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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 20 / 0 / 33 it is the complementary color CMYK 21 / 0 / 29 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 20 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 5 / 20 / 0 / 33: CMYK 0 / 18 / 1 / 35, CMYK 1 / 16 / 0 / 27, CMYK 1 / 15 / 0 / 20, CMYK 2 / 14 / 0 / 13 and CMYK 3 / 14 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 20 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 5 / 20 / 0 / 33: CMYK 5 / 20 / 0 / 33, CMYK 5 / 22 / 0 / 40, CMYK 4 / 24 / 0 / 48, CMYK 3 / 27 / 0 / 55 and CMYK 1 / 32 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 20 / 0 / 33

HEX #A289AB

RGB 162 137 171

HSL 284.12, 0.17%, 0.6%

LAB 60.35, 15.81, -14.4

 

Complementary color

CMYK 21 / 0 / 29 / 54

HEX #5D7654

RGB 93 118 84

HSL 104.12, 0.17%, 0.4%

LAB 46.87, -16.11, 15.83

 

CMYK 0 / 18 / 1 / 35

HEX #A789A6

RGB 167 137 166

HSL 302, 0.15%, 0.6%

LAB 60.66, 16.56, -11.04

 

CMYK 1 / 16 / 0 / 27

HEX #B89BB9

RGB 184 155 185

HSL 298, 0.18%, 0.67%

LAB 67.38, 16.07, -11.51

 

CMYK 1 / 15 / 0 / 20

HEX #C9ADCC

RGB 201 173 204

HSL 294.19, 0.23%, 0.74%

LAB 73.97, 15.62, -11.97

 

CMYK 2 / 14 / 0 / 13

HEX #DABFDF

RGB 218 191 223

HSL 290.63, 0.33%, 0.81%

LAB 80.46, 15.2, -12.42

 

CMYK 3 / 14 / 0 / 5

HEX #EBD1F2

RGB 235 209 242

HSL 287.27, 0.56%, 0.88%

LAB 86.84, 14.82, -12.86

 

CMYK 5 / 20 / 0 / 33

HEX #A289AB

RGB 162 137 171

HSL 284.12, 0.17%, 0.6%

LAB 60.35, 15.81, -14.4

 

CMYK 5 / 22 / 0 / 40

HEX #917798

RGB 145 119 152

HSL 287.27, 0.14%, 0.53%

LAB 53.47, 16.33, -14.01

 

CMYK 4 / 24 / 0 / 48

HEX #806585

RGB 128 101 133

HSL 290.63, 0.14%, 0.46%

LAB 46.43, 16.9, -13.61

 

CMYK 3 / 27 / 0 / 55

HEX #6F5372

RGB 111 83 114

HSL 294.19, 0.16%, 0.39%

LAB 39.21, 17.55, -13.2

 

CMYK 1 / 32 / 0 / 63

HEX #5E415F

RGB 94 65 95

HSL 298, 0.19%, 0.31%

LAB 31.78, 18.29, -12.77

 

CMYK 5 / 20 / 0 / 33

HEX #A289AB

RGB 162 137 171

HSL 284.12, 0.17%, 0.6%

LAB 60.35, 15.81, -14.4

 

CMYK 2 / 21 / 0 / 33

HEX #A687AA

RGB 166 135 170

HSL 293.14, 0.17%, 0.6%

LAB 60.19, 18.13, -14.03

 

CMYK 0 / 21 / 1 / 33

HEX #AA87A8

RGB 170 135 168

HSL 303.43, 0.17%, 0.6%

LAB 60.52, 19.14, -12.36

 

CMYK 0 / 21 / 5 / 33

HEX #AA87A2

RGB 170 135 162

HSL 313.71, 0.17%, 0.6%

LAB 60.32, 18, -9.23

 

CMYK 0 / 21 / 8 / 33

HEX #AA879C

RGB 170 135 156

HSL 324, 0.17%, 0.6%

LAB 60.14, 16.9, -6.08

 

CMYK 5 / 20 / 0 / 33

HEX #A289AB

RGB 162 137 171

HSL 284.12, 0.17%, 0.6%

LAB 60.35, 15.81, -14.4

 

CMYK 5 / 20 / 0 / 13

HEX #D2B2DE

RGB 210 178 222

HSL 283.64, 0.4%, 0.78%

LAB 76.57, 19.38, -17.8

 

CMYK 6 / 22 / 0 / 93

HEX #110E12

RGB 17 14 18

HSL 285, 0.13%, 0.06%

LAB 4.31, 1.81, -1.7

 

CMYK 6 / 20 / 0 / 73

HEX #413745

RGB 65 55 69

HSL 282.86, 0.11%, 0.24%

LAB 24.59, 7.5, -7.01

 

CMYK 5 / 20 / 0 / 53

HEX #726078

RGB 114 96 120

HSL 285, 0.11%, 0.42%

LAB 43.21, 12.02, -10.78

 

CMYK 5 / 20 / 0 / 33

HEX #A289AB

RGB 162 137 171

HSL 284.12, 0.17%, 0.6%

LAB 60.35, 15.81, -14.4

 

CMYK 0 / 21 / 19 / 33

HEX #AA8789

RGB 170 135 137

HSL 356.57, 0.17%, 0.6%

LAB 59.6, 13.65, 4.01

 

CMYK 21 / 0 / 14 / 33

HEX #87AA93

RGB 135 170 147

HSL 140.57, 0.17%, 0.6%

LAB 66.53, -16.67, 7.95

 

CMYK 5 / 20 / 0 / 33

HEX #A289AB

RGB 162 137 171

HSL 284.12, 0.17%, 0.6%

LAB 60.35, 15.81, -14.4

 

CMYK 0 / 5 / 21 / 33

HEX #AAA187

RGB 170 161 135

HSL 44.57, 0.17%, 0.6%

LAB 66.36, -1.11, 14.73

 

CMYK 21 / 0 / 5 / 33

HEX #87AAA1

RGB 135 170 161

HSL 164.57, 0.17%, 0.6%

LAB 66.88, -13.81, 0.7

 

CMYK 5 / 20 / 0 / 33

HEX #A289AB

RGB 162 137 171

HSL 284.12, 0.17%, 0.6%

LAB 60.35, 15.81, -14.4

 

CMYK 0 / 21 / 19 / 33

HEX #AA8789

RGB 170 135 137

HSL 356.57, 0.17%, 0.6%

LAB 59.6, 13.65, 4.01

 

CMYK 15 / 0 / 21 / 33

HEX #90AA87

RGB 144 170 135

HSL 104.57, 0.17%, 0.6%

LAB 66.85, -15.72, 15.11

 

CMYK 21 / 0 / 1 / 33

HEX #87AAA8

RGB 135 170 168

HSL 176.57, 0.17%, 0.6%

LAB 67.07, -12.3, -2.91

 

CMYK 5 / 20 / 0 / 33

HEX #A289AB

RGB 162 137 171

HSL 284.12, 0.17%, 0.6%

LAB 60.35, 15.81, -14.4

 

CMYK 0 / 16 / 21 / 33

HEX #AA8F87

RGB 170 143 135

HSL 13.71, 0.17%, 0.6%

LAB 61.6, 8.84, 8.02

 

CMYK 15 / 0 / 21 / 33

HEX #90AA87

RGB 144 170 135

HSL 104.57, 0.17%, 0.6%

LAB 66.85, -15.72, 15.11

 

CMYK 21 / 5 / 0 / 33

HEX #87A2AA

RGB 135 162 170

HSL 193.71, 0.17%, 0.6%

LAB 64.88, -7.55, -7.27

 

Description

Color code: CMYK 5 / 20 / 0 / 33 | qconv.com Color code: CMYK 5 / 20 / 0 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 137 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 137 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 20 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 20% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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