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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 34 / 0 / 53 / 32 it is the complementary color CMYK 19 / 53 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 34 / 0 / 53 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 34 / 0 / 53 / 32: CMYK 31 / 0 / 56 / 32, CMYK 29 / 0 / 50 / 25, CMYK 27 / 0 / 45 / 18, CMYK 25 / 0 / 41 / 11 and CMYK 24 / 0 / 38 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 34 / 0 / 53 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 34 / 0 / 53 / 32: CMYK 34 / 0 / 53 / 32, CMYK 37 / 0 / 60 / 39, CMYK 42 / 0 / 69 / 46, CMYK 47 / 0 / 80 / 53 and CMYK 54 / 0 / 95 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 53 / 32

HEX #72AD51

RGB 114 173 81

HSL 98.48, 0.36%, 0.5%

LAB 65.01, -35.95, 40.87

 

Complementary color

CMYK 19 / 53 / 0 / 32

HEX #8D52AE

RGB 141 82 174

HSL 278.48, 0.36%, 0.5%

LAB 45.29, 41.12, -39.62

 

CMYK 31 / 0 / 56 / 32

HEX #77AD4C

RGB 119 173 76

HSL 93.4, 0.39%, 0.49%

LAB 65.22, -34.71, 43.61

 

CMYK 29 / 0 / 50 / 25

HEX #88BF5F

RGB 136 191 95

HSL 94.38, 0.43%, 0.56%

LAB 71.77, -34.72, 42.46

 

CMYK 27 / 0 / 45 / 18

HEX #99D172

RGB 153 209 114

HSL 95.37, 0.51%, 0.63%

LAB 78.22, -34.66, 41.29

 

CMYK 25 / 0 / 41 / 11

HEX #AAE385

RGB 170 227 133

HSL 96.38, 0.63%, 0.71%

LAB 84.58, -34.57, 40.12

 

CMYK 24 / 0 / 38 / 4

HEX #BBF598

RGB 187 245 152

HSL 97.42, 0.82%, 0.78%

LAB 90.84, -34.46, 38.98

 

CMYK 34 / 0 / 53 / 32

HEX #72AD51

RGB 114 173 81

HSL 98.48, 0.36%, 0.5%

LAB 65.01, -35.95, 40.87

 

CMYK 37 / 0 / 60 / 39

HEX #619B3E

RGB 97 155 62

HSL 97.42, 0.43%, 0.43%

LAB 58.35, -35.92, 41.99

 

CMYK 42 / 0 / 69 / 46

HEX #50892B

RGB 80 137 43

HSL 96.38, 0.52%, 0.35%

LAB 51.58, -35.73, 42.88

 

CMYK 47 / 0 / 80 / 53

HEX #3F7718

RGB 63 119 24

HSL 95.37, 0.66%, 0.28%

LAB 44.68, -35.27, 43.14

 

CMYK 54 / 0 / 95 / 60

HEX #2E6505

RGB 46 101 5

HSL 94.38, 0.91%, 0.21%

LAB 37.66, -34.36, 42.06

 

CMYK 34 / 0 / 53 / 32

HEX #72AD51

RGB 114 173 81

HSL 98.48, 0.36%, 0.5%

LAB 65.01, -35.95, 40.87

 

CMYK 43 / 0 / 53 / 32

HEX #63AD51

RGB 99 173 81

HSL 108.26, 0.36%, 0.5%

LAB 64.27, -40.99, 39.8

 

CMYK 51 / 0 / 53 / 32

HEX #54AD51

RGB 84 173 81

HSL 118.04, 0.36%, 0.5%

LAB 63.64, -45.48, 38.9

 

CMYK 53 / 0 / 46 / 32

HEX #51AD5D

RGB 81 173 93

HSL 127.83, 0.36%, 0.5%

LAB 63.69, -44.57, 32.88

 

CMYK 53 / 0 / 37 / 32

HEX #51AD6D

RGB 81 173 109

HSL 138.26, 0.36%, 0.5%

LAB 63.95, -41.88, 24.77

 

CMYK 34 / 0 / 53 / 32

HEX #72AD51

RGB 114 173 81

HSL 98.48, 0.36%, 0.5%

LAB 65.01, -35.95, 40.87

 

CMYK 34 / 0 / 53 / 12

HEX #94E069

RGB 148 224 105

HSL 98.32, 0.66%, 0.65%

LAB 82.18, -44.11, 50.36

 

CMYK 35 / 0 / 55 / 92

HEX #0D1409

RGB 13 20 9

HSL 98.18, 0.38%, 0.06%

LAB 5.47, -4.51, 4.41

 

CMYK 34 / 0 / 54 / 72

HEX #2F4721

RGB 47 71 33

HSL 97.89, 0.37%, 0.2%

LAB 27.35, -17.41, 19.85

 

CMYK 34 / 0 / 53 / 52

HEX #507A39

RGB 80 122 57

HSL 98.77, 0.36%, 0.35%

LAB 46.87, -27.28, 30.78

 

CMYK 34 / 0 / 53 / 32

HEX #72AD51

RGB 114 173 81

HSL 98.48, 0.36%, 0.5%

LAB 65.01, -35.95, 40.87

 

CMYK 53 / 0 / 9 / 32

HEX #51AD9E

RGB 81 173 158

HSL 170.22, 0.36%, 0.5%

LAB 65.05, -31.09, -0.63

 

CMYK 0 / 53 / 13 / 32

HEX #AD5197

RGB 173 81 151

HSL 314.35, 0.36%, 0.5%

LAB 48.26, 46.58, -21.06

 

CMYK 34 / 0 / 53 / 32

HEX #72AD51

RGB 114 173 81

HSL 98.48, 0.36%, 0.5%

LAB 65.01, -35.95, 40.87

 

CMYK 53 / 34 / 0 / 32

HEX #5173AD

RGB 81 115 173

HSL 217.83, 0.36%, 0.5%

LAB 48.3, 4.95, -34.64

 

CMYK 0 / 53 / 34 / 32

HEX #AD5173

RGB 173 81 115

HSL 337.83, 0.36%, 0.5%

LAB 46.98, 41.31, -1.34

 

CMYK 34 / 0 / 53 / 32

HEX #72AD51

RGB 114 173 81

HSL 98.48, 0.36%, 0.5%

LAB 65.01, -35.95, 40.87

 

CMYK 53 / 0 / 9 / 32

HEX #51AD9E

RGB 81 173 158

HSL 170.22, 0.36%, 0.5%

LAB 65.05, -31.09, -0.63

 

CMYK 20 / 53 / 0 / 32

HEX #8B51AD

RGB 139 81 173

HSL 277.83, 0.36%, 0.5%

LAB 44.79, 40.89, -39.85

 

CMYK 0 / 53 / 45 / 32

HEX #AD5160

RGB 173 81 96

HSL 350.22, 0.36%, 0.5%

LAB 46.46, 39.09, 9.45

 

CMYK 34 / 0 / 53 / 32

HEX #72AD51

RGB 114 173 81

HSL 98.48, 0.36%, 0.5%

LAB 65.01, -35.95, 40.87

 

CMYK 53 / 7 / 0 / 32

HEX #51A1AD

RGB 81 161 173

HSL 187.83, 0.36%, 0.5%

LAB 61.87, -21.04, -13.74

 

CMYK 20 / 53 / 0 / 32

HEX #8B51AD

RGB 139 81 173

HSL 277.83, 0.36%, 0.5%

LAB 44.79, 40.89, -39.85

 

CMYK 0 / 46 / 53 / 32

HEX #AD5D51

RGB 173 93 81

HSL 7.83, 0.36%, 0.5%

LAB 48.64, 31.27, 21.43

 

Description

Color code: CMYK 34 / 0 / 53 / 32 | qconv.com Color code: CMYK 34 / 0 / 53 / 32 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 173 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 173 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 53 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 53% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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