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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 60 / 0 / 60 / 13 it is the complementary color CMYK 0 / 80 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 60 / 0 / 60 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 60 / 0 / 60 / 13: CMYK 58 / 0 / 62 / 13, CMYK 54 / 0 / 57 / 6, CMYK 50 / 0 / 52 / 0, CMYK 43 / 0 / 45 / 0 and CMYK 36 / 0 / 37 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 60 / 0 / 60 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 60 / 0 / 60 / 13: CMYK 60 / 0 / 60 / 13, CMYK 65 / 0 / 66 / 20, CMYK 70 / 0 / 73 / 27, CMYK 77 / 0 / 81 / 34 and CMYK 86 / 0 / 91 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 60 / 13

HEX #59DE59

RGB 89 222 89

HSL 120, 0.67%, 0.61%

LAB 79.09, -61.88, 53.39

 

Complementary color

CMYK 0 / 80 / 0 / 35

HEX #A621A6

RGB 166 33 166

HSL 300, 0.67%, 0.39%

LAB 41.13, 66, -41.26

 

CMYK 58 / 0 / 62 / 13

HEX #5EDE54

RGB 94 222 84

HSL 115.65, 0.68%, 0.6%

LAB 79.19, -61.26, 55.7

 

CMYK 54 / 0 / 57 / 6

HEX #6FF067

RGB 111 240 103

HSL 116.5, 0.82%, 0.67%

LAB 85.34, -61.61, 54.61

 

CMYK 50 / 0 / 52 / 0

HEX #80FF7A

RGB 128 255 122

HSL 117.29, 1%, 0.74%

LAB 90.56, -60.65, 52.38

 

CMYK 43 / 0 / 45 / 0

HEX #91FF8D

RGB 145 255 141

HSL 117.89, 1%, 0.78%

LAB 91.44, -53.54, 44.7

 

CMYK 36 / 0 / 37 / 0

HEX #A2FFA0

RGB 162 255 160

HSL 118.74, 1%, 0.81%

LAB 92.46, -45.84, 36.9

 

CMYK 60 / 0 / 60 / 13

HEX #59DE59

RGB 89 222 89

HSL 120, 0.67%, 0.61%

LAB 79.09, -61.88, 53.39

 

CMYK 65 / 0 / 66 / 20

HEX #48CC46

RGB 72 204 70

HSL 119.1, 0.57%, 0.54%

LAB 72.9, -61.24, 54.42

 

CMYK 70 / 0 / 73 / 27

HEX #37BA33

RGB 55 186 51

HSL 118.22, 0.57%, 0.46%

LAB 66.65, -60.18, 55.14

 

CMYK 77 / 0 / 81 / 34

HEX #26A820

RGB 38 168 32

HSL 117.35, 0.68%, 0.39%

LAB 60.36, -58.55, 55.22

 

CMYK 86 / 0 / 91 / 41

HEX #15960D

RGB 21 150 13

HSL 116.5, 0.84%, 0.32%

LAB 54.03, -56.07, 54.07

 

CMYK 60 / 0 / 60 / 13

HEX #59DE59

RGB 89 222 89

HSL 120, 0.67%, 0.61%

LAB 79.09, -61.88, 53.39

 

CMYK 60 / 0 / 50 / 13

HEX #58DE6F

RGB 88 222 111

HSL 130.3, 0.67%, 0.61%

LAB 79.31, -59.34, 43.5

 

CMYK 60 / 0 / 40 / 13

HEX #58DE85

RGB 88 222 133

HSL 140.15, 0.67%, 0.61%

LAB 79.62, -55.9, 33.02

 

CMYK 60 / 0 / 30 / 13

HEX #58DE9B

RGB 88 222 155

HSL 150, 0.67%, 0.61%

LAB 80, -51.83, 22.22

 

CMYK 60 / 0 / 20 / 13

HEX #58DEB1

RGB 88 222 177

HSL 159.85, 0.67%, 0.61%

LAB 80.46, -47.15, 11.3

 

CMYK 60 / 0 / 60 / 13

HEX #59DE59

RGB 89 222 89

HSL 120, 0.67%, 0.61%

LAB 79.09, -61.88, 53.39

 

CMYK 61 / 0 / 61 / 93

HEX #071207

RGB 7 18 7

HSL 120, 0.44%, 0.05%

LAB 4.45, -5.18, 3.7

 

CMYK 59 / 0 / 59 / 73

HEX #1C451C

RGB 28 69 28

HSL 120, 0.42%, 0.19%

LAB 25.52, -24.26, 20.31

 

CMYK 60 / 0 / 60 / 53

HEX #307830

RGB 48 120 48

HSL 120, 0.43%, 0.33%

LAB 44.62, -37.99, 32.41

 

CMYK 60 / 0 / 60 / 33

HEX #45AB45

RGB 69 171 69

HSL 120, 0.43%, 0.47%

LAB 62.36, -50.12, 43.02

 

CMYK 60 / 0 / 60 / 13

HEX #59DE59

RGB 89 222 89

HSL 120, 0.67%, 0.61%

LAB 79.09, -61.88, 53.39

 

CMYK 60 / 12 / 0 / 13

HEX #58C3DE

RGB 88 195 222

HSL 192.09, 0.67%, 0.61%

LAB 73.79, -22.85, -22.7

 

CMYK 0 / 60 / 36 / 13

HEX #DE588E

RGB 222 88 142

HSL 335.82, 0.67%, 0.61%

LAB 56.55, 57.23, -2.53

 

CMYK 60 / 0 / 60 / 13

HEX #59DE59

RGB 89 222 89

HSL 120, 0.67%, 0.61%

LAB 79.09, -61.88, 53.39

 

CMYK 60 / 60 / 0 / 13

HEX #5858DE

RGB 88 88 222

HSL 240, 0.67%, 0.61%

LAB 44.7, 39.18, -68.6

 

CMYK 0 / 60 / 60 / 13

HEX #DE5858

RGB 222 88 88

HSL 0, 0.67%, 0.61%

LAB 55.29, 52.37, 27.43

 

CMYK 60 / 0 / 60 / 13

HEX #59DE59

RGB 89 222 89

HSL 120, 0.67%, 0.61%

LAB 79.09, -61.88, 53.39

 

CMYK 60 / 12 / 0 / 13

HEX #58C3DE

RGB 88 195 222

HSL 192.09, 0.67%, 0.61%

LAB 73.79, -22.85, -22.7

 

CMYK 0 / 60 / 0 / 13

HEX #DE58DE

RGB 222 88 222

HSL 300, 0.67%, 0.61%

LAB 59.69, 68.56, -43.74

 

CMYK 0 / 48 / 60 / 13

HEX #DE7358

RGB 222 115 88

HSL 12.09, 0.67%, 0.61%

LAB 60.33, 39.37, 33.82

 

CMYK 60 / 0 / 60 / 13

HEX #59DE59

RGB 89 222 89

HSL 120, 0.67%, 0.61%

LAB 79.09, -61.88, 53.39

 

CMYK 60 / 30 / 0 / 13

HEX #589BDE

RGB 88 155 222

HSL 210, 0.67%, 0.61%

LAB 62.33, -1.3, -40.41

 

CMYK 0 / 60 / 0 / 13

HEX #DE58DE

RGB 222 88 222

HSL 300, 0.67%, 0.61%

LAB 59.69, 68.56, -43.74

 

CMYK 0 / 30 / 60 / 13

HEX #DE9B58

RGB 222 155 88

HSL 30, 0.67%, 0.61%

LAB 69.24, 18.23, 44.61

 

Description

Color code: CMYK 60 / 0 / 60 / 13 | qconv.com Color code: CMYK 60 / 0 / 60 / 13 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 222 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 222 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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