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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 32 / 0 / 54 / 21 it is the complementary color CMYK 27 / 67 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 32 / 0 / 54 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 32 / 0 / 54 / 21: CMYK 29 / 0 / 56 / 21, CMYK 27 / 0 / 51 / 14, CMYK 26 / 0 / 47 / 7, CMYK 24 / 0 / 43 / 0 and CMYK 18 / 0 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 32 / 0 / 54 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 32 / 0 / 54 / 21: CMYK 32 / 0 / 54 / 21, CMYK 34 / 0 / 60 / 28, CMYK 38 / 0 / 67 / 35, CMYK 41 / 0 / 76 / 42 and CMYK 47 / 0 / 87 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 54 / 21

HEX #89C95D

RGB 137 201 93

HSL 95.56, 0.5%, 0.58%

LAB 74.75, -39.11, 47.01

 

Complementary color

CMYK 27 / 67 / 0 / 36

HEX #7636A2

RGB 118 54 162

HSL 275.56, 0.5%, 0.42%

LAB 36.17, 47.18, -47.22

 

CMYK 29 / 0 / 56 / 21

HEX #8EC958

RGB 142 201 88

HSL 91.33, 0.51%, 0.57%

LAB 74.97, -37.86, 49.66

 

CMYK 27 / 0 / 51 / 14

HEX #9FDB6B

RGB 159 219 107

HSL 92.14, 0.61%, 0.64%

LAB 81.34, -37.89, 48.57

 

CMYK 26 / 0 / 47 / 7

HEX #B0ED7E

RGB 176 237 126

HSL 92.97, 0.76%, 0.71%

LAB 87.63, -37.87, 47.44

 

CMYK 24 / 0 / 43 / 0

HEX #C1FF91

RGB 193 255 145

HSL 93.82, 1%, 0.78%

LAB 93.84, -37.82, 46.31

 

CMYK 18 / 0 / 36 / 0

HEX #D2FFA4

RGB 210 255 164

HSL 89.67, 1%, 0.82%

LAB 95.12, -29.51, 38.9

 

CMYK 32 / 0 / 54 / 21

HEX #89C95D

RGB 137 201 93

HSL 95.56, 0.5%, 0.58%

LAB 74.75, -39.11, 47.01

 

CMYK 34 / 0 / 60 / 28

HEX #78B74A

RGB 120 183 74

HSL 94.68, 0.43%, 0.5%

LAB 68.28, -39.06, 48.07

 

CMYK 38 / 0 / 67 / 35

HEX #67A537

RGB 103 165 55

HSL 93.82, 0.5%, 0.43%

LAB 61.71, -38.88, 48.92

 

CMYK 41 / 0 / 76 / 42

HEX #569324

RGB 86 147 36

HSL 92.97, 0.61%, 0.36%

LAB 55.04, -38.51, 49.31

 

CMYK 47 / 0 / 87 / 49

HEX #458111

RGB 69 129 17

HSL 92.14, 0.77%, 0.29%

LAB 48.27, -37.82, 48.68

 

CMYK 32 / 0 / 54 / 21

HEX #89C95D

RGB 137 201 93

HSL 95.56, 0.5%, 0.58%

LAB 74.75, -39.11, 47.01

 

CMYK 40 / 0 / 53 / 21

HEX #79C95E

RGB 121 201 94

HSL 104.86, 0.5%, 0.58%

LAB 73.96, -44.37, 45.4

 

CMYK 49 / 0 / 53 / 21

HEX #67C95E

RGB 103 201 94

HSL 114.95, 0.5%, 0.58%

LAB 73.2, -49.81, 44.3

 

CMYK 53 / 0 / 49 / 21

HEX #5EC967

RGB 94 201 103

HSL 125.05, 0.5%, 0.58%

LAB 72.98, -51.03, 39.59

 

CMYK 53 / 0 / 40 / 21

HEX #5EC979

RGB 94 201 121

HSL 135.14, 0.5%, 0.58%

LAB 73.24, -48.23, 30.82

 

CMYK 32 / 0 / 54 / 21

HEX #89C95D

RGB 137 201 93

HSL 95.56, 0.5%, 0.58%

LAB 74.75, -39.11, 47.01

 

CMYK 32 / 0 / 54 / 1

HEX #ACFC75

RGB 172 252 117

HSL 95.56, 0.96%, 0.72%

LAB 91.54, -46.79, 56.28

 

CMYK 31 / 0 / 54 / 81

HEX #213016

RGB 33 48 22

HSL 94.62, 0.37%, 0.14%

LAB 17.9, -12.12, 14.63

 

CMYK 32 / 0 / 54 / 61

HEX #43632E

RGB 67 99 46

HSL 96.23, 0.37%, 0.28%

LAB 38.4, -22.24, 26.26

 

CMYK 32 / 0 / 54 / 41

HEX #669645

RGB 102 150 69

HSL 95.56, 0.37%, 0.43%

LAB 57.14, -31.03, 37.25

 

CMYK 32 / 0 / 54 / 21

HEX #89C95D

RGB 137 201 93

HSL 95.56, 0.5%, 0.58%

LAB 74.75, -39.11, 47.01

 

CMYK 53 / 0 / 11 / 21

HEX #5EC9B2

RGB 94 201 178

HSL 167.1, 0.5%, 0.58%

LAB 74.42, -36.44, 2.13

 

CMYK 0 / 53 / 10 / 21

HEX #C95EB5

RGB 201 94 181

HSL 311.21, 0.5%, 0.58%

LAB 55.85, 53.52, -26.61

 

CMYK 32 / 0 / 54 / 21

HEX #89C95D

RGB 137 201 93

HSL 95.56, 0.5%, 0.58%

LAB 74.75, -39.11, 47.01

 

CMYK 53 / 31 / 0 / 21

HEX #5E8AC9

RGB 94 138 201

HSL 215.33, 0.5%, 0.58%

LAB 56.85, 3.08, -37.22

 

CMYK 0 / 53 / 31 / 21

HEX #C95E8A

RGB 201 94 138

HSL 335.33, 0.5%, 0.58%

LAB 54.3, 47.26, -3.85

 

CMYK 32 / 0 / 54 / 21

HEX #89C95D

RGB 137 201 93

HSL 95.56, 0.5%, 0.58%

LAB 74.75, -39.11, 47.01

 

CMYK 53 / 0 / 11 / 21

HEX #5EC9B2

RGB 94 201 178

HSL 167.1, 0.5%, 0.58%

LAB 74.42, -36.44, 2.13

 

CMYK 22 / 53 / 0 / 21

HEX #9C5EC9

RGB 156 94 201

HSL 274.77, 0.5%, 0.58%

LAB 51.03, 44.8, -46.09

 

CMYK 0 / 53 / 42 / 21

HEX #C95E75

RGB 201 94 117

HSL 347.1, 0.5%, 0.58%

LAB 53.72, 44.79, 7.72

 

CMYK 32 / 0 / 54 / 21

HEX #89C95D

RGB 137 201 93

HSL 95.56, 0.5%, 0.58%

LAB 74.75, -39.11, 47.01

 

CMYK 53 / 4 / 0 / 21

HEX #5EC0C9

RGB 94 192 201

HSL 185.05, 0.5%, 0.58%

LAB 72.43, -26.18, -13.33

 

CMYK 22 / 53 / 0 / 21

HEX #9C5EC9

RGB 156 94 201

HSL 274.77, 0.5%, 0.58%

LAB 51.03, 44.8, -46.09

 

CMYK 0 / 49 / 53 / 21

HEX #C9675E

RGB 201 103 94

HSL 5.05, 0.5%, 0.58%

LAB 55, 38, 22.97

 

Description

Color code: CMYK 32 / 0 / 54 / 21 | qconv.com Color code: CMYK 32 / 0 / 54 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 201 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 201 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 54 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 54% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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