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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 71 / 0 / 7 / 0 it is the complementary color CMYK 0 / 100 / 90 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 71 / 0 / 7 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 71 / 0 / 7 / 0: CMYK 69 / 0 / 9 / 0, CMYK 62 / 0 / 2 / 0, CMYK 56 / 0 / 0 / 0, CMYK 49 / 0 / 0 / 0 and CMYK 42 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 71 / 0 / 7 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 71 / 0 / 7 / 0: CMYK 71 / 0 / 7 / 0, CMYK 76 / 0 / 8 / 7, CMYK 82 / 0 / 9 / 14, CMYK 89 / 0 / 10 / 21 and CMYK 97 / 0 / 12 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 7 / 0

HEX #4AFFED

RGB 74 255 237

HSL 174.03, 1%, 0.65%

LAB 91.28, -48.61, -4.49

 

Complementary color

CMYK 0 / 100 / 90 / 29

HEX #B50012

RGB 181 0 18

HSL 354.03, 1%, 0.35%

LAB 37.6, 62.15, 44.83

 

CMYK 69 / 0 / 9 / 0

HEX #4FFFE8

RGB 79 255 232

HSL 172.16, 1%, 0.65%

LAB 91.24, -49.27, -1.95

 

CMYK 62 / 0 / 2 / 0

HEX #60FFFB

RGB 96 255 251

HSL 178.49, 1%, 0.69%

LAB 92.12, -41.94, -10.45

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 71 / 0 / 7 / 0

HEX #4AFFED

RGB 74 255 237

HSL 174.03, 1%, 0.65%

LAB 91.28, -48.61, -4.49

 

CMYK 76 / 0 / 8 / 7

HEX #39EDDA

RGB 57 237 218

HSL 173.67, 0.83%, 0.58%

LAB 85.25, -47.81, -3.47

 

CMYK 82 / 0 / 9 / 14

HEX #28DBC7

RGB 40 219 199

HSL 173.3, 0.71%, 0.51%

LAB 79.18, -46.77, -2.35

 

CMYK 89 / 0 / 10 / 21

HEX #17C9B4

RGB 23 201 180

HSL 172.92, 0.79%, 0.44%

LAB 73.06, -45.42, -1.12

 

CMYK 97 / 0 / 12 / 28

HEX #06B7A1

RGB 6 183 161

HSL 172.54, 0.94%, 0.37%

LAB 66.88, -43.7, 0.23

 

CMYK 71 / 0 / 7 / 0

HEX #4AFFED

RGB 74 255 237

HSL 174.03, 1%, 0.65%

LAB 91.28, -48.61, -4.49

 

CMYK 70 / 5 / 0 / 0

HEX #4CF3FF

RGB 76 243 255

HSL 184.02, 1%, 0.65%

LAB 88.38, -38.16, -18.17

 

CMYK 70 / 16 / 0 / 0

HEX #4CD5FF

RGB 76 213 255

HSL 194.08, 1%, 0.65%

LAB 79.81, -23.78, -31.22

 

CMYK 70 / 28 / 0 / 0

HEX #4CB7FF

RGB 76 183 255

HSL 204.13, 1%, 0.65%

LAB 71.3, -8.06, -44.43

 

CMYK 70 / 40 / 0 / 0

HEX #4C99FF

RGB 76 153 255

HSL 214.19, 1%, 0.65%

LAB 62.96, 9.01, -57.61

 

CMYK 71 / 0 / 7 / 0

HEX #4AFFED

RGB 74 255 237

HSL 174.03, 1%, 0.65%

LAB 91.28, -48.61, -4.49

 

CMYK 71 / 0 / 8 / 80

HEX #0F332F

RGB 15 51 47

HSL 173.33, 0.55%, 0.13%

LAB 18.69, -13.97, -1.3

 

CMYK 71 / 0 / 7 / 60

HEX #1E665F

RGB 30 102 95

HSL 174.17, 0.55%, 0.26%

LAB 38.91, -23.63, -2.5

 

CMYK 71 / 0 / 7 / 40

HEX #2C998E

RGB 44 153 142

HSL 173.94, 0.55%, 0.39%

LAB 57.34, -32.69, -3.05

 

CMYK 71 / 0 / 7 / 20

HEX #3BCCBE

RGB 59 204 190

HSL 174.21, 0.59%, 0.52%

LAB 74.72, -40.71, -4.04

 

CMYK 71 / 0 / 7 / 0

HEX #4AFFED

RGB 74 255 237

HSL 174.03, 1%, 0.65%

LAB 91.28, -48.61, -4.49

 

CMYK 63 / 70 / 0 / 0

HEX #5E4CFF

RGB 94 76 255

HSL 246.03, 1%, 0.65%

LAB 45.32, 57.13, -86.15

 

CMYK 0 / 35 / 70 / 0

HEX #FFA54C

RGB 255 165 76

HSL 29.83, 1%, 0.65%

LAB 75.26, 25.81, 58.15

 

CMYK 71 / 0 / 7 / 0

HEX #4AFFED

RGB 74 255 237

HSL 174.03, 1%, 0.65%

LAB 91.28, -48.61, -4.49

 

CMYK 7 / 70 / 0 / 0

HEX #ED4CFF

RGB 237 76 255

HSL 293.97, 1%, 0.65%

LAB 61.99, 81.89, -58.33

 

CMYK 0 / 7 / 70 / 0

HEX #FFED4C

RGB 255 237 76

HSL 53.97, 1%, 0.65%

LAB 92.73, -11.12, 75.91

 

CMYK 71 / 0 / 7 / 0

HEX #4AFFED

RGB 74 255 237

HSL 174.03, 1%, 0.65%

LAB 91.28, -48.61, -4.49

 

CMYK 63 / 70 / 0 / 0

HEX #5E4CFF

RGB 94 76 255

HSL 246.03, 1%, 0.65%

LAB 45.32, 57.13, -86.15

 

CMYK 0 / 70 / 63 / 0

HEX #FF4C5E

RGB 255 76 94

HSL 353.97, 1%, 0.65%

LAB 59.19, 68.01, 30.09

 

CMYK 7 / 0 / 70 / 0

HEX #EDFF4C

RGB 237 255 76

HSL 66.03, 1%, 0.65%

LAB 96.02, -27.06, 78.64

 

CMYK 71 / 0 / 7 / 0

HEX #4AFFED

RGB 74 255 237

HSL 174.03, 1%, 0.65%

LAB 91.28, -48.61, -4.49

 

CMYK 42 / 70 / 0 / 0

HEX #934CFF

RGB 147 76 255

HSL 263.8, 1%, 0.65%

LAB 50.21, 64.86, -77.95

 

CMYK 0 / 70 / 63 / 0

HEX #FF4C5E

RGB 255 76 94

HSL 353.97, 1%, 0.65%

LAB 59.19, 68.01, 30.09

 

CMYK 28 / 0 / 70 / 0

HEX #B7FF4C

RGB 183 255 76

HSL 84.13, 1%, 0.65%

LAB 92.62, -47.56, 74.16

 

Description

Color code: CMYK 71 / 0 / 7 / 0 | qconv.com Color code: CMYK 71 / 0 / 7 / 0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 255 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 255 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 7 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 7% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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