, 0.77%

LAB 75.51, 11.75, -15.17

 

CMYK 0 / 16 / 15 / 16

HEX #D5B3B5

RGB 213 179 181

HSL 356.47, 0.29%, 0.77%

LAB 75.9, 12.56, 3.55

 

CMYK 7 / 0 / 16 / 16

HEX #C6D5B3

RGB 198 213 179

HSL 86.47, 0.29%, 0.77%

LAB 83.36, -11.08, 15.12

 

CMYK 16 / 0 / 1 / 16

HEX #B3D5D3

RGB 179 213 211

HSL 176.47, 0.29%, 0.77%

LAB 82.85, -11.59, -2.78

 

Description

Color code: CMYK 9 / 16 / 0 / 16 | qconv.com Color code: CMYK 9 / 16 / 0 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 180 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 180 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 16 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 16% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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