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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 82 / 0 / 83 / 64 it is the complementary color CMYK 0 / 32 / 0 / 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 82 / 0 / 83 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 82 / 0 / 83 / 64: CMYK 76 / 0 / 88 / 64, CMYK 65 / 0 / 73 / 57, CMYK 56 / 0 / 62 / 50, CMYK 50 / 0 / 53 / 43 and CMYK 45 / 0 / 47 / 36

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 82 / 0 / 83 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 82 / 0 / 83 / 64: CMYK 82 / 0 / 83 / 64, CMYK 100 / 0 / 100 / 71, CMYK 100 / 0 / 100 / 78, CMYK 100 / 0 / 100 / 85 and CMYK 100 / 0 / 100 / 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 83 / 64

HEX #115C10

RGB 17 92 16

HSL 119.21, 0.7%, 0.21%

LAB 33.59, -37.64, 34.74

 

Complementary color

CMYK 0 / 32 / 0 / 6

HEX #EEA3EF

RGB 238 163 239

HSL 299.21, 0.7%, 0.79%

LAB 76.44, 39.66, -26.96

 

CMYK 76 / 0 / 88 / 64

HEX #165C0B

RGB 22 92 11

HSL 111.85, 0.79%, 0.2%

LAB 33.67, -37.05, 36.55

 

CMYK 65 / 0 / 73 / 57

HEX #276E1E

RGB 39 110 30

HSL 113.25, 0.57%, 0.27%

LAB 40.7, -38.39, 36.48

 

CMYK 56 / 0 / 62 / 50

HEX #388031

RGB 56 128 49

HSL 114.68, 0.45%, 0.35%

LAB 47.62, -38.96, 35.46

 

CMYK 50 / 0 / 53 / 43

HEX #499244

RGB 73 146 68

HSL 116.15, 0.36%, 0.42%

LAB 54.44, -39.12, 34.17

 

CMYK 45 / 0 / 47 / 36

HEX #5AA457

RGB 90 164 87

HSL 117.66, 0.31%, 0.49%

LAB 61.14, -39.08, 32.83

 

CMYK 82 / 0 / 83 / 64

HEX #115C10

RGB 17 92 16

HSL 119.21, 0.7%, 0.21%

LAB 33.59, -37.64, 34.74

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 82 / 0 / 83 / 64

HEX #115C10

RGB 17 92 16

HSL 119.21, 0.7%, 0.21%

LAB 33.59, -37.64, 34.74

 

CMYK 82 / 0 / 70 / 64

HEX #105B1B

RGB 16 91 27

HSL 128.8, 0.7%, 0.21%

LAB 33.29, -36.35, 29.7

 

CMYK 82 / 0 / 57 / 64

HEX #105B27

RGB 16 91 39

HSL 138.4, 0.7%, 0.21%

LAB 33.43, -34.62, 23.6

 

CMYK 82 / 0 / 43 / 64

HEX #105B34

RGB 16 91 52

HSL 148.8, 0.7%, 0.21%

LAB 33.65, -32.12, 16.34

 

CMYK 82 / 0 / 30 / 64

HEX #105B40

RGB 16 91 64

HSL 158.4, 0.7%, 0.21%

LAB 33.9, -29.27, 9.39

 

CMYK 82 / 0 / 83 / 64

HEX #115C10

RGB 17 92 16

HSL 119.21, 0.7%, 0.21%

LAB 33.59, -37.64, 34.74

 

CMYK 82 / 0 / 83 / 44

HEX #1A8F19

RGB 26 143 25

HSL 119.49, 0.7%, 0.33%

LAB 51.76, -52.75, 49.16

 

CMYK 81 / 0 / 82 / 24

HEX #24C222

RGB 36 194 34

HSL 119.25, 0.7%, 0.45%

LAB 68.8, -66.62, 62.5

 

CMYK 82 / 0 / 82 / 4

HEX #2DF52B

RGB 45 245 43

HSL 119.41, 0.91%, 0.56%

LAB 85.02, -79.88, 75.1

 

CMYK 80 / 0 / 83 / 84

HEX #082907

RGB 8 41 7

HSL 118.24, 0.71%, 0.09%

LAB 13.55, -20.37, 16.62

 

CMYK 82 / 0 / 83 / 64

HEX #115C10

RGB 17 92 16

HSL 119.21, 0.7%, 0.21%

LAB 33.59, -37.64, 34.74

 

CMYK 82 / 15 / 0 / 64

HEX #104D5B

RGB 16 77 91

HSL 191.2, 0.7%, 0.21%

LAB 29.85, -13.36, -13.65

 

CMYK 0 / 82 / 48 / 64

HEX #5B102F

RGB 91 16 47

HSL 335.2, 0.7%, 0.21%

LAB 19.22, 35.68, 0.56

 

CMYK 82 / 0 / 83 / 64

HEX #115C10

RGB 17 92 16

HSL 119.21, 0.7%, 0.21%

LAB 33.59, -37.64, 34.74

 

CMYK 82 / 81 / 0 / 64

HEX #10115B

RGB 16 17 91

HSL 239.2, 0.7%, 0.21%

LAB 11.04, 28.13, -43.68

 

CMYK 0 / 82 / 81 / 64

HEX #5B1011

RGB 91 16 17

HSL 359.2, 0.7%, 0.21%

LAB 18.52, 33.43, 20.54

 

CMYK 82 / 0 / 83 / 64

HEX #115C10

RGB 17 92 16

HSL 119.21, 0.7%, 0.21%

LAB 33.59, -37.64, 34.74

 

CMYK 82 / 15 / 0 / 64

HEX #104D5B

RGB 16 77 91

HSL 191.2, 0.7%, 0.21%

LAB 29.85, -13.36, -13.65

 

CMYK 2 / 82 / 0 / 64

HEX #59105B

RGB 89 16 91

HSL 298.4, 0.7%, 0.21%

LAB 21.02, 41.64, -27

 

CMYK 0 / 68 / 82 / 64

HEX #5B1D10

RGB 91 29 16

HSL 10.4, 0.7%, 0.21%

LAB 20.6, 27.67, 23.49

 

CMYK 82 / 0 / 83 / 64

HEX #115C10

RGB 17 92 16

HSL 119.21, 0.7%, 0.21%

LAB 33.59, -37.64, 34.74

 

CMYK 82 / 41 / 0 / 64

HEX #10365B

RGB 16 54 91

HSL 209.6, 0.7%, 0.21%

LAB 21.96, 1.48, -25.96

 

CMYK 2 / 82 / 0 / 64

HEX #59105B

RGB 89 16 91

HSL 298.4, 0.7%, 0.21%

LAB 21.02, 41.64, -27

 

CMYK 0 / 43 / 82 / 64

HEX #5B3410

RGB 91 52 16

HSL 28.8, 0.7%, 0.21%

LAB 25.91, 14.31, 28.98

 

Description

Color code: CMYK 82 / 0 / 83 / 64 | qconv.com Color code: CMYK 82 / 0 / 83 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 92 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 92 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 83 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 83% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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