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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 62 / 62 / 0 / 23 it is the complementary color CMYK 0 / 0 / 67 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 62 / 62 / 0 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 62 / 62 / 0 / 23: CMYK 58 / 61 / 0 / 25, CMYK 54 / 56 / 0 / 18, CMYK 50 / 52 / 0 / 10, CMYK 47 / 48 / 0 / 3 and CMYK 42 / 42 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 62 / 62 / 0 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 62 / 62 / 0 / 23: CMYK 62 / 62 / 0 / 23, CMYK 67 / 68 / 0 / 31, CMYK 74 / 75 / 0 / 38, CMYK 83 / 85 / 0 / 45 and CMYK 94 / 98 / 0 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 62 / 0 / 23

HEX #4B4BC4

RGB 75 75 196

HSL 240, 0.51%, 0.53%

LAB 38.75, 36.49, -63.37

 

Complementary color

CMYK 0 / 0 / 67 / 29

HEX #B4B43B

RGB 180 180 59

HSL 60, 0.51%, 0.47%

LAB 71.32, -14.86, 58.91

 

CMYK 58 / 61 / 0 / 25

HEX #504BBF

RGB 80 75 191

HSL 242.59, 0.48%, 0.52%

LAB 38.72, 35.69, -60.48

 

CMYK 54 / 56 / 0 / 18

HEX #615DD2

RGB 97 93 210

HSL 242.05, 0.57%, 0.59%

LAB 45.67, 33.94, -60.15

 

CMYK 50 / 52 / 0 / 10

HEX #726FE5

RGB 114 111 229

HSL 241.53, 0.69%, 0.67%

LAB 52.51, 32.42, -59.82

 

CMYK 47 / 48 / 0 / 3

HEX #8381F8

RGB 131 129 248

HSL 241.01, 0.89%, 0.74%

LAB 59.25, 31.1, -59.52

 

CMYK 42 / 42 / 0 / 0

HEX #9493FF

RGB 148 147 255

HSL 240.56, 1%, 0.79%

LAB 65.27, 26.57, -53.71

 

CMYK 62 / 62 / 0 / 23

HEX #4B4BC4

RGB 75 75 196

HSL 240, 0.51%, 0.53%

LAB 38.75, 36.49, -63.37

 

CMYK 67 / 68 / 0 / 31

HEX #3A39B1

RGB 58 57 177

HSL 240.5, 0.51%, 0.46%

LAB 31.81, 38.65, -63.58

 

CMYK 74 / 75 / 0 / 38

HEX #29279E

RGB 41 39 158

HSL 241.01, 0.6%, 0.39%

LAB 24.92, 40.99, -63.49

 

CMYK 83 / 85 / 0 / 45

HEX #18158B

RGB 24 21 139

HSL 241.53, 0.74%, 0.31%

LAB 18.34, 43.06, -62.68

 

CMYK 94 / 98 / 0 / 53

HEX #070378

RGB 7 3 120

HSL 242.05, 0.95%, 0.24%

LAB 12.39, 44.13, -60.54

 

CMYK 62 / 62 / 0 / 23

HEX #4B4BC4

RGB 75 75 196

HSL 240, 0.51%, 0.53%

LAB 38.75, 36.49, -63.37

 

CMYK 52 / 62 / 0 / 23

HEX #5E4AC4

RGB 94 74 196

HSL 249.84, 0.51%, 0.53%

LAB 40.02, 40.41, -61.24

 

CMYK 42 / 62 / 0 / 23

HEX #724AC4

RGB 114 74 196

HSL 259.67, 0.51%, 0.53%

LAB 41.94, 44.41, -58.03

 

CMYK 31 / 62 / 0 / 23

HEX #874AC4

RGB 135 74 196

HSL 270, 0.51%, 0.53%

LAB 44.28, 49.03, -54.13

 

CMYK 21 / 62 / 0 / 23

HEX #9B4AC4

RGB 155 74 196

HSL 279.84, 0.51%, 0.53%

LAB 46.78, 53.68, -49.99

 

CMYK 62 / 62 / 0 / 23

HEX #4B4BC4

RGB 75 75 196

HSL 240, 0.51%, 0.53%

LAB 38.75, 36.49, -63.37

 

CMYK 62 / 62 / 0 / 3

HEX #5F5FF7

RGB 95 95 247

HSL 240, 0.9%, 0.67%

LAB 48.68, 44.12, -76.18

 

CMYK 63 / 63 / 0 / 83

HEX #10102B

RGB 16 16 43

HSL 240, 0.46%, 0.12%

LAB 5.92, 8.7, -18.04

 

CMYK 62 / 62 / 0 / 63

HEX #24245E

RGB 36 36 94

HSL 240, 0.45%, 0.25%

LAB 17.67, 19.28, -34.77

 

CMYK 62 / 62 / 0 / 43

HEX #373791

RGB 55 55 145

HSL 240, 0.45%, 0.39%

LAB 28.35, 28.43, -49.87

 

CMYK 62 / 62 / 0 / 23

HEX #4B4BC4

RGB 75 75 196

HSL 240, 0.51%, 0.53%

LAB 38.75, 36.49, -63.37

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAB

RGB 196 74 171

HSL 312.3, 0.51%, 0.53%

LAB 51.35, 59.56, -27.82

 

CMYK 38 / 0 / 62 / 23

HEX #7AC44A

RGB 122 196 74

HSL 96.39, 0.51%, 0.53%

LAB 72.3, -44, 52.61

 

CMYK 62 / 62 / 0 / 23

HEX #4B4BC4

RGB 75 75 196

HSL 240, 0.51%, 0.53%

LAB 38.75, 36.49, -63.37

 

CMYK 0 / 62 / 62 / 23

HEX #C44A4A

RGB 196 74 74

HSL 0, 0.51%, 0.53%

LAB 48.42, 48.76, 25.96

 

CMYK 62 / 0 / 62 / 23

HEX #4AC44A

RGB 74 196 74

HSL 120, 0.51%, 0.53%

LAB 70.48, -57.59, 50.06

 

CMYK 62 / 62 / 0 / 23

HEX #4B4BC4

RGB 75 75 196

HSL 240, 0.51%, 0.53%

LAB 38.75, 36.49, -63.37

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAB

RGB 196 74 171

HSL 312.3, 0.51%, 0.53%

LAB 51.35, 59.56, -27.82

 

CMYK 0 / 0 / 62 / 23

HEX #C4C44A

RGB 196 196 74

HSL 60, 0.51%, 0.53%

LAB 77.11, -15.29, 59.21

 

CMYK 62 / 0 / 50 / 23

HEX #4AC462

RGB 74 196 98

HSL 131.8, 0.51%, 0.53%

LAB 70.74, -54.53, 39.14

 

CMYK 62 / 62 / 0 / 23

HEX #4B4BC4

RGB 75 75 196

HSL 240, 0.51%, 0.53%

LAB 38.75, 36.49, -63.37

 

CMYK 0 / 62 / 31 / 23

HEX #C44A87

RGB 196 74 135

HSL 330, 0.51%, 0.53%

LAB 49.96, 54.57, -8.6

 

CMYK 0 / 0 / 62 / 23

HEX #C4C44A

RGB 196 196 74

HSL 60, 0.51%, 0.53%

LAB 77.11, -15.29, 59.21

 

CMYK 62 / 0 / 31 / 23

HEX #4AC487

RGB 74 196 135

HSL 150, 0.51%, 0.53%

LAB 71.34, -48.04, 20.82

 

Description

Color code: CMYK 62 / 62 / 0 / 23 | qconv.com Color code: CMYK 62 / 62 / 0 / 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 75 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 75 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 62 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 62% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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