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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 51 / 53 / 0 / 47 it is the complementary color CMYK 1 / 0 / 37 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 51 / 53 / 0 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 51 / 53 / 0 / 47: CMYK 45 / 51 / 0 / 49, CMYK 41 / 45 / 0 / 42, CMYK 38 / 40 / 0 / 34, CMYK 35 / 37 / 0 / 27 and CMYK 33 / 34 / 0 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 51 / 53 / 0 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 51 / 53 / 0 / 47: CMYK 51 / 53 / 0 / 47, CMYK 58 / 60 / 0 / 55, CMYK 67 / 71 / 0 / 62, CMYK 81 / 87 / 0 / 69 and CMYK 100 / 100 / 0 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 53 / 0 / 47

HEX #424087

RGB 66 64 135

HSL 241.69, 0.36%, 0.39%

LAB 30.82, 21.39, -39.66

 

Complementary color

CMYK 1 / 0 / 37 / 25

HEX #BDBF78

RGB 189 191 120

HSL 61.69, 0.36%, 0.61%

LAB 75.72, -11.5, 35.6

 

CMYK 45 / 51 / 0 / 49

HEX #474082

RGB 71 64 130

HSL 246.36, 0.34%, 0.38%

LAB 30.92, 21.01, -36.37

 

CMYK 41 / 45 / 0 / 42

HEX #585295

RGB 88 82 149

HSL 245.37, 0.29%, 0.45%

LAB 38.34, 19.82, -36.11

 

CMYK 38 / 40 / 0 / 34

HEX #6964A8

RGB 105 100 168

HSL 244.41, 0.28%, 0.53%

LAB 45.56, 18.84, -35.91

 

CMYK 35 / 37 / 0 / 27

HEX #7A76BB

RGB 122 118 187

HSL 243.48, 0.34%, 0.6%

LAB 52.6, 18.01, -35.79

 

CMYK 33 / 34 / 0 / 19

HEX #8B88CE

RGB 139 136 206

HSL 242.57, 0.42%, 0.67%

LAB 59.48, 17.3, -35.71

 

CMYK 51 / 53 / 0 / 47

HEX #424087

RGB 66 64 135

HSL 241.69, 0.36%, 0.39%

LAB 30.82, 21.39, -39.66

 

CMYK 58 / 60 / 0 / 55

HEX #312E74

RGB 49 46 116

HSL 242.57, 0.43%, 0.32%

LAB 23.23, 23.07, -40.03

 

CMYK 67 / 71 / 0 / 62

HEX #201C61

RGB 32 28 97

HSL 243.48, 0.55%, 0.25%

LAB 15.49, 25.19, -40.32

 

CMYK 81 / 87 / 0 / 69

HEX #0F0A4E

RGB 15 10 78

HSL 244.41, 0.77%, 0.17%

LAB 7.85, 27.47, -40.08

 

CMYK 100 / 100 / 0 / 77

HEX #00003B

RGB 0 0 59

HSL 240, 1%, 0.12%

LAB 2.85, 20.04, -34.84

 

CMYK 51 / 53 / 0 / 47

HEX #424087

RGB 66 64 135

HSL 241.69, 0.36%, 0.39%

LAB 30.82, 21.39, -39.66

 

CMYK 44 / 53 / 0 / 47

HEX #4C3F87

RGB 76 63 135

HSL 250.83, 0.36%, 0.39%

LAB 31.44, 24.51, -38.61

 

CMYK 35 / 53 / 0 / 47

HEX #583F87

RGB 88 63 135

HSL 260.83, 0.36%, 0.39%

LAB 32.65, 27.7, -36.61

 

CMYK 26 / 53 / 0 / 47

HEX #643F87

RGB 100 63 135

HSL 270.83, 0.36%, 0.39%

LAB 34.01, 31.06, -34.36

 

CMYK 17 / 53 / 0 / 47

HEX #703F87

RGB 112 63 135

HSL 280.83, 0.36%, 0.39%

LAB 35.5, 34.54, -31.92

 

CMYK 51 / 53 / 0 / 47

HEX #424087

RGB 66 64 135

HSL 241.69, 0.36%, 0.39%

LAB 30.82, 21.39, -39.66

 

CMYK 51 / 53 / 0 / 27

HEX #5B58BA

RGB 91 88 186

HSL 241.84, 0.42%, 0.54%

LAB 42.38, 28.21, -51.59

 

CMYK 51 / 53 / 0 / 7

HEX #7470ED

RGB 116 112 237

HSL 241.92, 0.78%, 0.68%

LAB 53.4, 34.66, -62.87

 

CMYK 52 / 52 / 0 / 87

HEX #101021

RGB 16 16 33

HSL 240, 0.35%, 0.1%

LAB 5.33, 4.6, -11.35

 

CMYK 51 / 52 / 0 / 67

HEX #292854

RGB 41 40 84

HSL 241.36, 0.35%, 0.24%

LAB 18.49, 14, -26.75

 

CMYK 51 / 53 / 0 / 47

HEX #424087

RGB 66 64 135

HSL 241.69, 0.36%, 0.39%

LAB 30.82, 21.39, -39.66

 

CMYK 0 / 53 / 12 / 47

HEX #873F77

RGB 135 63 119

HSL 313.33, 0.36%, 0.39%

LAB 37.91, 38.42, -18.01

 

CMYK 33 / 0 / 53 / 47

HEX #5B873F

RGB 91 135 63

HSL 96.67, 0.36%, 0.39%

LAB 51.74, -28.69, 33.67

 

CMYK 51 / 53 / 0 / 47

HEX #424087

RGB 66 64 135

HSL 241.69, 0.36%, 0.39%

LAB 30.82, 21.39, -39.66

 

CMYK 0 / 53 / 53 / 47

HEX #87403F

RGB 135 64 63

HSL 0.83, 0.36%, 0.39%

LAB 36.32, 30.24, 14.94

 

CMYK 53 / 0 / 53 / 47

HEX #3F8740

RGB 63 135 64

HSL 120.83, 0.36%, 0.39%

LAB 50.4, -37.91, 31.22

 

CMYK 51 / 53 / 0 / 47

HEX #424087

RGB 66 64 135

HSL 241.69, 0.36%, 0.39%

LAB 30.82, 21.39, -39.66

 

CMYK 0 / 53 / 12 / 47

HEX #873F77

RGB 135 63 119

HSL 313.33, 0.36%, 0.39%

LAB 37.91, 38.42, -18.01

 

CMYK 1 / 0 / 53 / 47

HEX #86873F

RGB 134 135 63

HSL 60.83, 0.36%, 0.39%

LAB 54.82, -10.9, 38.08

 

CMYK 53 / 0 / 41 / 47

HEX #3F874F

RGB 63 135 79

HSL 133.33, 0.36%, 0.39%

LAB 50.63, -35.49, 23.41

 

CMYK 51 / 53 / 0 / 47

HEX #424087

RGB 66 64 135

HSL 241.69, 0.36%, 0.39%

LAB 30.82, 21.39, -39.66

 

CMYK 0 / 53 / 27 / 47

HEX #873F62

RGB 135 63 98

HSL 330.83, 0.36%, 0.39%

LAB 37.09, 35.05, -6.1

 

CMYK 1 / 0 / 53 / 47

HEX #86873F

RGB 134 135 63

HSL 60.83, 0.36%, 0.39%

LAB 54.82, -10.9, 38.08

 

CMYK 53 / 0 / 26 / 47

HEX #3F8764

RGB 63 135 100

HSL 150.83, 0.36%, 0.39%

LAB 51.04, -31.27, 12.07

 

Description

Color code: CMYK 51 / 53 / 0 / 47 | qconv.com Color code: CMYK 51 / 53 / 0 / 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 64 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 64 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 53 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 53% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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