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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 50 / 0 / 36 / 42 it is the complementary color CMYK 0 / 41 / 12 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 50 / 0 / 36 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 50 / 0 / 36 / 42: CMYK 47 / 0 / 39 / 42, CMYK 42 / 0 / 34 / 35, CMYK 39 / 0 / 30 / 28, CMYK 36 / 0 / 27 / 21 and CMYK 33 / 0 / 25 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 50 / 0 / 36 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 50 / 0 / 36 / 42: CMYK 50 / 0 / 36 / 42, CMYK 56 / 0 / 42 / 49, CMYK 64 / 0 / 49 / 56, CMYK 76 / 0 / 60 / 63 and CMYK 92 / 0 / 75 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 36 / 42

HEX #4A945F

RGB 74 148 95

HSL 137.03, 0.33%, 0.44%

LAB 55.54, -35.33, 21.13

 

Complementary color

CMYK 0 / 41 / 12 / 29

HEX #B56BA0

RGB 181 107 160

HSL 317.03, 0.33%, 0.56%

LAB 54.95, 37.11, -16.05

 

CMYK 47 / 0 / 39 / 42

HEX #4F945A

RGB 79 148 90

HSL 129.57, 0.3%, 0.45%

LAB 55.67, -34.79, 24.08

 

CMYK 42 / 0 / 34 / 35

HEX #60A66D

RGB 96 166 109

HSL 131.14, 0.28%, 0.51%

LAB 62.39, -34.57, 22.8

 

CMYK 39 / 0 / 30 / 28

HEX #71B880

RGB 113 184 128

HSL 132.68, 0.33%, 0.58%

LAB 69, -34.31, 21.61

 

CMYK 36 / 0 / 27 / 21

HEX #82CA93

RGB 130 202 147

HSL 134.17, 0.4%, 0.65%

LAB 75.51, -34.04, 20.51

 

CMYK 33 / 0 / 25 / 14

HEX #93DCA6

RGB 147 220 166

HSL 135.62, 0.51%, 0.72%

LAB 81.92, -33.78, 19.47

 

CMYK 50 / 0 / 36 / 42

HEX #4A945F

RGB 74 148 95

HSL 137.03, 0.33%, 0.44%

LAB 55.54, -35.33, 21.13

 

CMYK 56 / 0 / 42 / 49

HEX #39824C

RGB 57 130 76

HSL 135.62, 0.39%, 0.37%

LAB 48.71, -35.43, 22.52

 

CMYK 64 / 0 / 49 / 56

HEX #287039

RGB 40 112 57

HSL 134.17, 0.47%, 0.3%

LAB 41.74, -35.32, 24.04

 

CMYK 76 / 0 / 60 / 63

HEX #175E26

RGB 23 94 38

HSL 132.68, 0.61%, 0.23%

LAB 34.66, -34.74, 25.66

 

CMYK 92 / 0 / 75 / 70

HEX #064C13

RGB 6 76 19

HSL 131.14, 0.85%, 0.16%

LAB 27.45, -33.28, 27.14

 

CMYK 50 / 0 / 36 / 42

HEX #4A945F

RGB 74 148 95

HSL 137.03, 0.33%, 0.44%

LAB 55.54, -35.33, 21.13

 

CMYK 50 / 0 / 28 / 42

HEX #4B956C

RGB 75 149 108

HSL 146.76, 0.33%, 0.44%

LAB 56.16, -32.93, 14.71

 

CMYK 50 / 0 / 19 / 42

HEX #4B9578

RGB 75 149 120

HSL 156.49, 0.33%, 0.44%

LAB 56.43, -30.28, 8.29

 

CMYK 50 / 0 / 11 / 42

HEX #4B9585

RGB 75 149 133

HSL 167.03, 0.33%, 0.44%

LAB 56.77, -27.14, 1.36

 

CMYK 50 / 0 / 3 / 42

HEX #4B9591

RGB 75 149 145

HSL 176.76, 0.33%, 0.44%

LAB 57.11, -24.01, -5

 

CMYK 50 / 0 / 36 / 42

HEX #4A945F

RGB 74 148 95

HSL 137.03, 0.33%, 0.44%

LAB 55.54, -35.33, 21.13

 

CMYK 50 / 0 / 36 / 22

HEX #64C780

RGB 100 199 128

HSL 136.97, 0.47%, 0.59%

LAB 72.97, -44.66, 26.86

 

CMYK 50 / 0 / 36 / 2

HEX #7DFAA0

RGB 125 250 160

HSL 136.8, 0.93%, 0.74%

LAB 89.52, -53.94, 32.73

 

CMYK 50 / 0 / 35 / 82

HEX #172E1E

RGB 23 46 30

HSL 138.26, 0.33%, 0.14%

LAB 16.65, -13.54, 7.55

 

CMYK 49 / 0 / 36 / 62

HEX #31613E

RGB 49 97 62

HSL 136.25, 0.33%, 0.29%

LAB 37.02, -25.02, 15.05

 

CMYK 50 / 0 / 36 / 42

HEX #4A945F

RGB 74 148 95

HSL 137.03, 0.33%, 0.44%

LAB 55.54, -35.33, 21.13

 

CMYK 50 / 24 / 0 / 42

HEX #4B7195

RGB 75 113 149

HSL 209.19, 0.33%, 0.44%

LAB 46.28, -2.94, -23.73

 

CMYK 0 / 50 / 44 / 42

HEX #954B53

RGB 149 75 83

HSL 353.51, 0.33%, 0.44%

LAB 41.29, 31.83, 9.63

 

CMYK 50 / 0 / 36 / 42

HEX #4A945F

RGB 74 148 95

HSL 137.03, 0.33%, 0.44%

LAB 55.54, -35.33, 21.13

 

CMYK 36 / 50 / 0 / 42

HEX #604B95

RGB 96 75 149

HSL 257.03, 0.33%, 0.44%

LAB 37.28, 26.4, -37.75

 

CMYK 0 / 36 / 50 / 42

HEX #95604B

RGB 149 96 75

HSL 17.03, 0.33%, 0.44%

LAB 45.99, 19.11, 20.87

 

CMYK 50 / 0 / 36 / 42

HEX #4A945F

RGB 74 148 95

HSL 137.03, 0.33%, 0.44%

LAB 55.54, -35.33, 21.13

 

CMYK 50 / 24 / 0 / 42

HEX #4B7195

RGB 75 113 149

HSL 209.19, 0.33%, 0.44%

LAB 46.28, -2.94, -23.73

 

CMYK 0 / 50 / 14 / 42

HEX #954B80

RGB 149 75 128

HSL 317.03, 0.33%, 0.44%

LAB 42.73, 38.2, -15.98

 

CMYK 0 / 26 / 50 / 42

HEX #956E4B

RGB 149 110 75

HSL 28.38, 0.33%, 0.44%

LAB 49.56, 11.01, 25.5

 

CMYK 50 / 0 / 36 / 42

HEX #4A945F

RGB 74 148 95

HSL 137.03, 0.33%, 0.44%

LAB 55.54, -35.33, 21.13

 

CMYK 50 / 39 / 0 / 42

HEX #4B5B95

RGB 75 91 149

HSL 227.03, 0.33%, 0.44%

LAB 39.83, 10.66, -33.81

 

CMYK 0 / 50 / 14 / 42

HEX #954B80

RGB 149 75 128

HSL 317.03, 0.33%, 0.44%

LAB 42.73, 38.2, -15.98

 

CMYK 0 / 11 / 50 / 42

HEX #95854B

RGB 149 133 75

HSL 47.03, 0.33%, 0.44%

LAB 55.76, -2.07, 33.3

 

Description

Color code: CMYK 50 / 0 / 36 / 42 | qconv.com Color code: CMYK 50 / 0 / 36 / 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 148 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 148 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 36 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 36% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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