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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 2 / 0 / 15 / 25 it is the complementary color CMYK 26 / 30 / 0 / 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 2 / 0 / 15 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 2 / 0 / 15 / 25: CMYK 0 / 1 / 18 / 25, CMYK 0 / 0 / 15 / 18, CMYK 0 / 0 / 14 / 11, CMYK 1 / 0 / 12 / 4 and CMYK 0 / 0 / 8 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 2 / 0 / 15 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 2 / 0 / 15 / 25: CMYK 2 / 0 / 15 / 25, CMYK 2 / 0 / 17 / 32, CMYK 1 / 0 / 19 / 39, CMYK 1 / 0 / 23 / 46 and CMYK 0 / 0 / 27 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 15 / 25

HEX #BBBFA3

RGB 187 191 163

HSL 68.57, 0.18%, 0.69%

LAB 76.36, -6.28, 13.67

 

Complementary color

CMYK 26 / 30 / 0 / 64

HEX #44405C

RGB 68 64 92

HSL 248.57, 0.18%, 0.31%

LAB 28.56, 8.65, -16.02

 

CMYK 0 / 1 / 18 / 25

HEX #C0BF9E

RGB 192 191 158

HSL 58.24, 0.21%, 0.69%

LAB 76.64, -5.22, 16.81

 

CMYK 0 / 0 / 15 / 18

HEX #D1D1B1

RGB 209 209 177

HSL 60, 0.26%, 0.76%

LAB 83.09, -5.38, 15.91

 

CMYK 0 / 0 / 14 / 11

HEX #E2E3C4

RGB 226 227 196

HSL 61.94, 0.36%, 0.83%

LAB 89.44, -5.54, 15.05

 

CMYK 1 / 0 / 12 / 4

HEX #F3F5D7

RGB 243 245 215

HSL 64, 0.6%, 0.9%

LAB 95.69, -5.67, 14.23

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 2 / 0 / 15 / 25

HEX #BBBFA3

RGB 187 191 163

HSL 68.57, 0.18%, 0.69%

LAB 76.36, -6.28, 13.67

 

CMYK 2 / 0 / 17 / 32

HEX #AAAD90

RGB 170 173 144

HSL 66.21, 0.15%, 0.62%

LAB 69.79, -6.16, 14.57

 

CMYK 1 / 0 / 19 / 39

HEX #999B7D

RGB 153 155 125

HSL 64, 0.13%, 0.55%

LAB 63.09, -6.01, 15.53

 

CMYK 1 / 0 / 23 / 46

HEX #88896A

RGB 136 137 106

HSL 61.94, 0.13%, 0.48%

LAB 56.25, -5.84, 16.55

 

CMYK 0 / 0 / 27 / 53

HEX #777757

RGB 119 119 87

HSL 60, 0.16%, 0.4%

LAB 49.26, -5.64, 17.66

 

CMYK 2 / 0 / 15 / 25

HEX #BBBFA3

RGB 187 191 163

HSL 68.57, 0.18%, 0.69%

LAB 76.36, -6.28, 13.67

 

CMYK 5 / 0 / 15 / 25

HEX #B5BEA1

RGB 181 190 161

HSL 78.62, 0.18%, 0.69%

LAB 75.59, -8.28, 13.6

 

CMYK 7 / 0 / 15 / 25

HEX #B0BEA1

RGB 176 190 161

HSL 88.97, 0.18%, 0.69%

LAB 75.22, -10.1, 13.03

 

CMYK 9 / 0 / 15 / 25

HEX #ACBEA1

RGB 172 190 161

HSL 97.24, 0.18%, 0.69%

LAB 74.93, -11.54, 12.58

 

CMYK 12 / 0 / 15 / 25

HEX #A7BEA1

RGB 167 190 161

HSL 107.59, 0.18%, 0.69%

LAB 74.58, -13.32, 12.04

 

CMYK 2 / 0 / 15 / 25

HEX #BBBFA3

RGB 187 191 163

HSL 68.57, 0.18%, 0.69%

LAB 76.36, -6.28, 13.67

 

CMYK 2 / 0 / 14 / 5

HEX #EDF2CF

RGB 237 242 207

HSL 68.57, 0.57%, 0.88%

LAB 94.32, -7.51, 16.34

 

CMYK 3 / 0 / 16 / 85

HEX #252620

RGB 37 38 32

HSL 70, 0.09%, 0.14%

LAB 14.87, -1.85, 3.83

 

CMYK 2 / 0 / 15 / 65

HEX #57594C

RGB 87 89 76

HSL 69.23, 0.08%, 0.32%

LAB 37.29, -3.42, 7.26

 

CMYK 2 / 0 / 15 / 45

HEX #898C77

RGB 137 140 119

HSL 68.57, 0.08%, 0.51%

LAB 57.47, -4.99, 10.86

 

CMYK 2 / 0 / 15 / 25

HEX #BBBFA3

RGB 187 191 163

HSL 68.57, 0.18%, 0.69%

LAB 76.36, -6.28, 13.67

 

CMYK 15 / 0 / 10 / 25

HEX #A1BEAB

RGB 161 190 171

HSL 140.69, 0.18%, 0.69%

LAB 74.41, -13.56, 6.32

 

CMYK 4 / 15 / 0 / 25

HEX #B6A1BE

RGB 182 161 190

HSL 283.45, 0.18%, 0.69%

LAB 68.86, 13.02, -12.09

 

CMYK 2 / 0 / 15 / 25

HEX #BBBFA3

RGB 187 191 163

HSL 68.57, 0.18%, 0.69%

LAB 76.36, -6.28, 13.67

 

CMYK 15 / 2 / 0 / 25

HEX #A1BABE

RGB 161 186 190

HSL 188.28, 0.18%, 0.69%

LAB 73.81, -7.65, -4.9

 

CMYK 0 / 15 / 2 / 25

HEX #BEA1BA

RGB 190 161 186

HSL 308.28, 0.18%, 0.69%

LAB 69.46, 15.02, -8.9

 

CMYK 2 / 0 / 15 / 25

HEX #BBBFA3

RGB 187 191 163

HSL 68.57, 0.18%, 0.69%

LAB 76.36, -6.28, 13.67

 

CMYK 15 / 0 / 10 / 25

HEX #A1BEAB

RGB 161 190 171

HSL 140.69, 0.18%, 0.69%

LAB 74.41, -13.56, 6.32

 

CMYK 13 / 15 / 0 / 25

HEX #A5A1BE

RGB 165 161 190

HSL 248.28, 0.18%, 0.69%

LAB 67.43, 7.28, -14.38

 

CMYK 0 / 15 / 5 / 25

HEX #BEA1B4

RGB 190 161 180

HSL 320.69, 0.18%, 0.69%

LAB 69.28, 13.92, -5.84

 

CMYK 2 / 0 / 15 / 25

HEX #BBBFA3

RGB 187 191 163

HSL 68.57, 0.18%, 0.69%

LAB 76.36, -6.28, 13.67

 

CMYK 15 / 0 / 6 / 25

HEX #A1BEB3

RGB 161 190 179

HSL 157.24, 0.18%, 0.69%

LAB 74.61, -12, 2.26

 

CMYK 13 / 15 / 0 / 25

HEX #A5A1BE

RGB 165 161 190

HSL 248.28, 0.18%, 0.69%

LAB 67.43, 7.28, -14.38

 

CMYK 0 / 15 / 9 / 25

HEX #BEA1AC

RGB 190 161 172

HSL 337.24, 0.18%, 0.69%

LAB 69.05, 12.5, -1.73

 

Description

Color code: CMYK 2 / 0 / 15 / 25 | qconv.com Color code: CMYK 2 / 0 / 15 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 191 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 191 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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