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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 90 / 48 / 0 / 0 it is the complementary color CMYK 0 / 47 / 100 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 90 / 48 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 90 / 48 / 0 / 0: CMYK 88 / 47 / 0 / 2, CMYK 81 / 41 / 0 / 0, CMYK 75 / 34 / 0 / 0, CMYK 68 / 27 / 0 / 0 and CMYK 61 / 20 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 90 / 48 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 90 / 48 / 0 / 0: CMYK 90 / 48 / 0 / 0, CMYK 96 / 51 / 0 / 7, CMYK 100 / 55 / 0 / 15, CMYK 100 / 60 / 0 / 22 and CMYK 100 / 66 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 48 / 0 / 0

HEX #1A85FF

RGB 26 133 255

HSL 211.97, 1%, 0.55%

LAB 56.3, 16.48, -68.35

 

Complementary color

CMYK 0 / 47 / 100 / 10

HEX #E57A00

RGB 229 122 0

HSL 31.97, 1%, 0.45%

LAB 62.15, 35.56, 69.2

 

CMYK 88 / 47 / 0 / 2

HEX #1F85FA

RGB 31 133 250

HSL 212.05, 0.96%, 0.55%

LAB 56.06, 14.85, -65.99

 

CMYK 81 / 41 / 0 / 0

HEX #3097FF

RGB 48 151 255

HSL 210.14, 1%, 0.59%

LAB 61.64, 7.05, -59.76

 

CMYK 75 / 34 / 0 / 0

HEX #41A9FF

RGB 65 169 255

HSL 207.16, 1%, 0.63%

LAB 67.07, -1.66, -51.11

 

CMYK 68 / 27 / 0 / 0

HEX #52BBFF

RGB 82 187 255

HSL 203.58, 1%, 0.66%

LAB 72.6, -9.39, -42.39

 

CMYK 61 / 20 / 0 / 0

HEX #63CDFF

RGB 99 205 255

HSL 199.23, 1%, 0.69%

LAB 78.19, -16.22, -33.66

 

CMYK 90 / 48 / 0 / 0

HEX #1A85FF

RGB 26 133 255

HSL 211.97, 1%, 0.55%

LAB 56.3, 16.48, -68.35

 

CMYK 96 / 51 / 0 / 7

HEX #0973EC

RGB 9 115 236

HSL 211.98, 0.93%, 0.48%

LAB 49.95, 19.84, -68.09

 

CMYK 100 / 55 / 0 / 15

HEX #0061D9

RGB 0 97 217

HSL 213.18, 1%, 0.43%

LAB 43.59, 23.73, -67.68

 

CMYK 100 / 60 / 0 / 22

HEX #004FC6

RGB 0 79 198

HSL 216.06, 1%, 0.39%

LAB 37.24, 28.05, -67.11

 

CMYK 100 / 66 / 0 / 30

HEX #003DB3

RGB 0 61 179

HSL 219.55, 1%, 0.35%

LAB 30.86, 32.52, -66.4

 

CMYK 90 / 48 / 0 / 0

HEX #1A85FF

RGB 26 133 255

HSL 211.97, 1%, 0.55%

LAB 56.3, 16.48, -68.35

 

CMYK 90 / 62 / 0 / 0

HEX #1962FF

RGB 25 98 255

HSL 220.96, 1%, 0.55%

LAB 47.19, 38.4, -83.19

 

CMYK 90 / 77 / 0 / 0

HEX #193BFF

RGB 25 59 255

HSL 231.13, 1%, 0.55%

LAB 38.82, 61.18, -96.99

 

CMYK 89 / 90 / 0 / 0

HEX #1D19FF

RGB 29 25 255

HSL 241.04, 1%, 0.55%

LAB 34.35, 74.85, -104.43

 

CMYK 74 / 90 / 0 / 0

HEX #4319FF

RGB 67 25 255

HSL 250.96, 1%, 0.55%

LAB 36.19, 75.92, -101.31

 

CMYK 90 / 48 / 0 / 0

HEX #1A85FF

RGB 26 133 255

HSL 211.97, 1%, 0.55%

LAB 56.3, 16.48, -68.35

 

CMYK 90 / 47 / 0 / 80

HEX #051B33

RGB 5 27 51

HSL 211.3, 0.82%, 0.11%

LAB 9.44, 1.76, -18.36

 

CMYK 90 / 48 / 0 / 60

HEX #0A3566

RGB 10 53 102

HSL 211.96, 0.82%, 0.22%

LAB 22.2, 6.28, -32.78

 

CMYK 90 / 48 / 0 / 40

HEX #105099

RGB 16 80 153

HSL 211.97, 0.81%, 0.33%

LAB 34.29, 9.71, -45.21

 

CMYK 90 / 48 / 0 / 20

HEX #156ACC

RGB 21 106 204

HSL 212.13, 0.81%, 0.44%

LAB 45.4, 13.51, -57.31

 

CMYK 90 / 48 / 0 / 0

HEX #1A85FF

RGB 26 133 255

HSL 211.97, 1%, 0.55%

LAB 56.3, 16.48, -68.35

 

CMYK 26 / 90 / 0 / 0

HEX #BD19FF

RGB 189 25 255

HSL 282.78, 1%, 0.55%

LAB 50.37, 86.66, -77.44

 

CMYK 11 / 0 / 90 / 0

HEX #E4FF19

RGB 228 255 25

HSL 67.04, 1%, 0.55%

LAB 95.2, -32.26, 89.96

 

CMYK 90 / 48 / 0 / 0

HEX #1A85FF

RGB 26 133 255

HSL 211.97, 1%, 0.55%

LAB 56.3, 16.48, -68.35

 

CMYK 0 / 90 / 47 / 0

HEX #FF1988

RGB 255 25 136

HSL 331.04, 1%, 0.55%

LAB 55.82, 83.09, 0.63

 

CMYK 47 / 0 / 90 / 0

HEX #88FF19

RGB 136 255 25

HSL 91.04, 1%, 0.55%

LAB 90.24, -65.12, 83.89

 

CMYK 90 / 48 / 0 / 0

HEX #1A85FF

RGB 26 133 255

HSL 211.97, 1%, 0.55%

LAB 56.3, 16.48, -68.35

 

CMYK 26 / 90 / 0 / 0

HEX #BD19FF

RGB 189 25 255

HSL 282.78, 1%, 0.55%

LAB 50.37, 86.66, -77.44

 

CMYK 0 / 44 / 90 / 0

HEX #FF9019

RGB 255 144 25

HSL 31.04, 1%, 0.55%

LAB 70.37, 35.05, 72.06

 

CMYK 65 / 0 / 90 / 0

HEX #5AFF19

RGB 90 255 25

HSL 103.04, 1%, 0.55%

LAB 88.81, -76.6, 82.12

 

CMYK 90 / 48 / 0 / 0

HEX #1A85FF

RGB 26 133 255

HSL 211.97, 1%, 0.55%

LAB 56.3, 16.48, -68.35

 

CMYK 0 / 90 / 2 / 0

HEX #FF19FB

RGB 255 25 251

HSL 301.04, 1%, 0.55%

LAB 60.71, 95.87, -58

 

CMYK 0 / 44 / 90 / 0

HEX #FF9019

RGB 255 144 25

HSL 31.04, 1%, 0.55%

LAB 70.37, 35.05, 72.06

 

CMYK 90 / 0 / 89 / 0

HEX #19FF1D

RGB 25 255 29

HSL 121.04, 1%, 0.55%

LAB 87.88, -84.72, 80.35

 

Description

Color code: CMYK 90 / 48 / 0 / 0 | qconv.com Color code: CMYK 90 / 48 / 0 / 0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 133 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 133 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 48 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 48% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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