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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 41 / 24 / 0 / 8 it is the complementary color CMYK 0 / 34 / 83 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 41 / 24 / 0 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 41 / 24 / 0 / 8: CMYK 38 / 23 / 0 / 10, CMYK 36 / 21 / 0 / 2, CMYK 31 / 16 / 0 / 0, CMYK 24 / 9 / 0 / 0 and CMYK 17 / 2 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 41 / 24 / 0 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 41 / 24 / 0 / 8: CMYK 41 / 24 / 0 / 8, CMYK 44 / 26 / 0 / 15, CMYK 47 / 28 / 0 / 23, CMYK 51 / 30 / 0 / 30 and CMYK 56 / 33 / 0 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 24 / 0 / 8

HEX #8AB2EB

RGB 138 178 235

HSL 215.26, 0.71%, 0.73%

LAB 71.72, 0.91, -32.74

 

Complementary color

CMYK 0 / 34 / 83 / 54

HEX #754D14

RGB 117 77 20

HSL 35.26, 0.71%, 0.27%

LAB 36.25, 11.73, 38.28

 

CMYK 38 / 23 / 0 / 10

HEX #8FB2E6

RGB 143 178 230

HSL 215.86, 0.64%, 0.73%

LAB 71.82, 0.88, -29.84

 

CMYK 36 / 21 / 0 / 2

HEX #A0C4F9

RGB 160 196 249

HSL 215.73, 0.88%, 0.8%

LAB 78.34, 0.55, -29.98

 

CMYK 31 / 16 / 0 / 0

HEX #B1D6FF

RGB 177 214 255

HSL 211.54, 1%, 0.85%

LAB 84.31, -2.9, -23.96

 

CMYK 24 / 9 / 0 / 0

HEX #C2E8FF

RGB 194 232 255

HSL 202.62, 1%, 0.88%

LAB 90.05, -7.39, -15.2

 

CMYK 17 / 2 / 0 / 0

HEX #D3FAFF

RGB 211 250 255

HSL 186.82, 1%, 0.91%

LAB 95.76, -11.43, -6.58

 

CMYK 41 / 24 / 0 / 8

HEX #8AB2EB

RGB 138 178 235

HSL 215.26, 0.71%, 0.73%

LAB 71.72, 0.91, -32.74

 

CMYK 44 / 26 / 0 / 15

HEX #79A0D8

RGB 121 160 216

HSL 215.37, 0.55%, 0.66%

LAB 65.09, 1.35, -32.66

 

CMYK 47 / 28 / 0 / 23

HEX #688EC5

RGB 104 142 197

HSL 215.48, 0.44%, 0.59%

LAB 58.34, 1.88, -32.6

 

CMYK 51 / 30 / 0 / 30

HEX #577CB2

RGB 87 124 178

HSL 215.6, 0.37%, 0.52%

LAB 51.45, 2.53, -32.58

 

CMYK 56 / 33 / 0 / 38

HEX #466A9F

RGB 70 106 159

HSL 215.73, 0.39%, 0.45%

LAB 44.4, 3.34, -32.6

 

CMYK 41 / 24 / 0 / 8

HEX #8AB2EB

RGB 138 178 235

HSL 215.26, 0.71%, 0.73%

LAB 71.72, 0.91, -32.74

 

CMYK 42 / 31 / 0 / 8

HEX #89A1EB

RGB 137 161 235

HSL 225.31, 0.71%, 0.73%

LAB 67.13, 10.2, -39.88

 

CMYK 42 / 38 / 0 / 8

HEX #8991EB

RGB 137 145 235

HSL 235.1, 0.71%, 0.73%

LAB 62.98, 19.42, -46.39

 

CMYK 38 / 42 / 0 / 8

HEX #9189EB

RGB 145 137 235

HSL 244.9, 0.71%, 0.73%

LAB 61.58, 26.1, -48.57

 

CMYK 31 / 42 / 0 / 8

HEX #A189EB

RGB 161 137 235

HSL 254.69, 0.71%, 0.73%

LAB 62.9, 30.31, -46.4

 

CMYK 41 / 24 / 0 / 8

HEX #8AB2EB

RGB 138 178 235

HSL 215.26, 0.71%, 0.73%

LAB 71.72, 0.91, -32.74

 

CMYK 42 / 26 / 0 / 88

HEX #12171F

RGB 18 23 31

HSL 216.92, 0.27%, 0.1%

LAB 7.59, 0.18, -6.36

 

CMYK 41 / 24 / 0 / 68

HEX #303E52

RGB 48 62 82

HSL 215.29, 0.26%, 0.25%

LAB 25.81, 0.18, -13.89

 

CMYK 41 / 24 / 0 / 48

HEX #4E6585

RGB 78 101 133

HSL 214.91, 0.26%, 0.41%

LAB 42.19, 0.24, -20.48

 

CMYK 41 / 24 / 0 / 28

HEX #6C8BB8

RGB 108 139 184

HSL 215.53, 0.35%, 0.57%

LAB 57.19, 0.87, -27

 

CMYK 41 / 24 / 0 / 8

HEX #8AB2EB

RGB 138 178 235

HSL 215.26, 0.71%, 0.73%

LAB 71.72, 0.91, -32.74

 

CMYK 9 / 42 / 0 / 8

HEX #D589EB

RGB 213 137 235

HSL 286.53, 0.71%, 0.73%

LAB 68.05, 45.04, -37.96

 

CMYK 8 / 0 / 42 / 8

HEX #D9EB89

RGB 217 235 137

HSL 71.02, 0.71%, 0.73%

LAB 89.85, -20.66, 45.47

 

CMYK 41 / 24 / 0 / 8

HEX #8AB2EB

RGB 138 178 235

HSL 215.26, 0.71%, 0.73%

LAB 71.72, 0.91, -32.74

 

CMYK 0 / 42 / 24 / 8

HEX #EB89B2

RGB 235 137 178

HSL 334.9, 0.71%, 0.73%

LAB 68.58, 42.36, -5.21

 

CMYK 24 / 0 / 42 / 8

HEX #B2EB89

RGB 178 235 137

HSL 94.9, 0.71%, 0.73%

LAB 87.33, -34.94, 41.76

 

CMYK 41 / 24 / 0 / 8

HEX #8AB2EB

RGB 138 178 235

HSL 215.26, 0.71%, 0.73%

LAB 71.72, 0.91, -32.74

 

CMYK 9 / 42 / 0 / 8

HEX #D589EB

RGB 213 137 235

HSL 286.53, 0.71%, 0.73%

LAB 68.05, 45.04, -37.96

 

CMYK 0 / 17 / 42 / 8

HEX #EBC289

RGB 235 194 137

HSL 34.9, 0.71%, 0.73%

LAB 80.77, 7.16, 34.13

 

CMYK 33 / 0 / 42 / 8

HEX #9EEB89

RGB 158 235 137

HSL 107.14, 0.71%, 0.73%

LAB 86.25, -41.67, 40.16

 

CMYK 41 / 24 / 0 / 8

HEX #8AB2EB

RGB 138 178 235

HSL 215.26, 0.71%, 0.73%

LAB 71.72, 0.91, -32.74

 

CMYK 0 / 42 / 4 / 8

HEX #EB89E2

RGB 235 137 226

HSL 305.51, 0.71%, 0.73%

LAB 70.21, 49.9, -29.46

 

CMYK 0 / 17 / 42 / 8

HEX #EBC289

RGB 235 194 137

HSL 34.9, 0.71%, 0.73%

LAB 80.77, 7.16, 34.13

 

CMYK 42 / 0 / 38 / 8

HEX #89EB91

RGB 137 235 145

HSL 124.9, 0.71%, 0.73%

LAB 85.39, -46.95, 34.87

 

Description

Color code: CMYK 41 / 24 / 0 / 8 | qconv.com Color code: CMYK 41 / 24 / 0 / 8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 178 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 178 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 24 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 24% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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