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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 53 / 0 / 21 it is the complementary color CMYK 0 / 6 / 68 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 53 / 0 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 58 / 53 / 0 / 21: CMYK 54 / 52 / 0 / 23, CMYK 50 / 47 / 0 / 16, CMYK 47 / 44 / 0 / 8, CMYK 44 / 41 / 0 / 1 and CMYK 38 / 35 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 53 / 0 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 58 / 53 / 0 / 21: CMYK 58 / 53 / 0 / 21, CMYK 63 / 58 / 0 / 29, CMYK 69 / 64 / 0 / 36, CMYK 76 / 72 / 0 / 44 and CMYK 86 / 82 / 0 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 53 / 0 / 21

HEX #555FC9

RGB 85 95 201

HSL 234.83, 0.52%, 0.56%

LAB 44.71, 27.48, -56.58

 

Complementary color

CMYK 0 / 6 / 68 / 33

HEX #AAA036

RGB 170 160 54

HSL 54.83, 0.52%, 0.44%

LAB 64.93, -9.09, 54.14

 

CMYK 54 / 52 / 0 / 23

HEX #5A5FC4

RGB 90 95 196

HSL 237.17, 0.47%, 0.56%

LAB 44.72, 26.84, -53.65

 

CMYK 50 / 47 / 0 / 16

HEX #6B71D7

RGB 107 113 215

HSL 236.67, 0.57%, 0.63%

LAB 51.66, 25.42, -53.33

 

CMYK 47 / 44 / 0 / 8

HEX #7C83EA

RGB 124 131 234

HSL 236.18, 0.72%, 0.7%

LAB 58.47, 24.22, -53.05

 

CMYK 44 / 41 / 0 / 1

HEX #8D95FD

RGB 141 149 253

HSL 235.71, 0.97%, 0.77%

LAB 65.16, 23.18, -52.81

 

CMYK 38 / 35 / 0 / 0

HEX #9EA7FF

RGB 158 167 255

HSL 234.43, 1%, 0.81%

LAB 70.96, 17.66, -44.68

 

CMYK 58 / 53 / 0 / 21

HEX #555FC9

RGB 85 95 201

HSL 234.83, 0.52%, 0.56%

LAB 44.71, 27.48, -56.58

 

CMYK 63 / 58 / 0 / 29

HEX #444DB6

RGB 68 77 182

HSL 235.26, 0.46%, 0.49%

LAB 37.69, 29.34, -56.91

 

CMYK 69 / 64 / 0 / 36

HEX #333BA3

RGB 51 59 163

HSL 235.71, 0.52%, 0.42%

LAB 30.58, 31.58, -57.2

 

CMYK 76 / 72 / 0 / 44

HEX #222990

RGB 34 41 144

HSL 236.18, 0.62%, 0.35%

LAB 23.47, 34.2, -57.29

 

CMYK 86 / 82 / 0 / 51

HEX #11177D

RGB 17 23 125

HSL 236.67, 0.76%, 0.28%

LAB 16.57, 36.95, -56.79

 

CMYK 58 / 53 / 0 / 21

HEX #555FC9

RGB 85 95 201

HSL 234.83, 0.52%, 0.56%

LAB 44.71, 27.48, -56.58

 

CMYK 54 / 58 / 0 / 21

HEX #5C54C9

RGB 92 84 201

HSL 244.1, 0.52%, 0.56%

LAB 42.51, 35.6, -60.1

 

CMYK 45 / 58 / 0 / 21

HEX #6F54C9

RGB 111 84 201

HSL 253.85, 0.52%, 0.56%

LAB 44.14, 39.48, -57.38

 

CMYK 35 / 58 / 0 / 21

HEX #8354C9

RGB 131 84 201

HSL 264.1, 0.52%, 0.56%

LAB 46.15, 44, -54.04

 

CMYK 25 / 58 / 0 / 21

HEX #9654C9

RGB 150 84 201

HSL 273.85, 0.52%, 0.56%

LAB 48.31, 48.57, -50.46

 

CMYK 58 / 53 / 0 / 21

HEX #555FC9

RGB 85 95 201

HSL 234.83, 0.52%, 0.56%

LAB 44.71, 27.48, -56.58

 

CMYK 58 / 53 / 0 / 1

HEX #6B77FC

RGB 107 119 252

HSL 235.03, 0.96%, 0.7%

LAB 55.43, 33.42, -67.96

 

CMYK 58 / 52 / 0 / 81

HEX #141730

RGB 20 23 48

HSL 233.57, 0.41%, 0.13%

LAB 8.78, 7.25, -17.17

 

CMYK 58 / 53 / 0 / 61

HEX #2A2F63

RGB 42 47 99

HSL 234.74, 0.4%, 0.28%

LAB 21.68, 14.7, -31.57

 

CMYK 58 / 53 / 0 / 41

HEX #3F4796

RGB 63 71 150

HSL 234.48, 0.41%, 0.42%

LAB 33.49, 21.21, -44.58

 

CMYK 58 / 53 / 0 / 21

HEX #555FC9

RGB 85 95 201

HSL 234.83, 0.52%, 0.56%

LAB 44.71, 27.48, -56.58

 

CMYK 0 / 58 / 6 / 21

HEX #C954BD

RGB 201 84 189

HSL 306.15, 0.52%, 0.56%

LAB 54.48, 59.44, -33.35

 

CMYK 29 / 0 / 58 / 21

HEX #8EC954

RGB 142 201 84

HSL 90.26, 0.52%, 0.56%

LAB 74.93, -38.25, 51.43

 

CMYK 58 / 53 / 0 / 21

HEX #555FC9

RGB 85 95 201

HSL 234.83, 0.52%, 0.56%

LAB 44.71, 27.48, -56.58

 

CMYK 0 / 58 / 52 / 21

HEX #C95460

RGB 201 84 96

HSL 353.85, 0.52%, 0.56%

LAB 51.38, 47.58, 16.94

 

CMYK 52 / 0 / 58 / 21

HEX #60C954

RGB 96 201 84

HSL 113.85, 0.52%, 0.56%

LAB 72.83, -52.93, 48.46

 

CMYK 58 / 53 / 0 / 21

HEX #555FC9

RGB 85 95 201

HSL 234.83, 0.52%, 0.56%

LAB 44.71, 27.48, -56.58

 

CMYK 0 / 58 / 6 / 21

HEX #C954BD

RGB 201 84 189

HSL 306.15, 0.52%, 0.56%

LAB 54.48, 59.44, -33.35

 

CMYK 0 / 6 / 58 / 21

HEX #C9BD54

RGB 201 189 84

HSL 53.85, 0.52%, 0.56%

LAB 75.73, -8.94, 53.46

 

CMYK 58 / 0 / 52 / 21

HEX #54C960

RGB 84 201 96

HSL 126.15, 0.52%, 0.56%

LAB 72.56, -54.46, 42.42

 

CMYK 58 / 53 / 0 / 21

HEX #555FC9

RGB 85 95 201

HSL 234.83, 0.52%, 0.56%

LAB 44.71, 27.48, -56.58

 

CMYK 0 / 58 / 23 / 21

HEX #C9549A

RGB 201 84 154

HSL 324.1, 0.52%, 0.56%

LAB 53.05, 54.12, -15.16

 

CMYK 0 / 6 / 58 / 21

HEX #C9BD54

RGB 201 189 84

HSL 53.85, 0.52%, 0.56%

LAB 75.73, -8.94, 53.46

 

CMYK 58 / 0 / 35 / 21

HEX #54C983

RGB 84 201 131

HSL 144.1, 0.52%, 0.56%

LAB 73.09, -48.79, 25.35

 

Description

Color code: CMYK 58 / 53 / 0 / 21 | qconv.com Color code: CMYK 58 / 53 / 0 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 95 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 95 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 53 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 53% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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