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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 9 / 0 / 4 / 2 it is the complementary color CMYK 0 / 82 / 46 / 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 9 / 0 / 4 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 9 / 0 / 4 / 2: CMYK 7 / 0 / 6 / 2, CMYK 2 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 9 / 0 / 4 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 9 / 0 / 4 / 2: CMYK 9 / 0 / 4 / 2, CMYK 9 / 0 / 5 / 9, CMYK 10 / 0 / 6 / 16, CMYK 10 / 0 / 7 / 23 and CMYK 11 / 0 / 8 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 4 / 2

HEX #E3FAF0

RGB 227 250 240

HSL 153.91, 0.7%, 0.94%

LAB 96.41, -9.32, 2.23

 

Complementary color

CMYK 0 / 82 / 46 / 89

HEX #1C050F

RGB 28 5 15

HSL 333.91, 0.7%, 0.06%

LAB 3.52, 10.19, -1

 

CMYK 7 / 0 / 6 / 2

HEX #E8FAEB

RGB 232 250 235

HSL 130, 0.64%, 0.95%

LAB 96.63, -8.58, 5.16

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFE

RGB 249 255 254

HSL 170, 1%, 0.99%

LAB 99.54, -2.14, -0.22

 

CMYK 9 / 0 / 4 / 2

HEX #E3FAF0

RGB 227 250 240

HSL 153.91, 0.7%, 0.94%

LAB 96.41, -9.32, 2.23

 

CMYK 9 / 0 / 5 / 9

HEX #D2E8DD

RGB 210 232 221

HSL 150, 0.32%, 0.87%

LAB 90.15, -9.3, 2.86

 

CMYK 10 / 0 / 6 / 16

HEX #C1D6CA

RGB 193 214 202

HSL 145.71, 0.2%, 0.8%

LAB 83.81, -9.3, 3.52

 

CMYK 10 / 0 / 7 / 23

HEX #B0C4B7

RGB 176 196 183

HSL 141, 0.14%, 0.73%

LAB 77.36, -9.3, 4.2

 

CMYK 11 / 0 / 8 / 30

HEX #9FB2A4

RGB 159 178 164

HSL 135.79, 0.11%, 0.66%

LAB 70.8, -9.31, 4.92

 

CMYK 9 / 0 / 4 / 2

HEX #E3FAF0

RGB 227 250 240

HSL 153.91, 0.7%, 0.94%

LAB 96.41, -9.32, 2.23

 

CMYK 9 / 0 / 2 / 2

HEX #E4FAF4

RGB 228 250 244

HSL 163.64, 0.69%, 0.94%

LAB 96.57, -8.26, 0.41

 

CMYK 9 / 0 / 1 / 2

HEX #E4FAF7

RGB 228 250 247

HSL 171.82, 0.69%, 0.94%

LAB 96.65, -7.7, -1.02

 

CMYK 9 / 0 / 0 / 2

HEX #E4F9FA

RGB 228 249 250

HSL 182.73, 0.69%, 0.94%

LAB 96.47, -6.63, -2.83

 

CMYK 9 / 2 / 0 / 2

HEX #E4F5FA

RGB 228 245 250

HSL 193.64, 0.69%, 0.94%

LAB 95.46, -4.61, -4.32

 

CMYK 9 / 0 / 4 / 2

HEX #E3FAF0

RGB 227 250 240

HSL 153.91, 0.7%, 0.94%

LAB 96.41, -9.32, 2.23

 

CMYK 9 / 0 / 4 / 82

HEX #2A2E2C

RGB 42 46 44

HSL 150, 0.05%, 0.17%

LAB 18.49, -2.24, 0.68

 

CMYK 9 / 0 / 4 / 62

HEX #58615D

RGB 88 97 93

HSL 153.33, 0.05%, 0.36%

LAB 40.27, -4.36, 1.08

 

CMYK 9 / 0 / 4 / 42

HEX #86948E

RGB 134 148 142

HSL 154.29, 0.06%, 0.55%

LAB 60.07, -6.24, 1.45

 

CMYK 9 / 0 / 4 / 22

HEX #B5C7BF

RGB 181 199 191

HSL 153.33, 0.14%, 0.75%

LAB 78.71, -7.65, 1.9

 

CMYK 9 / 0 / 4 / 2

HEX #E3FAF0

RGB 227 250 240

HSL 153.91, 0.7%, 0.94%

LAB 96.41, -9.32, 2.23

 

CMYK 9 / 6 / 0 / 2

HEX #E4EAFA

RGB 228 234 250

HSL 223.64, 0.69%, 0.94%

LAB 92.68, 1.01, -8.42

 

CMYK 0 / 7 / 9 / 2

HEX #FAE8E4

RGB 250 232 228

HSL 10.91, 0.69%, 0.94%

LAB 93.29, 5.45, 4.13

 

CMYK 9 / 0 / 4 / 2

HEX #E3FAF0

RGB 227 250 240

HSL 153.91, 0.7%, 0.94%

LAB 96.41, -9.32, 2.23

 

CMYK 4 / 9 / 0 / 2

HEX #F0E4FA

RGB 240 228 250

HSL 272.73, 0.69%, 0.94%

LAB 92.09, 8, -9.19

 

CMYK 0 / 4 / 9 / 2

HEX #FAF0E4

RGB 250 240 228

HSL 32.73, 0.69%, 0.94%

LAB 95.26, 1.36, 6.98

 

CMYK 9 / 0 / 4 / 2

HEX #E3FAF0

RGB 227 250 240

HSL 153.91, 0.7%, 0.94%

LAB 96.41, -9.32, 2.23

 

CMYK 9 / 6 / 0 / 2

HEX #E4EAFA

RGB 228 234 250

HSL 223.64, 0.69%, 0.94%

LAB 92.68, 1.01, -8.42

 

CMYK 0 / 9 / 5 / 2

HEX #FAE4EE

RGB 250 228 238

HSL 332.73, 0.69%, 0.94%

LAB 92.57, 9.18, -2.14

 

CMYK 0 / 2 / 9 / 2

HEX #FAF5E4

RGB 250 245 228

HSL 46.36, 0.69%, 0.94%

LAB 96.5, -1.18, 8.76

 

CMYK 9 / 0 / 4 / 2

HEX #E3FAF0

RGB 227 250 240

HSL 153.91, 0.7%, 0.94%

LAB 96.41, -9.32, 2.23

 

CMYK 8 / 9 / 0 / 2

HEX #E6E4FA

RGB 230 228 250

HSL 245.45, 0.69%, 0.94%

LAB 91.33, 4.75, -10.41

 

CMYK 0 / 9 / 5 / 2

HEX #FAE4EE

RGB 250 228 238

HSL 332.73, 0.69%, 0.94%

LAB 92.57, 9.18, -2.14

 

CMYK 0 / 0 / 9 / 2

HEX #F9FAE4

RGB 249 250 228

HSL 62.73, 0.69%, 0.94%

LAB 97.68, -4.04, 10.43

 

Description

Color code: CMYK 9 / 0 / 4 / 2 | qconv.com Color code: CMYK 9 / 0 / 4 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 250 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 250 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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