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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 53 / 7 / 0 / 42 it is the complementary color CMYK 0 / 37 / 42 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 53 / 7 / 0 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 53 / 7 / 0 / 42: CMYK 48 / 3 / 0 / 44, CMYK 43 / 4 / 0 / 36, CMYK 40 / 4 / 0 / 29, CMYK 37 / 4 / 0 / 22 and CMYK 35 / 4 / 0 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 53 / 7 / 0 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 53 / 7 / 0 / 42: CMYK 53 / 7 / 0 / 42, CMYK 59 / 7 / 0 / 49, CMYK 67 / 7 / 0 / 57, CMYK 79 / 8 / 0 / 64 and CMYK 97 / 8 / 0 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 7 / 0 / 42

HEX #468A94

RGB 70 138 148

HSL 187.69, 0.36%, 0.43%

LAB 53.62, -18.59, -11.96

 

Complementary color

CMYK 0 / 37 / 42 / 27

HEX #B9756B

RGB 185 117 107

HSL 7.69, 0.36%, 0.57%

LAB 56.19, 25.55, 16.7

 

CMYK 48 / 3 / 0 / 44

HEX #4B8A8F

RGB 75 138 143

HSL 184.41, 0.31%, 0.43%

LAB 53.66, -18.83, -8.98

 

CMYK 43 / 4 / 0 / 36

HEX #5C9CA2

RGB 92 156 162

HSL 185.14, 0.28%, 0.5%

LAB 60.48, -18.88, -9.58

 

CMYK 40 / 4 / 0 / 29

HEX #6DAEB5

RGB 109 174 181

HSL 185.83, 0.33%, 0.57%

LAB 67.17, -18.89, -10.14

 

CMYK 37 / 4 / 0 / 22

HEX #7EC0C8

RGB 126 192 200

HSL 186.49, 0.4%, 0.64%

LAB 73.74, -18.87, -10.67

 

CMYK 35 / 4 / 0 / 14

HEX #8FD2DB

RGB 143 210 219

HSL 187.11, 0.51%, 0.71%

LAB 80.21, -18.84, -11.18

 

CMYK 53 / 7 / 0 / 42

HEX #468A94

RGB 70 138 148

HSL 187.69, 0.36%, 0.43%

LAB 53.62, -18.59, -11.96

 

CMYK 59 / 7 / 0 / 49

HEX #357881

RGB 53 120 129

HSL 187.11, 0.42%, 0.36%

LAB 46.68, -18.31, -11.35

 

CMYK 67 / 7 / 0 / 57

HEX #24666E

RGB 36 102 110

HSL 186.49, 0.51%, 0.29%

LAB 39.59, -17.83, -10.66

 

CMYK 79 / 8 / 0 / 64

HEX #13545B

RGB 19 84 91

HSL 185.83, 0.65%, 0.22%

LAB 32.33, -16.99, -9.85

 

CMYK 97 / 8 / 0 / 72

HEX #024248

RGB 2 66 72

HSL 185.14, 0.95%, 0.15%

LAB 24.88, -15.73, -8.9

 

CMYK 53 / 7 / 0 / 42

HEX #468A94

RGB 70 138 148

HSL 187.69, 0.36%, 0.43%

LAB 53.62, -18.59, -11.96

 

CMYK 53 / 15 / 0 / 42

HEX #467E95

RGB 70 126 149

HSL 197.47, 0.36%, 0.43%

LAB 49.97, -11.7, -18.07

 

CMYK 53 / 24 / 0 / 42

HEX #467195

RGB 70 113 149

HSL 207.34, 0.36%, 0.43%

LAB 46.02, -4.17, -24.15

 

CMYK 53 / 33 / 0 / 42

HEX #466495

RGB 70 100 149

HSL 217.22, 0.36%, 0.43%

LAB 42.13, 3.75, -30.21

 

CMYK 53 / 42 / 0 / 42

HEX #465795

RGB 70 87 149

HSL 227.09, 0.36%, 0.43%

LAB 38.36, 11.99, -36.17

 

CMYK 53 / 7 / 0 / 42

HEX #468A94

RGB 70 138 148

HSL 187.69, 0.36%, 0.43%

LAB 53.62, -18.59, -11.96

 

CMYK 53 / 7 / 0 / 22

HEX #5EBAC7

RGB 94 186 199

HSL 187.43, 0.48%, 0.57%

LAB 70.61, -23.73, -14.97

 

CMYK 53 / 7 / 0 / 2

HEX #76E9FA

RGB 118 233 250

HSL 187.73, 0.93%, 0.72%

LAB 86.52, -28.12, -18.25

 

CMYK 52 / 7 / 0 / 82

HEX #162B2E

RGB 22 43 46

HSL 187.5, 0.35%, 0.13%

LAB 15.98, -7.4, -4.59

 

CMYK 53 / 7 / 0 / 62

HEX #2E5A61

RGB 46 90 97

HSL 188.24, 0.36%, 0.28%

LAB 35.51, -13.04, -8.74

 

CMYK 53 / 7 / 0 / 42

HEX #468A94

RGB 70 138 148

HSL 187.69, 0.36%, 0.43%

LAB 53.62, -18.59, -11.96

 

CMYK 36 / 53 / 0 / 42

HEX #5F4695

RGB 95 70 149

HSL 258.99, 0.36%, 0.43%

LAB 35.95, 29.21, -39.87

 

CMYK 0 / 15 / 53 / 42

HEX #957E46

RGB 149 126 70

HSL 42.53, 0.36%, 0.43%

LAB 53.76, 1.37, 33.52

 

CMYK 53 / 7 / 0 / 42

HEX #468A94

RGB 70 138 148

HSL 187.69, 0.36%, 0.43%

LAB 53.62, -18.59, -11.96

 

CMYK 0 / 53 / 7 / 42

HEX #95468B

RGB 149 70 139

HSL 307.59, 0.36%, 0.43%

LAB 42.21, 42.71, -23.49

 

CMYK 7 / 0 / 53 / 42

HEX #8B9546

RGB 139 149 70

HSL 67.59, 0.36%, 0.43%

LAB 59.37, -15.55, 40

 

CMYK 53 / 7 / 0 / 42

HEX #468A94

RGB 70 138 148

HSL 187.69, 0.36%, 0.43%

LAB 53.62, -18.59, -11.96

 

CMYK 36 / 53 / 0 / 42

HEX #5F4695

RGB 95 70 149

HSL 258.99, 0.36%, 0.43%

LAB 35.95, 29.21, -39.87

 

CMYK 0 / 47 / 53 / 42

HEX #954F46

RGB 149 79 70

HSL 6.84, 0.36%, 0.43%

LAB 41.88, 28.28, 18.42

 

CMYK 17 / 0 / 53 / 42

HEX #7C9546

RGB 124 149 70

HSL 78.99, 0.36%, 0.43%

LAB 58.25, -21.82, 38.4

 

CMYK 53 / 7 / 0 / 42

HEX #468A94

RGB 70 138 148

HSL 187.69, 0.36%, 0.43%

LAB 53.62, -18.59, -11.96

 

CMYK 21 / 53 / 0 / 42

HEX #764695

RGB 118 70 149

HSL 276.46, 0.36%, 0.43%

LAB 38.55, 35.57, -35.57

 

CMYK 0 / 47 / 53 / 42

HEX #954F46

RGB 149 79 70

HSL 6.84, 0.36%, 0.43%

LAB 41.88, 28.28, 18.42

 

CMYK 33 / 0 / 53 / 42

HEX #649546

RGB 100 149 70

HSL 97.22, 0.36%, 0.43%

LAB 56.73, -31.18, 36.23

 

Description

Color code: CMYK 53 / 7 / 0 / 42 | qconv.com Color code: CMYK 53 / 7 / 0 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 138 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 138 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 7 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 7% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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