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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 91 / 31 / 0 / 8 it is the complementary color CMYK 0 / 60 / 91 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 91 / 31 / 0 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 89 / 30 / 0 / 10, CMYK 83 / 28 / 0 / 2, CMYK 76 / 22 / 0 / 0, CMYK 70 / 15 / 0 / 0 and CMYK 63 / 8 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 91 / 31 / 0 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 31 / 0 / 8, CMYK 98 / 33 / 0 / 15, CMYK 100 / 36 / 0 / 23, CMYK 100 / 39 / 0 / 30 and CMYK 100 / 43 / 0 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 31 / 0 / 8, CMYK 91 / 56 / 0 / 8, CMYK 91 / 80 / 0 / 8, CMYK 77 / 91 / 0 / 8 and CMYK 53 / 91 / 0 / 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 31 / 0 / 8, CMYK 91 / 56 / 0 / 8, CMYK 91 / 80 / 0 / 8 and CMYK 91 / 91 / 0 / 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 91 / 31 / 0 / 8 shade matches the following richer shades: CMYK 91 / 31 / 0 / 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 31 / 0 / 8, CMYK 81 / 28 / 0 / 16, CMYK 68 / 23 / 0 / 24, CMYK 53 / 18 / 0 / 32 and CMYK 32 / 11 / 0 / 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 0 / 18 / 8, CMYK 91 / 6 / 0 / 8, CMYK 91 / 31 / 0 / 8, CMYK 91 / 55 / 0 / 8 and CMYK 91 / 79 / 0 / 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 31 / 0 / 38, CMYK 91 / 31 / 0 / 23, CMYK 91 / 31 / 0 / 8, CMYK 76 / 26 / 0 / 7 and CMYK 60 / 20 / 0 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 31 / 0 / 8, CMYK 43 / 91 / 0 / 8 and CMYK 0 / 6 / 91 / 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 31 / 0 / 8, CMYK 0 / 91 / 31 / 8 and CMYK 31 / 0 / 91 / 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 31 / 0 / 8, CMYK 43 / 91 / 0 / 8, CMYK 0 / 61 / 91 / 8 and CMYK 49 / 0 / 91 / 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 91 / 31 / 0 / 8 shade: CMYK 91 / 31 / 0 / 8, CMYK 15 / 91 / 0 / 8, CMYK 0 / 61 / 91 / 8 and CMYK 76 / 0 / 91 / 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 31 / 0 / 8

HEX #15A2EB

RGB 21 162 235

HSL 200.47, 0.84%, 0.5%

LAB 63.34, -8.41, -46.11

 

Complementary color

CMYK 0 / 60 / 91 / 8

HEX #EA5D14

RGB 234 93 20

HSL 20.47, 0.84%, 0.5%

LAB 57.44, 51.72, 62.67

 

CMYK 89 / 30 / 0 / 10

HEX #1AA2E6

RGB 26 162 230

HSL 200, 0.8%, 0.5%

LAB 63.16, -9.97, -43.65

 

CMYK 83 / 28 / 0 / 2

HEX #2BB4F9

RGB 43 180 249

HSL 200.1, 0.94%, 0.57%

LAB 69.47, -12.01, -44.11

 

CMYK 76 / 22 / 0 / 0

HEX #3CC6FF

RGB 60 198 255

HSL 197.54, 1%, 0.62%

LAB 75.18, -18, -38.4

 

CMYK 70 / 15 / 0 / 0

HEX #4DD8FF

RGB 77 216 255

HSL 193.15, 1%, 0.65%

LAB 80.69, -25.15, -29.87

 

CMYK 63 / 8 / 0 / 0

HEX #5EEAFF

RGB 94 234 255

HSL 187.83, 1%, 0.68%

LAB 86.23, -31.47, -21.38

 

CMYK 91 / 31 / 0 / 8

HEX #15A2EB

RGB 21 162 235

HSL 200.47, 0.84%, 0.5%

LAB 63.34, -8.41, -46.11

 

CMYK 98 / 33 / 0 / 15

HEX #0490D8

RGB 4 144 216

HSL 200.38, 0.96%, 0.43%

LAB 57.01, -5.76, -45.58

 

CMYK 100 / 36 / 0 / 23

HEX #007EC5

RGB 0 126 197

HSL 201.62, 1%, 0.39%

LAB 50.63, -2.55, -44.93

 

CMYK 100 / 39 / 0 / 30

HEX #006CB2

RGB 0 108 178

HSL 203.6, 1%, 0.35%

LAB 44.15, 0.97, -44.28

 

CMYK 100 / 43 / 0 / 38

HEX #005A9F

RGB 0 90 159

HSL 206.04, 1%, 0.31%

LAB 37.51, 4.72, -43.66

 

CMYK 91 / 31 / 0 / 8

HEX #14A2EB

RGB 20 162 235

HSL 200.37, 0.84%, 0.5%

LAB 63.33, -8.45, -46.13

 

CMYK 91 / 56 / 0 / 8

HEX #1468EB

RGB 20 104 235

HSL 216.56, 0.84%, 0.5%

LAB 47.04, 26.84, -72.26

 

CMYK 91 / 80 / 0 / 8

HEX #142EEB

RGB 20 46 235

HSL 232.74, 0.84%, 0.5%

LAB 34.19, 61.22, -93.41

 

CMYK 77 / 91 / 0 / 8

HEX #3514EB

RGB 53 20 235

HSL 249.21, 0.84%, 0.5%

LAB 32.38, 71.58, -96.39

 

CMYK 53 / 91 / 0 / 8

HEX #6E14EB

RGB 110 20 235

HSL 265.12, 0.84%, 0.5%

LAB 37.51, 74.85, -87.73

 

CMYK 91 / 31 / 0 / 8

HEX #14A2EB

RGB 20 162 235

HSL 200.37, 0.84%, 0.5%

LAB 63.33, -8.45, -46.13

 

CMYK 91 / 56 / 0 / 8

HEX #1468EB

RGB 20 104 235

HSL 216.56, 0.84%, 0.5%

LAB 47.04, 26.84, -72.26

 

CMYK 91 / 80 / 0 / 8

HEX #142EEB

RGB 20 46 235

HSL 232.74, 0.84%, 0.5%

LAB 34.19, 61.22, -93.41

 

CMYK 91 / 91 / 0 / 8

HEX #1414EB

RGB 20 20 235

HSL 240, 0.84%, 0.5%

LAB 30.99, 70.83, -98.75

 

CMYK 91 / 31 / 0 / 8

HEX #14A2EB

RGB 20 162 235

HSL 200.37, 0.84%, 0.5%

LAB 63.33, -8.45, -46.13

 

CMYK 91 / 31 / 0 / 8

HEX #14A2EB

RGB 20 162 235

HSL 200.37, 0.84%, 0.5%

LAB 63.33, -8.45, -46.13

 

CMYK 81 / 28 / 0 / 16

HEX #299BD6

RGB 41 155 214

HSL 200.46, 0.68%, 0.5%

LAB 60.58, -10.69, -38.81

 

CMYK 68 / 23 / 0 / 24

HEX #3E94C1

RGB 62 148 193

HSL 200.61, 0.51%, 0.5%

LAB 58.09, -11.41, -30.87

 

CMYK 53 / 18 / 0 / 32

HEX #528EAD

RGB 82 142 173

HSL 200.44, 0.36%, 0.5%

LAB 56.24, -10.6, -22.3

 

CMYK 32 / 11 / 0 / 40

HEX #678798

RGB 103 135 152

HSL 200.82, 0.19%, 0.5%

LAB 54.53, -6.99, -12.73

 

CMYK 91 / 0 / 18 / 8

HEX #14EBC0

RGB 20 235 192

HSL 168, 0.84%, 0.5%

LAB 83.64, -56.31, 7.8

 

CMYK 91 / 6 / 0 / 8

HEX #14DCEB

RGB 20 220 235

HSL 184.19, 0.84%, 0.5%

LAB 80.37, -37.96, -19.8

 

CMYK 91 / 31 / 0 / 8

HEX #14A3EB

RGB 20 163 235

HSL 200.09, 0.84%, 0.5%

LAB 63.62, -9.01, -45.67

 

CMYK 91 / 55 / 0 / 8

HEX #146AEB

RGB 20 106 235

HSL 216, 0.84%, 0.5%

LAB 47.57, 25.56, -71.4

 

CMYK 91 / 79 / 0 / 8

HEX #1431EB

RGB 20 49 235

HSL 231.91, 0.84%, 0.5%

LAB 34.69, 59.77, -92.58

 

CMYK 91 / 31 / 0 / 38

HEX #0E6D9F

RGB 14 109 159

HSL 200.69, 0.84%, 0.34%

LAB 43.56, -6.52, -34.04

 

CMYK 91 / 31 / 0 / 23

HEX #1187C5

RGB 17 135 197

HSL 200.67, 0.84%, 0.42%

LAB 53.47, -7.22, -40.44

 

CMYK 91 / 31 / 0 / 8

HEX #14A2EB

RGB 20 162 235

HSL 200.37, 0.84%, 0.5%

LAB 63.33, -8.45, -46.13

 

CMYK 76 / 26 / 0 / 7

HEX #3AB1EE

RGB 58 177 238

HSL 200.33, 0.84%, 0.58%

LAB 68.4, -12.73, -39.78

 

CMYK 60 / 20 / 0 / 5

HEX #60C0F1

RGB 96 192 241

HSL 200.28, 0.84%, 0.66%

LAB 73.89, -14.18, -32.79

 

CMYK 91 / 31 / 0 / 8

HEX #15A2EB

RGB 21 162 235

HSL 200.47, 0.84%, 0.5%

LAB 63.34, -8.41, -46.11

 

CMYK 43 / 91 / 0 / 8

HEX #8714EB

RGB 135 20 235

HSL 272.09, 0.84%, 0.5%

LAB 40.65, 77.17, -82.43

 

CMYK 0 / 6 / 91 / 8

HEX #EBDC14

RGB 235 220 20

HSL 55.81, 0.84%, 0.5%

LAB 86.45, -12.74, 84.07

 

CMYK 91 / 31 / 0 / 8

HEX #15A2EB

RGB 21 162 235

HSL 200.47, 0.84%, 0.5%

LAB 63.34, -8.41, -46.11

 

CMYK 0 / 91 / 31 / 8

HEX #EB14A3

RGB 235 20 163

HSL 320.09, 0.84%, 0.5%

LAB 52.74, 81.88, -20.42

 

CMYK 31 / 0 / 91 / 8

HEX #A3EB14

RGB 163 235 20

HSL 80.09, 0.84%, 0.5%

LAB 85.63, -48.55, 81.31

 

CMYK 91 / 31 / 0 / 8

HEX #15A2EB

RGB 21 162 235

HSL 200.47, 0.84%, 0.5%

LAB 63.34, -8.41, -46.11

 

CMYK 43 / 91 / 0 / 8

HEX #8714EB

RGB 135 20 235

HSL 272.09, 0.84%, 0.5%

LAB 40.65, 77.17, -82.43

 

CMYK 0 / 61 / 91 / 8

HEX #EB5C14

RGB 235 92 20

HSL 20.09, 0.84%, 0.5%

LAB 57.43, 52.52, 62.75

 

CMYK 49 / 0 / 91 / 8

HEX #78EB14

RGB 120 235 20

HSL 92.09, 0.84%, 0.5%

LAB 83.68, -62.69, 78.92

 

CMYK 91 / 31 / 0 / 8

HEX #15A2EB

RGB 21 162 235

HSL 200.47, 0.84%, 0.5%

LAB 63.34, -8.41, -46.11

 

CMYK 15 / 91 / 0 / 8

HEX #C714EB

RGB 199 20 235

HSL 289.95, 0.84%, 0.5%

LAB 50.26, 85.28, -66.34

 

CMYK 0 / 61 / 91 / 8

HEX #EB5C14

RGB 235 92 20

HSL 20.09, 0.84%, 0.5%

LAB 57.43, 52.52, 62.75

 

CMYK 76 / 0 / 91 / 8

HEX #38EB14

RGB 56 235 20

HSL 109.95, 0.84%, 0.5%

LAB 82.01, -76.55, 76.84

 

Description

Color code: CMYK 91 / 31 / 0 / 8 | qconv.com Color code: CMYK 91 / 31 / 0 / 8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 162 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 162 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 31 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 31% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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