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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 53 / 8 / 0 / 11 it is the complementary color CMYK 0 / 69 / 81 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 53 / 8 / 0 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 53 / 8 / 0 / 11: CMYK 50 / 6 / 0 / 13, CMYK 46 / 6 / 0 / 5, CMYK 43 / 4 / 0 / 0, CMYK 36 / 0 / 0 / 0 and CMYK 29 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 53 / 8 / 0 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 53 / 8 / 0 / 11: CMYK 53 / 8 / 0 / 11, CMYK 57 / 8 / 0 / 18, CMYK 61 / 8 / 0 / 26, CMYK 67 / 9 / 0 / 33 and CMYK 74 / 9 / 0 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 8 / 0 / 11

HEX #6BD1E3

RGB 107 209 227

HSL 189, 0.68%, 0.65%

LAB 78.62, -24.82, -18

 

Complementary color

CMYK 0 / 69 / 81 / 42

HEX #942E1C

RGB 148 46 28

HSL 9, 0.68%, 0.35%

LAB 34.67, 41.83, 34.58

 

CMYK 50 / 6 / 0 / 13

HEX #70D1DE

RGB 112 209 222

HSL 187.09, 0.63%, 0.65%

LAB 78.65, -25.12, -15.26

 

CMYK 46 / 6 / 0 / 5

HEX #81E3F1

RGB 129 227 241

HSL 187.5, 0.8%, 0.73%

LAB 84.97, -25.25, -15.79

 

CMYK 43 / 4 / 0 / 0

HEX #92F5FF

RGB 146 245 255

HSL 185.5, 1%, 0.79%

LAB 91.07, -26.58, -13.92

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 53 / 8 / 0 / 11

HEX #6BD1E3

RGB 107 209 227

HSL 189, 0.68%, 0.65%

LAB 78.62, -24.82, -18

 

CMYK 57 / 8 / 0 / 18

HEX #5ABFD0

RGB 90 191 208

HSL 188.64, 0.56%, 0.58%

LAB 72.22, -24.52, -17.46

 

CMYK 61 / 8 / 0 / 26

HEX #49ADBD

RGB 73 173 189

HSL 188.28, 0.47%, 0.51%

LAB 65.73, -24.11, -16.88

 

CMYK 67 / 9 / 0 / 33

HEX #389BAA

RGB 56 155 170

HSL 187.89, 0.5%, 0.44%

LAB 59.15, -23.53, -16.25

 

CMYK 74 / 9 / 0 / 41

HEX #278997

RGB 39 137 151

HSL 187.5, 0.59%, 0.37%

LAB 52.46, -22.7, -15.54

 

CMYK 53 / 8 / 0 / 11

HEX #6BD1E3

RGB 107 209 227

HSL 189, 0.68%, 0.65%

LAB 78.62, -24.82, -18

 

CMYK 54 / 17 / 0 / 11

HEX #69BCE2

RGB 105 188 226

HSL 198.84, 0.68%, 0.65%

LAB 72.54, -14.78, -26.73

 

CMYK 54 / 26 / 0 / 11

HEX #69A7E2

RGB 105 167 226

HSL 209.26, 0.68%, 0.65%

LAB 66.62, -3.39, -35.87

 

CMYK 54 / 35 / 0 / 11

HEX #6993E2

RGB 105 147 226

HSL 219.17, 0.68%, 0.65%

LAB 61.1, 8.06, -44.51

 

CMYK 54 / 44 / 0 / 11

HEX #697FE2

RGB 105 127 226

HSL 229.09, 0.68%, 0.65%

LAB 55.76, 19.96, -52.98

 

CMYK 53 / 8 / 0 / 11

HEX #6BD1E3

RGB 107 209 227

HSL 189, 0.68%, 0.65%

LAB 78.62, -24.82, -18

 

CMYK 52 / 9 / 0 / 91

HEX #0B1517

RGB 11 21 23

HSL 190, 0.35%, 0.07%

LAB 6.05, -3.09, -2.6

 

CMYK 53 / 8 / 0 / 71

HEX #23444A

RGB 35 68 74

HSL 189.23, 0.36%, 0.21%

LAB 26.69, -10.17, -7.38

 

CMYK 53 / 8 / 0 / 51

HEX #3B737D

RGB 59 115 125

HSL 189.09, 0.36%, 0.36%

LAB 45.18, -15.44, -11.2

 

CMYK 53 / 8 / 0 / 31

HEX #53A2B0

RGB 83 162 176

HSL 189.03, 0.37%, 0.51%

LAB 62.35, -20.27, -14.7

 

CMYK 53 / 8 / 0 / 11

HEX #6BD1E3

RGB 107 209 227

HSL 189, 0.68%, 0.65%

LAB 78.62, -24.82, -18

 

CMYK 35 / 54 / 0 / 11

HEX #9369E2

RGB 147 105 226

HSL 260.83, 0.68%, 0.65%

LAB 53.81, 42.57, -55.9

 

CMYK 0 / 13 / 54 / 11

HEX #E2C469

RGB 226 196 105

HSL 45.12, 0.68%, 0.65%

LAB 79.99, -0.53, 49.09

 

CMYK 53 / 8 / 0 / 11

HEX #6BD1E3

RGB 107 209 227

HSL 189, 0.68%, 0.65%

LAB 78.62, -24.82, -18

 

CMYK 0 / 54 / 8 / 11

HEX #E269D0

RGB 226 105 208

HSL 308.93, 0.68%, 0.65%

LAB 62.36, 59.86, -31.65

 

CMYK 8 / 0 / 54 / 11

HEX #D0E269

RGB 208 226 105

HSL 68.93, 0.68%, 0.65%

LAB 86.42, -22.89, 56.26

 

CMYK 53 / 8 / 0 / 11

HEX #6BD1E3

RGB 107 209 227

HSL 189, 0.68%, 0.65%

LAB 78.62, -24.82, -18

 

CMYK 35 / 54 / 0 / 11

HEX #9369E2

RGB 147 105 226

HSL 260.83, 0.68%, 0.65%

LAB 53.81, 42.57, -55.9

 

CMYK 0 / 46 / 54 / 11

HEX #E27B69

RGB 226 123 105

HSL 8.93, 0.68%, 0.65%

LAB 62.81, 38.1, 27.64

 

CMYK 19 / 0 / 54 / 11

HEX #B7E269

RGB 183 226 105

HSL 81.32, 0.68%, 0.65%

LAB 84.73, -32.52, 53.86

 

CMYK 53 / 8 / 0 / 11

HEX #6BD1E3

RGB 107 209 227

HSL 189, 0.68%, 0.65%

LAB 78.62, -24.82, -18

 

CMYK 19 / 54 / 0 / 11

HEX #B769E2

RGB 183 105 226

HSL 278.68, 0.68%, 0.65%

LAB 57.71, 51.6, -49.45

 

CMYK 0 / 46 / 54 / 11

HEX #E27B69

RGB 226 123 105

HSL 8.93, 0.68%, 0.65%

LAB 62.81, 38.1, 27.64

 

CMYK 35 / 0 / 54 / 11

HEX #93E269

RGB 147 226 105

HSL 99.17, 0.68%, 0.65%

LAB 82.71, -45.3, 50.98

 

Description

Color code: CMYK 53 / 8 / 0 / 11 | qconv.com Color code: CMYK 53 / 8 / 0 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 209 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 209 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 8 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 8% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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