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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 53 / 100 / 0 / 19 it is the complementary color CMYK 38 / 0 / 81 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 53 / 100 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 53 / 100 / 0 / 19: CMYK 50 / 100 / 0 / 21, CMYK 46 / 92 / 0 / 13, CMYK 43 / 85 / 0 / 6, CMYK 40 / 79 / 0 / 0 and CMYK 33 / 72 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 53 / 100 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 53 / 100 / 0 / 19: CMYK 53 / 100 / 0 / 19, CMYK 57 / 100 / 0 / 26, CMYK 63 / 100 / 0 / 34, CMYK 69 / 100 / 0 / 41 and CMYK 78 / 100 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 100 / 0 / 19

HEX #6100CF

RGB 97 0 207

HSL 268.12, 1%, 0.41%

LAB 31.91, 70.66, -80.94

 

Complementary color

CMYK 38 / 0 / 81 / 0

HEX #9EFF30

RGB 158 255 48

HSL 88.12, 1%, 0.59%

LAB 91.24, -57.54, 80.71

 

CMYK 50 / 100 / 0 / 21

HEX #6600CA

RGB 102 0 202

HSL 270.3, 1%, 0.4%

LAB 32.01, 69.95, -77.84

 

CMYK 46 / 92 / 0 / 13

HEX #7712DD

RGB 119 18 221

HSL 269.85, 0.85%, 0.47%

LAB 37.07, 72.93, -80.42

 

CMYK 43 / 85 / 0 / 6

HEX #8824F0

RGB 136 36 240

HSL 269.41, 0.87%, 0.54%

LAB 42.44, 74.79, -82.31

 

CMYK 40 / 79 / 0 / 0

HEX #9936FF

RGB 153 54 255

HSL 269.55, 1%, 0.61%

LAB 47.79, 74.7, -81.86

 

CMYK 33 / 72 / 0 / 0

HEX #AA48FF

RGB 170 72 255

HSL 272.13, 1%, 0.64%

LAB 52.29, 70.56, -74.44

 

CMYK 53 / 100 / 0 / 19

HEX #6100CF

RGB 97 0 207

HSL 268.12, 1%, 0.41%

LAB 31.91, 70.66, -80.94

 

CMYK 57 / 100 / 0 / 26

HEX #5000BC

RGB 80 0 188

HSL 265.53, 1%, 0.37%

LAB 27.67, 65.25, -76.87

 

CMYK 63 / 100 / 0 / 34

HEX #3F00A9

RGB 63 0 169

HSL 262.37, 1%, 0.33%

LAB 23.41, 59.8, -72.63

 

CMYK 69 / 100 / 0 / 41

HEX #2E0096

RGB 46 0 150

HSL 258.4, 1%, 0.29%

LAB 19.15, 54.32, -68.13

 

CMYK 78 / 100 / 0 / 49

HEX #1D0083

RGB 29 0 131

HSL 253.28, 1%, 0.26%

LAB 14.95, 48.84, -63.27

 

CMYK 53 / 100 / 0 / 19

HEX #6100CF

RGB 97 0 207

HSL 268.12, 1%, 0.41%

LAB 31.91, 70.66, -80.94

 

CMYK 37 / 100 / 0 / 18

HEX #8400D1

RGB 132 0 209

HSL 277.89, 1%, 0.41%

LAB 36.95, 74.17, -73.63

 

CMYK 20 / 100 / 0 / 18

HEX #A700D1

RGB 167 0 209

HSL 287.94, 1%, 0.41%

LAB 42.49, 78.37, -64.35

 

CMYK 3 / 100 / 0 / 18

HEX #CA00D1

RGB 202 0 209

HSL 297.99, 1%, 0.41%

LAB 48.46, 83.46, -54.4

 

CMYK 0 / 100 / 13 / 18

HEX #D100B5

RGB 209 0 181

HSL 308.04, 1%, 0.41%

LAB 48.12, 80.74, -38.58

 

CMYK 53 / 100 / 0 / 19

HEX #6100CF

RGB 97 0 207

HSL 268.12, 1%, 0.41%

LAB 31.91, 70.66, -80.94

 

CMYK 67 / 100 / 0 / 99

HEX #010003

RGB 1 0 3

HSL 260, 1%, 0.01%

LAB 0.12, 0.68, -1.04

 

CMYK 54 / 100 / 0 / 79

HEX #190036

RGB 25 0 54

HSL 267.78, 1%, 0.11%

LAB 4.27, 24.56, -28.79

 

CMYK 53 / 100 / 0 / 59

HEX #310069

RGB 49 0 105

HSL 268, 1%, 0.21%

LAB 13.67, 43.34, -48.54

 

CMYK 53 / 100 / 0 / 39

HEX #49009C

RGB 73 0 156

HSL 268.08, 1%, 0.31%

LAB 23.06, 57.41, -65.26

 

CMYK 53 / 100 / 0 / 19

HEX #6100CF

RGB 97 0 207

HSL 268.12, 1%, 0.41%

LAB 31.91, 70.66, -80.94

 

CMYK 0 / 100 / 67 / 18

HEX #D10045

RGB 209 0 69

HSL 340.19, 1%, 0.41%

LAB 44.21, 70.64, 24.13

 

CMYK 100 / 0 / 94 / 18

HEX #00D10D

RGB 0 209 13

HSL 123.73, 1%, 0.41%

LAB 73.3, -73.93, 70.27

 

CMYK 53 / 100 / 0 / 19

HEX #6100CF

RGB 97 0 207

HSL 268.12, 1%, 0.41%

LAB 31.91, 70.66, -80.94

 

CMYK 0 / 54 / 100 / 18

HEX #D16100

RGB 209 97 0

HSL 27.85, 1%, 0.41%

LAB 54.14, 40.25, 62.93

 

CMYK 100 / 0 / 54 / 18

HEX #00D161

RGB 0 209 97

HSL 147.85, 1%, 0.41%

LAB 73.85, -67.09, 43.22

 

CMYK 53 / 100 / 0 / 19

HEX #6100CF

RGB 97 0 207

HSL 268.12, 1%, 0.41%

LAB 31.91, 70.66, -80.94

 

CMYK 0 / 100 / 67 / 18

HEX #D10045

RGB 209 0 69

HSL 340.19, 1%, 0.41%

LAB 44.21, 70.64, 24.13

 

CMYK 47 / 0 / 100 / 18

HEX #6FD100

RGB 111 209 0

HSL 88.13, 1%, 0.41%

LAB 75.44, -56.16, 74.21

 

CMYK 100 / 0 / 33 / 18

HEX #00D18B

RGB 0 209 139

HSL 159.9, 1%, 0.41%

LAB 74.49, -59.48, 22.84

 

CMYK 53 / 100 / 0 / 19

HEX #6100CF

RGB 97 0 207

HSL 268.12, 1%, 0.41%

LAB 31.91, 70.66, -80.94

 

CMYK 0 / 100 / 97 / 18

HEX #D10006

RGB 209 0 6

HSL 358.28, 1%, 0.41%

LAB 43.61, 69, 55.88

 

CMYK 47 / 0 / 100 / 18

HEX #6FD100

RGB 111 209 0

HSL 88.13, 1%, 0.41%

LAB 75.44, -56.16, 74.21

 

CMYK 100 / 0 / 3 / 18

HEX #00D1CA

RGB 0 209 202

HSL 177.99, 1%, 0.41%

LAB 75.99, -43.44, -8.71

 

Description

Color code: CMYK 53 / 100 / 0 / 19 | qconv.com Color code: CMYK 53 / 100 / 0 / 19 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, none green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 0 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 100 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 100% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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