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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 9 / 11 / 0 / 82 it is the complementary color CMYK 0 / 0 / 2 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 9 / 11 / 0 / 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 9 / 11 / 0 / 82: CMYK 0 / 13 / 13 / 82, CMYK 0 / 8 / 6 / 75, CMYK 0 / 5 / 2 / 68, CMYK 0 / 3 / 0 / 62 and CMYK 2 / 3 / 0 / 54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 9 / 11 / 0 / 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 9 / 11 / 0 / 82: CMYK 9 / 11 / 0 / 82, CMYK 7 / 15 / 0 / 89, CMYK 0 / 37 / 0 / 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 11 / 0 / 82

HEX #2A292E

RGB 42 41 46

HSL 252, 0.06%, 0.17%

LAB 16.87, 1.69, -3.09

 

Complementary color

CMYK 0 / 0 / 2 / 16

HEX #D5D6D1

RGB 213 214 209

HSL 72, 0.06%, 0.83%

LAB 85.42, -1.23, 2.34

 

CMYK 0 / 13 / 13 / 82

HEX #2F2929

RGB 47 41 41

HSL 0, 0.07%, 0.17%

LAB 17.23, 2.76, 1

 

CMYK 0 / 8 / 6 / 75

HEX #403B3C

RGB 64 59 60

HSL 348, 0.04%, 0.24%

LAB 25.39, 2.38, 0.16

 

CMYK 0 / 5 / 2 / 68

HEX #514D4F

RGB 81 77 79

HSL 330, 0.03%, 0.31%

LAB 33.18, 2.07, -0.6

 

CMYK 0 / 3 / 0 / 62

HEX #625F62

RGB 98 95 98

HSL 300, 0.02%, 0.38%

LAB 40.68, 1.81, -1.29

 

CMYK 2 / 3 / 0 / 54

HEX #737175

RGB 115 113 117

HSL 270, 0.02%, 0.45%

LAB 47.93, 1.58, -1.94

 

CMYK 9 / 11 / 0 / 82

HEX #2A292E

RGB 42 41 46

HSL 252, 0.06%, 0.17%

LAB 16.87, 1.69, -3.09

 

CMYK 7 / 15 / 0 / 89

HEX #19171B

RGB 25 23 27

HSL 270, 0.08%, 0.1%

LAB 8.12, 2.03, -2.46

 

CMYK 0 / 37 / 0 / 97

HEX #080508

RGB 8 5 8

HSL 300, 0.23%, 0.03%

LAB 1.61, 1.2, -0.86

 

CMYK 9 / 11 / 0 / 82

HEX #2A292E

RGB 42 41 46

HSL 252, 0.06%, 0.17%

LAB 16.87, 1.69, -3.09

 

CMYK 7 / 11 / 0 / 82

HEX #2A282D

RGB 42 40 45

HSL 264, 0.06%, 0.17%

LAB 16.5, 2.13, -2.94

 

CMYK 4 / 11 / 0 / 82

HEX #2B282D

RGB 43 40 45

HSL 276, 0.06%, 0.17%

LAB 16.6, 2.57, -2.77

 

CMYK 2 / 11 / 0 / 82

HEX #2C282D

RGB 44 40 45

HSL 288, 0.06%, 0.17%

LAB 16.71, 3.02, -2.6

 

CMYK 0 / 11 / 0 / 82

HEX #2D282D

RGB 45 40 45

HSL 300, 0.06%, 0.17%

LAB 16.82, 3.46, -2.43

 

CMYK 9 / 11 / 0 / 82

HEX #2A292E

RGB 42 41 46

HSL 252, 0.06%, 0.17%

LAB 16.87, 1.69, -3.09

 

CMYK 8 / 11 / 0 / 62

HEX #595661

RGB 89 86 97

HSL 256.36, 0.06%, 0.36%

LAB 37.19, 3.62, -5.91

 

CMYK 9 / 11 / 0 / 42

HEX #878494

RGB 135 132 148

HSL 251.25, 0.07%, 0.55%

LAB 55.88, 4.39, -8.16

 

CMYK 9 / 11 / 0 / 22

HEX #B6B1C7

RGB 182 177 199

HSL 253.64, 0.16%, 0.74%

LAB 73.23, 6.02, -10.52

 

CMYK 9 / 11 / 0 / 2

HEX #E4DFFA

RGB 228 223 250

HSL 251.11, 0.73%, 0.93%

LAB 89.94, 6.71, -12.5

 

CMYK 9 / 11 / 0 / 82

HEX #2A292E

RGB 42 41 46

HSL 252, 0.06%, 0.17%

LAB 16.87, 1.69, -3.09

 

CMYK 0 / 11 / 4 / 82

HEX #2D282B

RGB 45 40 43

HSL 324, 0.06%, 0.17%

LAB 16.75, 2.99, -1.13

 

CMYK 9 / 0 / 11 / 82

HEX #292D28

RGB 41 45 40

HSL 108, 0.06%, 0.17%

LAB 17.92, -2.96, 2.63

 

CMYK 9 / 11 / 0 / 82

HEX #2A292E

RGB 42 41 46

HSL 252, 0.06%, 0.17%

LAB 16.87, 1.69, -3.09

 

CMYK 0 / 9 / 11 / 82

HEX #2D2928

RGB 45 41 40

HSL 12, 0.06%, 0.17%

LAB 16.97, 1.61, 1.31

 

CMYK 11 / 0 / 9 / 82

HEX #282D29

RGB 40 45 41

HSL 132, 0.06%, 0.17%

LAB 17.86, -3.18, 1.84

 

CMYK 9 / 11 / 0 / 82

HEX #2A292E

RGB 42 41 46

HSL 252, 0.06%, 0.17%

LAB 16.87, 1.69, -3.09

 

CMYK 0 / 11 / 4 / 82

HEX #2D282B

RGB 45 40 43

HSL 324, 0.06%, 0.17%

LAB 16.75, 2.99, -1.13

 

CMYK 2 / 0 / 11 / 82

HEX #2C2D28

RGB 44 45 40

HSL 72, 0.06%, 0.17%

LAB 18.21, -1.6, 3.08

 

CMYK 11 / 0 / 7 / 82

HEX #282D2A

RGB 40 45 42

HSL 144, 0.06%, 0.17%

LAB 17.9, -2.94, 1.19

 

CMYK 9 / 11 / 0 / 82

HEX #2A292E

RGB 42 41 46

HSL 252, 0.06%, 0.17%

LAB 16.87, 1.69, -3.09

 

CMYK 0 / 11 / 7 / 82

HEX #2D282A

RGB 45 40 42

HSL 336, 0.06%, 0.17%

LAB 16.71, 2.75, -0.48

 

CMYK 2 / 0 / 11 / 82

HEX #2C2D28

RGB 44 45 40

HSL 72, 0.06%, 0.17%

LAB 18.21, -1.6, 3.08

 

CMYK 11 / 0 / 2 / 82

HEX #282D2C

RGB 40 45 44

HSL 168, 0.06%, 0.17%

LAB 17.96, -2.44, -0.11

 

Description

Color code: CMYK 9 / 11 / 0 / 82 | qconv.com Color code: CMYK 9 / 11 / 0 / 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 41 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 41 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 11 magenta, none yellow and 82 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 11% 0% 82% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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