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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 65 / 0 / 83 / 8 it is the complementary color CMYK 20 / 91 / 0 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 65 / 0 / 83 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 63 / 0 / 85 / 8, CMYK 59 / 0 / 79 / 1, CMYK 53 / 0 / 71 / 0, CMYK 46 / 0 / 64 / 0 and CMYK 39 / 0 / 56 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 65 / 0 / 83 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 65 / 0 / 83 / 8, CMYK 70 / 0 / 90 / 15, CMYK 76 / 0 / 99 / 22, CMYK 83 / 0 / 100 / 29 and CMYK 91 / 0 / 100 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 65 / 0 / 83 / 8, CMYK 43 / 0 / 83 / 8, CMYK 20 / 0 / 83 / 8, CMYK 0 / 2 / 83 / 8 and CMYK 0 / 25 / 83 / 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 65 / 0 / 83 / 8, CMYK 83 / 0 / 79 / 8, CMYK 83 / 0 / 56 / 8, CMYK 83 / 0 / 34 / 8 and CMYK 83 / 0 / 11 / 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 65 / 0 / 83 / 8 shade matches the following richer shades: CMYK 65 / 0 / 83 / 8 and CMYK 72 / 0 / 92 / 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 65 / 0 / 83 / 8, CMYK 57 / 0 / 73 / 15, CMYK 48 / 0 / 60 / 23, CMYK 36 / 0 / 46 / 30 and CMYK 21 / 0 / 27 / 38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 21 / 0 / 83 / 8, CMYK 43 / 0 / 83 / 8, CMYK 65 / 0 / 83 / 8, CMYK 83 / 0 / 79 / 8 and CMYK 83 / 0 / 57 / 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 72 / 0 / 91 / 31, CMYK 71 / 0 / 91 / 16, CMYK 65 / 0 / 83 / 8, CMYK 53 / 0 / 67 / 7 and CMYK 41 / 0 / 52 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 65 / 0 / 83 / 8, CMYK 83 / 0 / 2 / 8 and CMYK 0 / 83 / 32 / 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 65 / 0 / 83 / 8, CMYK 83 / 65 / 0 / 8 and CMYK 0 / 83 / 65 / 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 65 / 0 / 83 / 8, CMYK 83 / 0 / 2 / 8, CMYK 18 / 83 / 0 / 8 and CMYK 0 / 83 / 82 / 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 65 / 0 / 83 / 8 shade: CMYK 65 / 0 / 83 / 8, CMYK 83 / 24 / 0 / 8, CMYK 18 / 83 / 0 / 8 and CMYK 0 / 60 / 83 / 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

Complementary color

CMYK 20 / 91 / 0 / 16

HEX #AD14D7

RGB 173 20 215

HSL 287.08, 0.83%, 0.46%

LAB 44.65, 78.07, -64.25

 

CMYK 63 / 0 / 85 / 8

HEX #57EB23

RGB 87 235 35

HSL 104.4, 0.83%, 0.53%

LAB 82.68, -70.61, 75.1

 

CMYK 59 / 0 / 79 / 1

HEX #68FD36

RGB 104 253 54

HSL 104.92, 0.98%, 0.6%

LAB 88.67, -71.83, 76.07

 

CMYK 53 / 0 / 71 / 0

HEX #79FF49

RGB 121 255 73

HSL 104.18, 1%, 0.64%

LAB 89.89, -67.16, 71.55

 

CMYK 46 / 0 / 64 / 0

HEX #8AFF5C

RGB 138 255 92

HSL 103.07, 1%, 0.68%

LAB 90.64, -61.01, 65.48

 

CMYK 39 / 0 / 56 / 0

HEX #9BFF6F

RGB 155 255 111

HSL 101.67, 1%, 0.72%

LAB 91.52, -54.13, 58.71

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 70 / 0 / 90 / 15

HEX #41D915

RGB 65 217 21

HSL 106.53, 0.82%, 0.47%

LAB 76.56, -69.76, 72.19

 

CMYK 76 / 0 / 99 / 22

HEX #30C702

RGB 48 199 2

HSL 105.99, 0.98%, 0.39%

LAB 70.51, -67.52, 69.33

 

CMYK 83 / 0 / 100 / 29

HEX #1FB500

RGB 31 181 0

HSL 109.72, 1%, 0.35%

LAB 64.43, -64.5, 64.59

 

CMYK 91 / 0 / 100 / 36

HEX #0EA300

RGB 14 163 0

HSL 114.85, 1%, 0.32%

LAB 58.31, -60.86, 59.62

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 43 / 0 / 83 / 8

HEX #86EB28

RGB 134 235 40

HSL 91.08, 0.83%, 0.54%

LAB 84.3, -57.86, 76.04

 

CMYK 20 / 0 / 83 / 8

HEX #BBEB28

RGB 187 235 40

HSL 74.77, 0.83%, 0.54%

LAB 87.06, -39.04, 79.52

 

CMYK 0 / 2 / 83 / 8

HEX #EBE628

RGB 235 230 40

HSL 58.46, 0.83%, 0.54%

LAB 89.12, -17.27, 82.62

 

CMYK 0 / 25 / 83 / 8

HEX #EBB128

RGB 235 177 40

HSL 42.15, 0.83%, 0.54%

LAB 75.61, 9.73, 71.28

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 83 / 0 / 79 / 8

HEX #28EB32

RGB 40 235 50

HSL 123.08, 0.83%, 0.54%

LAB 81.89, -77.18, 70.36

 

CMYK 83 / 0 / 56 / 8

HEX #28EB67

RGB 40 235 103

HSL 139.38, 0.83%, 0.54%

LAB 82.3, -72.16, 50.65

 

CMYK 83 / 0 / 34 / 8

HEX #28EB9B

RGB 40 235 155

HSL 155.38, 0.83%, 0.54%

LAB 83.04, -63.46, 26.22

 

CMYK 83 / 0 / 11 / 8

HEX #28EBD0

RGB 40 235 208

HSL 171.69, 0.83%, 0.54%

LAB 84.18, -51.09, 0.2

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 72 / 0 / 92 / 0

HEX #47FE15

RGB 71 254 21

HSL 107.12, 0.99%, 0.54%

LAB 88.1, -79.81, 81.9

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 57 / 0 / 73 / 15

HEX #5DD83B

RGB 93 216 59

HSL 107.01, 0.67%, 0.54%

LAB 77.13, -61.54, 63.23

 

CMYK 48 / 0 / 60 / 23

HEX #67C54E

RGB 103 197 78

HSL 107.39, 0.51%, 0.54%

LAB 71.8, -50.04, 50.06

 

CMYK 36 / 0 / 46 / 30

HEX #72B261

RGB 114 178 97

HSL 107.41, 0.34%, 0.54%

LAB 66.73, -36.18, 34.96

 

CMYK 21 / 0 / 27 / 38

HEX #7D9F74

RGB 125 159 116

HSL 107.44, 0.18%, 0.54%

LAB 62.01, -20.2, 18.72

 

CMYK 21 / 0 / 83 / 8

HEX #BAEB28

RGB 186 235 40

HSL 75.08, 0.83%, 0.54%

LAB 87, -39.43, 79.44

 

CMYK 43 / 0 / 83 / 8

HEX #86EB28

RGB 134 235 40

HSL 91.08, 0.83%, 0.54%

LAB 84.3, -57.86, 76.04

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 83 / 0 / 79 / 8

HEX #28EB32

RGB 40 235 50

HSL 123.08, 0.83%, 0.54%

LAB 81.89, -77.18, 70.36

 

CMYK 83 / 0 / 57 / 8

HEX #28EB66

RGB 40 235 102

HSL 139.08, 0.83%, 0.54%

LAB 82.29, -72.29, 51.09

 

CMYK 72 / 0 / 91 / 31

HEX #32B010

RGB 50 176 16

HSL 107.25, 0.83%, 0.38%

LAB 63.15, -59.81, 61.52

 

CMYK 71 / 0 / 91 / 16

HEX #3DD613

RGB 61 214 19

HSL 107.08, 0.84%, 0.46%

LAB 75.53, -69.6, 71.59

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 53 / 0 / 67 / 7

HEX #70EE4E

RGB 112 238 78

HSL 107.25, 0.82%, 0.62%

LAB 84.56, -63.07, 64.13

 

CMYK 41 / 0 / 52 / 5

HEX #8FF273

RGB 143 242 115

HSL 106.77, 0.83%, 0.7%

LAB 87.28, -52.12, 51.79

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 83 / 0 / 2 / 8

HEX #28EBE7

RGB 40 235 231

HSL 178.77, 0.83%, 0.54%

LAB 84.81, -44.81, -10.99

 

CMYK 0 / 83 / 32 / 8

HEX #EB28A0

RGB 235 40 160

HSL 323.08, 0.83%, 0.54%

LAB 53.73, 78.36, -17.14

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 83 / 65 / 0 / 8

HEX #2852EB

RGB 40 82 235

HSL 227.08, 0.83%, 0.54%

LAB 41.98, 41.88, -80.52

 

CMYK 0 / 83 / 65 / 8

HEX #EB2852

RGB 235 40 82

HSL 347.08, 0.83%, 0.54%

LAB 51.6, 72.2, 26.69

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 83 / 0 / 2 / 8

HEX #28EBE7

RGB 40 235 231

HSL 178.77, 0.83%, 0.54%

LAB 84.81, -44.81, -10.99

 

CMYK 18 / 83 / 0 / 8

HEX #C028EB

RGB 192 40 235

HSL 286.77, 0.83%, 0.54%

LAB 50.36, 80.66, -66.23

 

CMYK 0 / 83 / 82 / 8

HEX #EB282B

RGB 235 40 43

HSL 359.08, 0.83%, 0.54%

LAB 51.1, 70.71, 48.37

 

CMYK 65 / 0 / 83 / 8

HEX #52EB28

RGB 82 235 40

HSL 107.08, 0.83%, 0.54%

LAB 82.57, -71.45, 73.85

 

CMYK 83 / 24 / 0 / 8

HEX #28B3EB

RGB 40 179 235

HSL 197.23, 0.83%, 0.54%

LAB 68.53, -16.53, -37.97

 

CMYK 18 / 83 / 0 / 8

HEX #C028EB

RGB 192 40 235

HSL 286.77, 0.83%, 0.54%

LAB 50.36, 80.66, -66.23

 

CMYK 0 / 60 / 83 / 8

HEX #EB5F28

RGB 235 95 40

HSL 16.92, 0.83%, 0.54%

LAB 58.04, 51.58, 56.1

 

Description

Color code: CMYK 65 / 0 / 83 / 8 | qconv.com Color code: CMYK 65 / 0 / 83 / 8 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 235 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 235 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 83 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 83% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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