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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 73 / 24 / 0 / 17 it is the complementary color CMYK 0 / 53 / 78 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 73 / 24 / 0 / 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 73 / 24 / 0 / 17: CMYK 70 / 22 / 0 / 19, CMYK 65 / 21 / 0 / 11, CMYK 61 / 20 / 0 / 4, CMYK 56 / 16 / 0 / 0 and CMYK 49 / 9 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 73 / 24 / 0 / 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 73 / 24 / 0 / 17: CMYK 73 / 24 / 0 / 17, CMYK 79 / 26 / 0 / 24, CMYK 87 / 28 / 0 / 32, CMYK 96 / 31 / 0 / 39 and CMYK 100 / 35 / 0 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 24 / 0 / 17

HEX #39A1D4

RGB 57 161 212

HSL 199.74, 0.64%, 0.53%

LAB 62.6, -12.92, -34.51

 

Complementary color

CMYK 0 / 53 / 78 / 22

HEX #C65E2B

RGB 198 94 43

HSL 19.74, 0.64%, 0.47%

LAB 52.05, 38.31, 47.06

 

CMYK 70 / 22 / 0 / 19

HEX #3EA1CF

RGB 62 161 207

HSL 199.03, 0.6%, 0.53%

LAB 62.52, -13.91, -31.84

 

CMYK 65 / 21 / 0 / 11

HEX #4FB3E2

RGB 79 179 226

HSL 199.18, 0.72%, 0.6%

LAB 69.04, -14.85, -32.2

 

CMYK 61 / 20 / 0 / 4

HEX #60C5F5

RGB 96 197 245

HSL 199.33, 0.88%, 0.67%

LAB 75.46, -15.6, -32.53

 

CMYK 56 / 16 / 0 / 0

HEX #71D7FF

RGB 113 215 255

HSL 196.9, 1%, 0.72%

LAB 81.47, -18.79, -28.57

 

CMYK 49 / 9 / 0 / 0

HEX #82E9FF

RGB 130 233 255

HSL 190.56, 1%, 0.75%

LAB 87.12, -24.32, -19.93

 

CMYK 73 / 24 / 0 / 17

HEX #39A1D4

RGB 57 161 212

HSL 199.74, 0.64%, 0.53%

LAB 62.6, -12.92, -34.51

 

CMYK 79 / 26 / 0 / 24

HEX #288FC1

RGB 40 143 193

HSL 199.61, 0.66%, 0.46%

LAB 56.03, -11.5, -34.12

 

CMYK 87 / 28 / 0 / 32

HEX #177DAE

RGB 23 125 174

HSL 199.47, 0.77%, 0.39%

LAB 49.38, -9.66, -33.66

 

CMYK 96 / 31 / 0 / 39

HEX #066B9B

RGB 6 107 155

HSL 199.33, 0.93%, 0.32%

LAB 42.64, -7.29, -33.11

 

CMYK 100 / 35 / 0 / 47

HEX #005988

RGB 0 89 136

HSL 200.74, 1%, 0.27%

LAB 35.83, -4.15, -32.43

 

CMYK 73 / 24 / 0 / 17

HEX #39A1D4

RGB 57 161 212

HSL 199.74, 0.64%, 0.53%

LAB 62.6, -12.92, -34.51

 

CMYK 73 / 35 / 0 / 17

HEX #3A89D3

RGB 58 137 211

HSL 209.02, 0.63%, 0.53%

LAB 55.58, 0.54, -44.97

 

CMYK 73 / 47 / 0 / 17

HEX #3A70D3

RGB 58 112 211

HSL 218.82, 0.63%, 0.53%

LAB 48.5, 15.85, -56.27

 

CMYK 73 / 59 / 0 / 17

HEX #3A56D3

RGB 58 86 211

HSL 229.02, 0.63%, 0.53%

LAB 41.62, 32.4, -67.4

 

CMYK 73 / 71 / 0 / 17

HEX #3A3DD3

RGB 58 61 211

HSL 238.82, 0.63%, 0.53%

LAB 35.87, 47.65, -76.83

 

CMYK 73 / 24 / 0 / 17

HEX #39A1D4

RGB 57 161 212

HSL 199.74, 0.64%, 0.53%

LAB 62.6, -12.92, -34.51

 

CMYK 75 / 25 / 0 / 97

HEX #020608

RGB 2 6 8

HSL 200, 0.6%, 0.02%

LAB 1.45, -0.77, -1.13

 

CMYK 73 / 24 / 0 / 77

HEX #102D3B

RGB 16 45 59

HSL 199.53, 0.57%, 0.15%

LAB 17, -5.57, -12.15

 

CMYK 73 / 24 / 0 / 57

HEX #1E546E

RGB 30 84 110

HSL 199.5, 0.57%, 0.27%

LAB 33.44, -8.43, -20.08

 

CMYK 73 / 24 / 0 / 37

HEX #2B7AA1

RGB 43 122 161

HSL 199.83, 0.58%, 0.4%

LAB 48.27, -10.53, -27.8

 

CMYK 73 / 24 / 0 / 17

HEX #39A1D4

RGB 57 161 212

HSL 199.74, 0.64%, 0.53%

LAB 62.6, -12.92, -34.51

 

CMYK 35 / 73 / 0 / 17

HEX #893AD3

RGB 137 58 211

HSL 270.98, 0.63%, 0.53%

LAB 42.83, 60.61, -65.13

 

CMYK 0 / 6 / 73 / 17

HEX #D3C73A

RGB 211 199 58

HSL 55.29, 0.63%, 0.53%

LAB 79.04, -11.35, 67.75

 

CMYK 73 / 24 / 0 / 17

HEX #39A1D4

RGB 57 161 212

HSL 199.74, 0.64%, 0.53%

LAB 62.6, -12.92, -34.51

 

CMYK 0 / 73 / 23 / 17

HEX #D33AA3

RGB 211 58 163

HSL 318.82, 0.63%, 0.53%

LAB 51.29, 68.3, -23.01

 

CMYK 23 / 0 / 73 / 17

HEX #A3D33A

RGB 163 211 58

HSL 78.82, 0.63%, 0.53%

LAB 78.86, -36.81, 66.36

 

CMYK 73 / 24 / 0 / 17

HEX #39A1D4

RGB 57 161 212

HSL 199.74, 0.64%, 0.53%

LAB 62.6, -12.92, -34.51

 

CMYK 35 / 73 / 0 / 17

HEX #893AD3

RGB 137 58 211

HSL 270.98, 0.63%, 0.53%

LAB 42.83, 60.61, -65.13

 

CMYK 0 / 49 / 73 / 17

HEX #D36B3A

RGB 211 107 58

HSL 19.22, 0.63%, 0.53%

LAB 56.75, 37.43, 45.19

 

CMYK 37 / 0 / 73 / 17

HEX #84D33A

RGB 132 211 58

HSL 90.98, 0.63%, 0.53%

LAB 77.16, -48.11, 64.12

 

CMYK 73 / 24 / 0 / 17

HEX #39A1D4

RGB 57 161 212

HSL 199.74, 0.64%, 0.53%

LAB 62.6, -12.92, -34.51

 

CMYK 13 / 73 / 0 / 17

HEX #B73AD3

RGB 183 58 211

HSL 289.02, 0.63%, 0.53%

LAB 49.25, 69.46, -54.45

 

CMYK 0 / 49 / 73 / 17

HEX #D36B3A

RGB 211 107 58

HSL 19.22, 0.63%, 0.53%

LAB 56.75, 37.43, 45.19

 

CMYK 59 / 0 / 73 / 17

HEX #56D33A

RGB 86 211 58

HSL 109.02, 0.63%, 0.53%

LAB 75.37, -61.57, 61.74

 

Description

Color code: CMYK 73 / 24 / 0 / 17 | qconv.com Color code: CMYK 73 / 24 / 0 / 17 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 161 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 161 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 24 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 24% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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