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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 51 / 0 / 53 / 44 it is the complementary color CMYK 2 / 40 / 0 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 51 / 0 / 53 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 51 / 0 / 53 / 44: CMYK 48 / 0 / 57 / 44, CMYK 43 / 0 / 50 / 37, CMYK 39 / 0 / 44 / 30, CMYK 36 / 0 / 40 / 23 and CMYK 33 / 0 / 36 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 51 / 0 / 53 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 51 / 0 / 53 / 44: CMYK 51 / 0 / 53 / 44, CMYK 58 / 0 / 62 / 51, CMYK 66 / 0 / 73 / 58, CMYK 79 / 0 / 89 / 65 and CMYK 97 / 0 / 100 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 53 / 44

HEX #468F43

RGB 70 143 67

HSL 117.63, 0.36%, 0.41%

LAB 53.33, -38.87, 33.31

 

Complementary color

CMYK 2 / 40 / 0 / 26

HEX #B970BC

RGB 185 112 188

HSL 297.63, 0.36%, 0.59%

LAB 57.59, 40.76, -28.1

 

CMYK 48 / 0 / 57 / 44

HEX #4B8F3E

RGB 75 143 62

HSL 110.37, 0.4%, 0.4%

LAB 53.48, -38.01, 36.07

 

CMYK 43 / 0 / 50 / 37

HEX #5CA151

RGB 92 161 81

HSL 111.75, 0.33%, 0.47%

LAB 60.21, -37.98, 34.78

 

CMYK 39 / 0 / 44 / 30

HEX #6DB364

RGB 109 179 100

HSL 113.16, 0.34%, 0.55%

LAB 66.83, -37.85, 33.5

 

CMYK 36 / 0 / 40 / 23

HEX #7EC577

RGB 126 197 119

HSL 114.62, 0.4%, 0.62%

LAB 73.35, -37.66, 32.25

 

CMYK 33 / 0 / 36 / 16

HEX #8FD78A

RGB 143 215 138

HSL 116.1, 0.49%, 0.69%

LAB 79.77, -37.44, 31.07

 

CMYK 51 / 0 / 53 / 44

HEX #468F43

RGB 70 143 67

HSL 117.63, 0.36%, 0.41%

LAB 53.33, -38.87, 33.31

 

CMYK 58 / 0 / 62 / 51

HEX #357D30

RGB 53 125 48

HSL 116.1, 0.45%, 0.34%

LAB 46.5, -38.68, 34.62

 

CMYK 66 / 0 / 73 / 58

HEX #246B1D

RGB 36 107 29

HSL 114.62, 0.57%, 0.27%

LAB 39.55, -38.07, 35.67

 

CMYK 79 / 0 / 89 / 65

HEX #13590A

RGB 19 89 10

HSL 113.16, 0.8%, 0.19%

LAB 32.49, -36.62, 35.75

 

CMYK 97 / 0 / 100 / 72

HEX #024700

RGB 2 71 0

HSL 118.31, 1%, 0.14%

LAB 25.32, -33.93, 32.89

 

CMYK 51 / 0 / 53 / 44

HEX #468F43

RGB 70 143 67

HSL 117.63, 0.36%, 0.41%

LAB 53.33, -38.87, 33.31

 

CMYK 54 / 0 / 47 / 44

HEX #428E4B

RGB 66 142 75

HSL 127.11, 0.37%, 0.41%

LAB 52.96, -38.39, 28.61

 

CMYK 54 / 0 / 38 / 44

HEX #428E58

RGB 66 142 88

HSL 137.37, 0.37%, 0.41%

LAB 53.18, -36.14, 21.8

 

CMYK 54 / 0 / 30 / 44

HEX #428E64

RGB 66 142 100

HSL 146.84, 0.37%, 0.41%

LAB 53.41, -33.75, 15.37

 

CMYK 54 / 0 / 20 / 44

HEX #428E71

RGB 66 142 113

HSL 157.11, 0.37%, 0.41%

LAB 53.7, -30.84, 8.37

 

CMYK 51 / 0 / 53 / 44

HEX #468F43

RGB 70 143 67

HSL 117.63, 0.36%, 0.41%

LAB 53.33, -38.87, 33.31

 

CMYK 51 / 0 / 53 / 24

HEX #5FC25B

RGB 95 194 91

HSL 117.67, 0.46%, 0.56%

LAB 70.71, -49.61, 42.67

 

CMYK 51 / 0 / 53 / 4

HEX #78F573

RGB 120 245 115

HSL 117.69, 0.87%, 0.71%

LAB 87.26, -59.78, 51.55

 

CMYK 51 / 0 / 54 / 84

HEX #142913

RGB 20 41 19

HSL 117.27, 0.37%, 0.12%

LAB 14.3, -14.2, 11.82

 

CMYK 51 / 0 / 53 / 64

HEX #2D5C2B

RGB 45 92 43

HSL 117.55, 0.36%, 0.26%

LAB 34.78, -27.29, 23.22

 

CMYK 51 / 0 / 53 / 44

HEX #468F43

RGB 70 143 67

HSL 117.63, 0.36%, 0.41%

LAB 53.33, -38.87, 33.31

 

CMYK 54 / 8 / 0 / 44

HEX #42828E

RGB 66 130 142

HSL 189.47, 0.37%, 0.41%

LAB 50.78, -16.96, -12.77

 

CMYK 0 / 54 / 30 / 44

HEX #8E4264

RGB 142 66 100

HSL 333.16, 0.37%, 0.41%

LAB 38.84, 36.22, -4.64

 

CMYK 51 / 0 / 53 / 44

HEX #468F43

RGB 70 143 67

HSL 117.63, 0.36%, 0.41%

LAB 53.33, -38.87, 33.31

 

CMYK 54 / 51 / 0 / 44

HEX #42468E

RGB 66 70 142

HSL 236.84, 0.37%, 0.41%

LAB 32.9, 19.78, -40.63

 

CMYK 0 / 54 / 51 / 44

HEX #8E4246

RGB 142 66 70

HSL 356.84, 0.37%, 0.41%

LAB 38, 32.6, 13.01

 

CMYK 51 / 0 / 53 / 44

HEX #468F43

RGB 70 143 67

HSL 117.63, 0.36%, 0.41%

LAB 53.33, -38.87, 33.31

 

CMYK 54 / 8 / 0 / 44

HEX #42828E

RGB 66 130 142

HSL 189.47, 0.37%, 0.41%

LAB 50.78, -16.96, -12.77

 

CMYK 3 / 54 / 0 / 44

HEX #8A428E

RGB 138 66 142

HSL 296.84, 0.37%, 0.41%

LAB 40, 42.03, -28.86

 

CMYK 0 / 45 / 54 / 44

HEX #8E4E42

RGB 142 78 66

HSL 9.47, 0.37%, 0.41%

LAB 40.56, 25.58, 18.92

 

CMYK 51 / 0 / 53 / 44

HEX #468F43

RGB 70 143 67

HSL 117.63, 0.36%, 0.41%

LAB 53.33, -38.87, 33.31

 

CMYK 54 / 24 / 0 / 44

HEX #426C8E

RGB 66 108 142

HSL 206.84, 0.37%, 0.41%

LAB 44, -4.4, -23.14

 

CMYK 3 / 54 / 0 / 44

HEX #8A428E

RGB 138 66 142

HSL 296.84, 0.37%, 0.41%

LAB 40, 42.03, -28.86

 

CMYK 0 / 30 / 54 / 44

HEX #8E6442

RGB 142 100 66

HSL 26.84, 0.37%, 0.41%

LAB 45.99, 12.84, 25.92

 

Description

Color code: CMYK 51 / 0 / 53 / 44 | qconv.com Color code: CMYK 51 / 0 / 53 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 143 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 143 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 53 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 53% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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