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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 53 / 0 / 19 / 28 it is the complementary color CMYK 0 / 58 / 37 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 53 / 0 / 19 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 53 / 0 / 19 / 28: CMYK 51 / 0 / 22 / 28, CMYK 47 / 0 / 19 / 21, CMYK 43 / 0 / 17 / 14, CMYK 40 / 0 / 16 / 7 and CMYK 38 / 0 / 14 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 53 / 0 / 19 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 53 / 0 / 19 / 28: CMYK 53 / 0 / 19 / 28, CMYK 58 / 0 / 22 / 35, CMYK 65 / 0 / 25 / 42, CMYK 73 / 0 / 29 / 49 and CMYK 84 / 0 / 35 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 19 / 28

HEX #56B895

RGB 86 184 149

HSL 158.57, 0.41%, 0.53%

LAB 68.34, -37.27, 9.11

 

Complementary color

CMYK 0 / 58 / 37 / 34

HEX #A9476A

RGB 169 71 106

HSL 338.57, 0.41%, 0.47%

LAB 44.21, 43.79, 0.02

 

CMYK 51 / 0 / 22 / 28

HEX #5BB890

RGB 91 184 144

HSL 154.19, 0.4%, 0.54%

LAB 68.4, -37.2, 11.96

 

CMYK 47 / 0 / 19 / 21

HEX #6CCAA3

RGB 108 202 163

HSL 155.11, 0.47%, 0.61%

LAB 74.87, -37.04, 10.92

 

CMYK 43 / 0 / 17 / 14

HEX #7DDCB6

RGB 125 220 182

HSL 156, 0.58%, 0.68%

LAB 81.25, -36.85, 9.96

 

CMYK 40 / 0 / 16 / 7

HEX #8EEEC9

RGB 142 238 201

HSL 156.88, 0.74%, 0.75%

LAB 87.54, -36.65, 9.06

 

CMYK 38 / 0 / 14 / 0

HEX #9FFFDC

RGB 159 255 220

HSL 158.13, 1%, 0.81%

LAB 93.48, -35.98, 7.82

 

CMYK 53 / 0 / 19 / 28

HEX #56B895

RGB 86 184 149

HSL 158.57, 0.41%, 0.53%

LAB 68.34, -37.27, 9.11

 

CMYK 58 / 0 / 22 / 35

HEX #45A682

RGB 69 166 130

HSL 157.73, 0.41%, 0.46%

LAB 61.78, -37.28, 10.22

 

CMYK 65 / 0 / 25 / 42

HEX #34946F

RGB 52 148 111

HSL 156.88, 0.48%, 0.39%

LAB 55.13, -37.15, 11.46

 

CMYK 73 / 0 / 29 / 49

HEX #23825C

RGB 35 130 92

HSL 156, 0.58%, 0.32%

LAB 48.38, -36.77, 12.86

 

CMYK 84 / 0 / 35 / 56

HEX #127049

RGB 18 112 73

HSL 155.11, 0.72%, 0.25%

LAB 41.53, -35.96, 14.47

 

CMYK 53 / 0 / 19 / 28

HEX #56B895

RGB 86 184 149

HSL 158.57, 0.41%, 0.53%

LAB 68.34, -37.27, 9.11

 

CMYK 53 / 0 / 11 / 28

HEX #56B8A4

RGB 86 184 164

HSL 167.76, 0.41%, 0.53%

LAB 68.71, -33.7, 1.41

 

CMYK 53 / 0 / 2 / 28

HEX #56B8B5

RGB 86 184 181

HSL 178.16, 0.41%, 0.53%

LAB 69.18, -29.32, -7.25

 

CMYK 53 / 7 / 0 / 28

HEX #56ABB8

RGB 86 171 184

HSL 187.96, 0.41%, 0.53%

LAB 65.41, -22, -14.55

 

CMYK 53 / 16 / 0 / 28

HEX #569AB8

RGB 86 154 184

HSL 198.37, 0.41%, 0.53%

LAB 60.38, -13.01, -22.18

 

CMYK 53 / 0 / 19 / 28

HEX #56B895

RGB 86 184 149

HSL 158.57, 0.41%, 0.53%

LAB 68.34, -37.27, 9.11

 

CMYK 53 / 0 / 19 / 8

HEX #6EEBBE

RGB 110 235 190

HSL 158.4, 0.76%, 0.68%

LAB 85.23, -45.37, 11.34

 

CMYK 55 / 0 / 19 / 88

HEX #0E1F19

RGB 14 31 25

HSL 158.82, 0.38%, 0.09%

LAB 10.13, -9, 1.88

 

CMYK 54 / 0 / 20 / 68

HEX #265242

RGB 38 82 66

HSL 158.18, 0.37%, 0.24%

LAB 31.44, -19.67, 4.76

 

CMYK 53 / 0 / 19 / 48

HEX #3E856C

RGB 62 133 108

HSL 158.87, 0.36%, 0.38%

LAB 50.55, -28.7, 6.74

 

CMYK 53 / 0 / 19 / 28

HEX #56B895

RGB 86 184 149

HSL 158.57, 0.41%, 0.53%

LAB 68.34, -37.27, 9.11

 

CMYK 53 / 45 / 0 / 28

HEX #5666B8

RGB 86 102 184

HSL 230.2, 0.41%, 0.53%

LAB 45.55, 17.72, -45.37

 

CMYK 0 / 41 / 53 / 28

HEX #B86C56

RGB 184 108 86

HSL 13.47, 0.41%, 0.53%

LAB 53.59, 27.97, 25.28

 

CMYK 53 / 0 / 19 / 28

HEX #56B895

RGB 86 184 149

HSL 158.57, 0.41%, 0.53%

LAB 68.34, -37.27, 9.11

 

CMYK 20 / 53 / 0 / 28

HEX #9456B8

RGB 148 86 184

HSL 277.96, 0.41%, 0.53%

LAB 47.51, 43.12, -41.91

 

CMYK 0 / 20 / 53 / 28

HEX #B89456

RGB 184 148 86

HSL 37.96, 0.41%, 0.53%

LAB 63.38, 5.82, 37.62

 

CMYK 53 / 0 / 19 / 28

HEX #56B895

RGB 86 184 149

HSL 158.57, 0.41%, 0.53%

LAB 68.34, -37.27, 9.11

 

CMYK 53 / 45 / 0 / 28

HEX #5666B8

RGB 86 102 184

HSL 230.2, 0.41%, 0.53%

LAB 45.55, 17.72, -45.37

 

CMYK 0 / 53 / 34 / 28

HEX #B8567A

RGB 184 86 122

HSL 337.96, 0.41%, 0.53%

LAB 49.8, 43.47, -1.24

 

CMYK 0 / 9 / 53 / 28

HEX #B8A756

RGB 184 167 86

HSL 49.59, 0.41%, 0.53%

LAB 68.39, -4.45, 43.65

 

CMYK 53 / 0 / 19 / 28

HEX #56B895

RGB 86 184 149

HSL 158.57, 0.41%, 0.53%

LAB 68.34, -37.27, 9.11

 

CMYK 46 / 53 / 0 / 28

HEX #6356B8

RGB 99 86 184

HSL 247.96, 0.41%, 0.53%

LAB 42.41, 30.62, -50.34

 

CMYK 0 / 53 / 34 / 28

HEX #B8567A

RGB 184 86 122

HSL 337.96, 0.41%, 0.53%

LAB 49.8, 43.47, -1.24

 

CMYK 7 / 0 / 53 / 28

HEX #ABB856

RGB 171 184 86

HSL 67.96, 0.41%, 0.53%

LAB 71.97, -18.7, 47.59

 

Description

Color code: CMYK 53 / 0 / 19 / 28 | qconv.com Color code: CMYK 53 / 0 / 19 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 184 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 184 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 19 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 19% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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