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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 49 / 47 / 0 / 5 it is the complementary color CMYK 0 / 3 / 90 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 49 / 47 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 49 / 47 / 0 / 5: CMYK 46 / 46 / 0 / 7, CMYK 43 / 43 / 0 / 0, CMYK 36 / 36 / 0 / 0, CMYK 29 / 29 / 0 / 0 and CMYK 23 / 22 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 49 / 47 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 49 / 47 / 0 / 5: CMYK 49 / 47 / 0 / 5, CMYK 52 / 51 / 0 / 13, CMYK 56 / 55 / 0 / 20, CMYK 61 / 60 / 0 / 27 and CMYK 66 / 66 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 47 / 0 / 5

HEX #7C80F2

RGB 124 128 242

HSL 237.97, 0.82%, 0.72%

LAB 58.16, 28.37, -57.97

 

Complementary color

CMYK 0 / 3 / 90 / 49

HEX #837F0D

RGB 131 127 13

HSL 57.97, 0.82%, 0.28%

LAB 51.87, -10.73, 54.35

 

CMYK 46 / 46 / 0 / 7

HEX #8180ED

RGB 129 128 237

HSL 240.55, 0.75%, 0.72%

LAB 58.25, 28.02, -55.05

 

CMYK 43 / 43 / 0 / 0

HEX #9292FF

RGB 146 146 255

HSL 240, 1%, 0.79%

LAB 64.87, 26.67, -54.34

 

CMYK 36 / 36 / 0 / 0

HEX #A3A4FF

RGB 163 164 255

HSL 239.35, 1%, 0.82%

LAB 70.56, 20.66, -45.27

 

CMYK 29 / 29 / 0 / 0

HEX #B4B6FF

RGB 180 182 255

HSL 238.4, 1%, 0.85%

LAB 76.3, 15.24, -36.24

 

CMYK 23 / 22 / 0 / 0

HEX #C5C8FF

RGB 197 200 255

HSL 236.9, 1%, 0.89%

LAB 82.05, 10.35, -27.28

 

CMYK 49 / 47 / 0 / 5

HEX #7C80F2

RGB 124 128 242

HSL 237.97, 0.82%, 0.72%

LAB 58.16, 28.37, -57.97

 

CMYK 52 / 51 / 0 / 13

HEX #6B6EDF

RGB 107 110 223

HSL 238.45, 0.64%, 0.65%

LAB 51.39, 29.72, -58.28

 

CMYK 56 / 55 / 0 / 20

HEX #5A5CCC

RGB 90 92 204

HSL 238.95, 0.53%, 0.58%

LAB 44.5, 31.28, -58.62

 

CMYK 61 / 60 / 0 / 27

HEX #494AB9

RGB 73 74 185

HSL 239.46, 0.44%, 0.51%

LAB 37.51, 33.11, -58.95

 

CMYK 66 / 66 / 0 / 35

HEX #3838A6

RGB 56 56 166

HSL 240, 0.5%, 0.44%

LAB 30.45, 35.24, -59.21

 

CMYK 49 / 47 / 0 / 5

HEX #7C80F2

RGB 124 128 242

HSL 237.97, 0.82%, 0.72%

LAB 58.16, 28.37, -57.97

 

CMYK 43 / 48 / 0 / 5

HEX #8A7DF2

RGB 138 125 242

HSL 246.67, 0.82%, 0.72%

LAB 58.49, 33.3, -57.39

 

CMYK 35 / 48 / 0 / 5

HEX #9E7DF2

RGB 158 125 242

HSL 256.92, 0.82%, 0.72%

LAB 60.2, 38.14, -54.56

 

CMYK 27 / 48 / 0 / 5

HEX #B17DF2

RGB 177 125 242

HSL 266.67, 0.82%, 0.72%

LAB 62.02, 43.01, -51.56

 

CMYK 19 / 48 / 0 / 5

HEX #C57DF2

RGB 197 125 242

HSL 276.92, 0.82%, 0.72%

LAB 64.12, 48.32, -48.1

 

CMYK 49 / 47 / 0 / 5

HEX #7C80F2

RGB 124 128 242

HSL 237.97, 0.82%, 0.72%

LAB 58.16, 28.37, -57.97

 

CMYK 50 / 47 / 0 / 85

HEX #131426

RGB 19 20 38

HSL 236.84, 0.33%, 0.11%

LAB 7.03, 5.25, -12.51

 

CMYK 48 / 47 / 0 / 65

HEX #2E2F59

RGB 46 47 89

HSL 238.6, 0.32%, 0.26%

LAB 21.34, 12.19, -25.52

 

CMYK 49 / 47 / 0 / 45

HEX #484A8C

RGB 72 74 140

HSL 238.24, 0.32%, 0.42%

LAB 34.33, 17.95, -37.09

 

CMYK 49 / 47 / 0 / 25

HEX #6265BF

RGB 98 101 191

HSL 238.06, 0.42%, 0.57%

LAB 46.53, 23.3, -47.82

 

CMYK 49 / 47 / 0 / 5

HEX #7C80F2

RGB 124 128 242

HSL 237.97, 0.82%, 0.72%

LAB 58.16, 28.37, -57.97

 

CMYK 0 / 48 / 7 / 5

HEX #F27DE0

RGB 242 125 224

HSL 309.23, 0.82%, 0.72%

LAB 68.7, 57.57, -30.61

 

CMYK 27 / 0 / 48 / 5

HEX #B1F27D

RGB 177 242 125

HSL 93.33, 0.82%, 0.72%

LAB 89.08, -39.87, 49.7

 

CMYK 49 / 47 / 0 / 5

HEX #7C80F2

RGB 124 128 242

HSL 237.97, 0.82%, 0.72%

LAB 58.16, 28.37, -57.97

 

CMYK 0 / 48 / 46 / 5

HEX #F27D82

RGB 242 125 130

HSL 357.44, 0.82%, 0.72%

LAB 65.87, 45.23, 18.08

 

CMYK 46 / 0 / 48 / 5

HEX #82F27D

RGB 130 242 125

HSL 117.44, 0.82%, 0.72%

LAB 86.86, -54.67, 46.48

 

CMYK 49 / 47 / 0 / 5

HEX #7C80F2

RGB 124 128 242

HSL 237.97, 0.82%, 0.72%

LAB 58.16, 28.37, -57.97

 

CMYK 0 / 48 / 7 / 5

HEX #F27DE0

RGB 242 125 224

HSL 309.23, 0.82%, 0.72%

LAB 68.7, 57.57, -30.61

 

CMYK 0 / 2 / 48 / 5

HEX #F2EC7D

RGB 242 236 125

HSL 56.92, 0.82%, 0.72%

LAB 91.84, -12.62, 54.07

 

CMYK 48 / 0 / 41 / 5

HEX #7DF28E

RGB 125 242 142

HSL 128.72, 0.82%, 0.72%

LAB 86.91, -53.6, 38.25

 

CMYK 49 / 47 / 0 / 5

HEX #7C80F2

RGB 124 128 242

HSL 237.97, 0.82%, 0.72%

LAB 58.16, 28.37, -57.97

 

CMYK 0 / 48 / 22 / 5

HEX #F27DBD

RGB 242 125 189

HSL 327.18, 0.82%, 0.72%

LAB 67.44, 52.24, -12.99

 

CMYK 0 / 2 / 48 / 5

HEX #F2EC7D

RGB 242 236 125

HSL 56.92, 0.82%, 0.72%

LAB 91.84, -12.62, 54.07

 

CMYK 48 / 0 / 27 / 5

HEX #7DF2B1

RGB 125 242 177

HSL 146.67, 0.82%, 0.72%

LAB 87.5, -47.56, 21.36

 

Description

Color code: CMYK 49 / 47 / 0 / 5 | qconv.com Color code: CMYK 49 / 47 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 128 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 128 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 47 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 47% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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