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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 3 / 0 / 13 / 27 it is the complementary color CMYK 20 / 26 / 0 / 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 3 / 0 / 13 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 3 / 0 / 13 / 27: CMYK 0 / 0 / 16 / 27, CMYK 0 / 0 / 14 / 20, CMYK 1 / 0 / 12 / 13, CMYK 1 / 0 / 11 / 6 and CMYK 0 / 0 / 9 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 3 / 0 / 13 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 3 / 0 / 13 / 27: CMYK 3 / 0 / 13 / 27, CMYK 2 / 0 / 15 / 34, CMYK 2 / 0 / 17 / 41, CMYK 2 / 0 / 20 / 48 and CMYK 1 / 0 / 25 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 13 / 27

HEX #B5BAA2

RGB 181 186 162

HSL 72.5, 0.15%, 0.68%

LAB 74.54, -6.02, 11.58

 

Complementary color

CMYK 20 / 26 / 0 / 64

HEX #4A455D

RGB 74 69 93

HSL 252.5, 0.15%, 0.32%

LAB 30.65, 7.8, -13.41

 

CMYK 0 / 0 / 16 / 27

HEX #BABA9D

RGB 186 186 157

HSL 60, 0.17%, 0.67%

LAB 74.82, -4.98, 14.73

 

CMYK 0 / 0 / 14 / 20

HEX #CBCCB0

RGB 203 204 176

HSL 62.14, 0.22%, 0.75%

LAB 81.3, -5.14, 13.86

 

CMYK 1 / 0 / 12 / 13

HEX #DCDEC3

RGB 220 222 195

HSL 64.44, 0.29%, 0.82%

LAB 87.68, -5.28, 13.02

 

CMYK 1 / 0 / 11 / 6

HEX #EDF0D6

RGB 237 240 214

HSL 66.92, 0.46%, 0.89%

LAB 93.96, -5.4, 12.22

 

CMYK 0 / 0 / 9 / 0

HEX #FEFFE9

RGB 254 255 233

HSL 62.73, 1%, 0.96%

LAB 99.41, -4.03, 10.39

 

CMYK 3 / 0 / 13 / 27

HEX #B5BAA2

RGB 181 186 162

HSL 72.5, 0.15%, 0.68%

LAB 74.54, -6.02, 11.58

 

CMYK 2 / 0 / 15 / 34

HEX #A4A88F

RGB 164 168 143

HSL 69.6, 0.13%, 0.61%

LAB 67.93, -5.9, 12.45

 

CMYK 2 / 0 / 17 / 41

HEX #93967C

RGB 147 150 124

HSL 66.92, 0.11%, 0.54%

LAB 61.2, -5.78, 13.37

 

CMYK 2 / 0 / 20 / 48

HEX #828469

RGB 130 132 105

HSL 64.44, 0.11%, 0.46%

LAB 54.31, -5.63, 14.36

 

CMYK 1 / 0 / 25 / 55

HEX #717256

RGB 113 114 86

HSL 62.14, 0.14%, 0.39%

LAB 47.26, -5.46, 15.44

 

CMYK 3 / 0 / 13 / 27

HEX #B5BAA2

RGB 181 186 162

HSL 72.5, 0.15%, 0.68%

LAB 74.54, -6.02, 11.58

 

CMYK 5 / 0 / 13 / 27

HEX #B0B9A1

RGB 176 185 161

HSL 82.5, 0.15%, 0.68%

LAB 73.87, -7.48, 11.12

 

CMYK 7 / 0 / 13 / 27

HEX #ACB9A1

RGB 172 185 161

HSL 92.5, 0.15%, 0.68%

LAB 73.57, -8.93, 10.65

 

CMYK 9 / 0 / 13 / 27

HEX #A8B9A1

RGB 168 185 161

HSL 102.5, 0.15%, 0.68%

LAB 73.28, -10.36, 10.2

 

CMYK 11 / 0 / 13 / 27

HEX #A4B9A1

RGB 164 185 161

HSL 112.5, 0.15%, 0.68%

LAB 73, -11.78, 9.76

 

CMYK 3 / 0 / 13 / 27

HEX #B5BAA2

RGB 181 186 162

HSL 72.5, 0.15%, 0.68%

LAB 74.54, -6.02, 11.58

 

CMYK 3 / 0 / 13 / 7

HEX #E7EDCE

RGB 231 237 206

HSL 71.61, 0.46%, 0.87%

LAB 92.58, -7.26, 14.35

 

CMYK 3 / 0 / 12 / 87

HEX #20211D

RGB 32 33 29

HSL 75, 0.06%, 0.12%

LAB 12.5, -1.43, 2.55

 

CMYK 2 / 0 / 13 / 67

HEX #525449

RGB 82 84 73

HSL 70.91, 0.07%, 0.31%

LAB 35.23, -3.06, 6.16

 

CMYK 3 / 0 / 13 / 47

HEX #838776

RGB 131 135 118

HSL 74.12, 0.07%, 0.5%

LAB 55.54, -4.7, 8.64

 

CMYK 3 / 0 / 13 / 27

HEX #B5BAA2

RGB 181 186 162

HSL 72.5, 0.15%, 0.68%

LAB 74.54, -6.02, 11.58

 

CMYK 13 / 0 / 8 / 27

HEX #A1B9AA

RGB 161 185 170

HSL 142.5, 0.15%, 0.68%

LAB 73.01, -11.15, 4.84

 

CMYK 3 / 13 / 0 / 27

HEX #B4A1B9

RGB 180 161 185

HSL 287.5, 0.15%, 0.68%

LAB 68.53, 11.35, -9.83

 

CMYK 3 / 0 / 13 / 27

HEX #B5BAA2

RGB 181 186 162

HSL 72.5, 0.15%, 0.68%

LAB 74.54, -6.02, 11.58

 

CMYK 13 / 3 / 0 / 27

HEX #A1B4B9

RGB 161 180 185

HSL 192.5, 0.15%, 0.68%

LAB 72.04, -5.5, -4.78

 

CMYK 0 / 13 / 3 / 27

HEX #B9A1B4

RGB 185 161 180

HSL 312.5, 0.15%, 0.68%

LAB 68.82, 12.15, -6.56

 

CMYK 3 / 0 / 13 / 27

HEX #B5BAA2

RGB 181 186 162

HSL 72.5, 0.15%, 0.68%

LAB 74.54, -6.02, 11.58

 

CMYK 13 / 0 / 8 / 27

HEX #A1B9AA

RGB 161 185 170

HSL 142.5, 0.15%, 0.68%

LAB 73.01, -11.15, 4.84

 

CMYK 10 / 13 / 0 / 27

HEX #A6A1B9

RGB 166 161 185

HSL 252.5, 0.15%, 0.68%

LAB 67.35, 6.56, -11.71

 

CMYK 0 / 13 / 5 / 27

HEX #B9A1AF

RGB 185 161 175

HSL 325, 0.15%, 0.68%

LAB 68.68, 11.23, -4

 

CMYK 3 / 0 / 13 / 27

HEX #B5BAA2

RGB 181 186 162

HSL 72.5, 0.15%, 0.68%

LAB 74.54, -6.02, 11.58

 

CMYK 13 / 0 / 4 / 27

HEX #A1B9B2

RGB 161 185 178

HSL 162.5, 0.15%, 0.68%

LAB 73.21, -9.59, 0.77

 

CMYK 10 / 13 / 0 / 27

HEX #A6A1B9

RGB 166 161 185

HSL 252.5, 0.15%, 0.68%

LAB 67.35, 6.56, -11.71

 

CMYK 0 / 13 / 9 / 27

HEX #B9A1A8

RGB 185 161 168

HSL 342.5, 0.15%, 0.68%

LAB 68.48, 9.98, -0.39

 

Description

Color code: CMYK 3 / 0 / 13 / 27 | qconv.com Color code: CMYK 3 / 0 / 13 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 186 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 186 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 13 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 13% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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