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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 53 / 63 / 0 / 25 it is the complementary color CMYK 10 / 0 / 65 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 53 / 63 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 53 / 63 / 0 / 25: CMYK 49 / 62 / 0 / 27, CMYK 45 / 57 / 0 / 20, CMYK 42 / 52 / 0 / 12, CMYK 40 / 49 / 0 / 5 and CMYK 36 / 44 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 53 / 63 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 53 / 63 / 0 / 25: CMYK 53 / 63 / 0 / 25, CMYK 58 / 69 / 0 / 33, CMYK 63 / 77 / 0 / 40, CMYK 71 / 87 / 0 / 47 and CMYK 81 / 100 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 63 / 0 / 25

HEX #5A47BF

RGB 90 71 191

HSL 249.5, 0.48%, 0.51%

LAB 38.62, 39.9, -60.6

 

Complementary color

CMYK 10 / 0 / 65 / 28

HEX #A5B840

RGB 165 184 64

HSL 69.5, 0.48%, 0.49%

LAB 71.32, -22.89, 56.52

 

CMYK 49 / 62 / 0 / 27

HEX #5F47BA

RGB 95 71 186

HSL 252.52, 0.45%, 0.5%

LAB 38.7, 39.36, -57.53

 

CMYK 45 / 57 / 0 / 20

HEX #7059CD

RGB 112 89 205

HSL 251.9, 0.54%, 0.58%

LAB 45.63, 37.93, -57.28

 

CMYK 42 / 52 / 0 / 12

HEX #816BE0

RGB 129 107 224

HSL 251.28, 0.65%, 0.65%

LAB 52.47, 36.63, -57.02

 

CMYK 40 / 49 / 0 / 5

HEX #927DF3

RGB 146 125 243

HSL 250.68, 0.83%, 0.72%

LAB 59.2, 35.47, -56.77

 

CMYK 36 / 44 / 0 / 0

HEX #A38FFF

RGB 163 143 255

HSL 250.71, 1%, 0.78%

LAB 65.48, 32.58, -53.3

 

CMYK 53 / 63 / 0 / 25

HEX #5A47BF

RGB 90 71 191

HSL 249.5, 0.48%, 0.51%

LAB 38.62, 39.9, -60.6

 

CMYK 58 / 69 / 0 / 33

HEX #4935AC

RGB 73 53 172

HSL 250.08, 0.53%, 0.44%

LAB 31.67, 41.58, -60.76

 

CMYK 63 / 77 / 0 / 40

HEX #382399

RGB 56 35 153

HSL 250.68, 0.63%, 0.37%

LAB 24.77, 43.21, -60.64

 

CMYK 71 / 87 / 0 / 47

HEX #271186

RGB 39 17 134

HSL 251.28, 0.77%, 0.3%

LAB 18.16, 44.27, -59.81

 

CMYK 81 / 100 / 0 / 55

HEX #160073

RGB 22 0 115

HSL 251.48, 1%, 0.23%

LAB 12.01, 44.41, -57.92

 

CMYK 53 / 63 / 0 / 25

HEX #5A47BF

RGB 90 71 191

HSL 249.5, 0.48%, 0.51%

LAB 38.62, 39.9, -60.6

 

CMYK 43 / 63 / 0 / 25

HEX #6C46BE

RGB 108 70 190

HSL 259, 0.48%, 0.51%

LAB 40.06, 43.73, -57.61

 

CMYK 33 / 63 / 0 / 25

HEX #8046BE

RGB 128 70 190

HSL 269, 0.48%, 0.51%

LAB 42.29, 48.06, -53.9

 

CMYK 22 / 63 / 0 / 25

HEX #9446BE

RGB 148 70 190

HSL 279, 0.48%, 0.51%

LAB 44.79, 52.66, -49.74

 

CMYK 12 / 63 / 0 / 25

HEX #A846BE

RGB 168 70 190

HSL 289, 0.48%, 0.51%

LAB 47.52, 57.42, -45.22

 

CMYK 53 / 63 / 0 / 25

HEX #5A47BF

RGB 90 71 191

HSL 249.5, 0.48%, 0.51%

LAB 38.62, 39.9, -60.6

 

CMYK 53 / 63 / 0 / 5

HEX #725AF2

RGB 114 90 242

HSL 249.47, 0.85%, 0.65%

LAB 48.64, 48.54, -73.39

 

CMYK 53 / 63 / 0 / 85

HEX #120E26

RGB 18 14 38

HSL 250, 0.46%, 0.1%

LAB 5.26, 8.3, -15.27

 

CMYK 53 / 63 / 0 / 65

HEX #2A2159

RGB 42 33 89

HSL 249.64, 0.46%, 0.24%

LAB 16.99, 20.93, -32.5

 

CMYK 53 / 63 / 0 / 45

HEX #42348C

RGB 66 52 140

HSL 249.55, 0.46%, 0.38%

LAB 28.13, 30.77, -47.09

 

CMYK 53 / 63 / 0 / 25

HEX #5A47BF

RGB 90 71 191

HSL 249.5, 0.48%, 0.51%

LAB 38.62, 39.9, -60.6

 

CMYK 0 / 63 / 22 / 25

HEX #BE4694

RGB 190 70 148

HSL 321, 0.48%, 0.51%

LAB 48.84, 56.23, -18.16

 

CMYK 47 / 0 / 63 / 25

HEX #64BE46

RGB 100 190 70

HSL 105, 0.48%, 0.51%

LAB 69.45, -48.94, 50.9

 

CMYK 53 / 63 / 0 / 25

HEX #5A47BF

RGB 90 71 191

HSL 249.5, 0.48%, 0.51%

LAB 38.62, 39.9, -60.6

 

CMYK 0 / 54 / 63 / 25

HEX #BE5846

RGB 190 88 70

HSL 9, 0.48%, 0.51%

LAB 49.94, 39.64, 30

 

CMYK 63 / 0 / 54 / 25

HEX #46BE58

RGB 70 190 88

HSL 129, 0.48%, 0.51%

LAB 68.63, -54.57, 41.41

 

CMYK 53 / 63 / 0 / 25

HEX #5A47BF

RGB 90 71 191

HSL 249.5, 0.48%, 0.51%

LAB 38.62, 39.9, -60.6

 

CMYK 0 / 63 / 22 / 25

HEX #BE4694

RGB 190 70 148

HSL 321, 0.48%, 0.51%

LAB 48.84, 56.23, -18.16

 

CMYK 9 / 0 / 63 / 25

HEX #ACBE46

RGB 172 190 70

HSL 69, 0.48%, 0.51%

LAB 73.57, -22.55, 56.57

 

CMYK 63 / 0 / 41 / 25

HEX #46BE70

RGB 70 190 112

HSL 141, 0.48%, 0.51%

LAB 68.97, -50.81, 29.75

 

CMYK 53 / 63 / 0 / 25

HEX #5A47BF

RGB 90 71 191

HSL 249.5, 0.48%, 0.51%

LAB 38.62, 39.9, -60.6

 

CMYK 0 / 63 / 41 / 25

HEX #BE4670

RGB 190 70 112

HSL 339, 0.48%, 0.51%

LAB 47.62, 51.8, 1.73

 

CMYK 9 / 0 / 63 / 25

HEX #ACBE46

RGB 172 190 70

HSL 69, 0.48%, 0.51%

LAB 73.57, -22.55, 56.57

 

CMYK 63 / 0 / 22 / 25

HEX #46BE94

RGB 70 190 148

HSL 159, 0.48%, 0.51%

LAB 69.66, -43.47, 11.47

 

Description

Color code: CMYK 53 / 63 / 0 / 25 | qconv.com Color code: CMYK 53 / 63 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 71 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 71 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 63 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 63% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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