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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 28 / 70 / 0 / 20 it is the complementary color CMYK 44 / 0 / 74 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 28 / 70 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 28 / 70 / 0 / 20: CMYK 24 / 69 / 0 / 22, CMYK 22 / 64 / 0 / 15, CMYK 22 / 59 / 0 / 7, CMYK 20 / 55 / 0 / 0 and CMYK 14 / 48 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 28 / 70 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 28 / 70 / 0 / 20: CMYK 28 / 70 / 0 / 20, CMYK 30 / 77 / 0 / 27, CMYK 32 / 85 / 0 / 35, CMYK 35 / 95 / 0 / 42 and CMYK 38 / 100 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 70 / 0 / 20

HEX #933DCC

RGB 147 61 204

HSL 276.08, 0.58%, 0.52%

LAB 44.09, 59.64, -59

 

Complementary color

CMYK 44 / 0 / 74 / 24

HEX #6CC233

RGB 108 194 51

HSL 96.08, 0.58%, 0.48%

LAB 70.88, -49.59, 59.96

 

CMYK 24 / 69 / 0 / 22

HEX #983DC7

RGB 152 61 199

HSL 279.57, 0.55%, 0.51%

LAB 44.43, 59.58, -55.53

 

CMYK 22 / 64 / 0 / 15

HEX #A94FDA

RGB 169 79 218

HSL 278.85, 0.65%, 0.58%

LAB 50.79, 59.26, -56.08

 

CMYK 22 / 59 / 0 / 7

HEX #BA61ED

RGB 186 97 237

HSL 278.14, 0.8%, 0.65%

LAB 57.18, 58.69, -56.44

 

CMYK 20 / 55 / 0 / 0

HEX #CB73FF

RGB 203 115 255

HSL 277.71, 1%, 0.73%

LAB 63.49, 57.77, -56.21

 

CMYK 14 / 48 / 0 / 0

HEX #DC85FF

RGB 220 133 255

HSL 282.79, 1%, 0.76%

LAB 68.9, 53.08, -47.52

 

CMYK 28 / 70 / 0 / 20

HEX #933DCC

RGB 147 61 204

HSL 276.08, 0.58%, 0.52%

LAB 44.09, 59.64, -59

 

CMYK 30 / 77 / 0 / 27

HEX #822BB9

RGB 130 43 185

HSL 276.76, 0.62%, 0.45%

LAB 37.8, 59.57, -58.21

 

CMYK 32 / 85 / 0 / 35

HEX #7119A6

RGB 113 25 166

HSL 277.45, 0.74%, 0.37%

LAB 31.71, 58.65, -56.9

 

CMYK 35 / 95 / 0 / 42

HEX #600793

RGB 96 7 147

HSL 278.14, 0.91%, 0.3%

LAB 26, 56.32, -54.75

 

CMYK 38 / 100 / 0 / 50

HEX #4F0080

RGB 79 0 128

HSL 277.03, 1%, 0.25%

LAB 20.91, 51.7, -51.31

 

CMYK 28 / 70 / 0 / 20

HEX #933DCC

RGB 147 61 204

HSL 276.08, 0.58%, 0.52%

LAB 44.09, 59.64, -59

 

CMYK 16 / 70 / 0 / 20

HEX #AA3DCB

RGB 170 61 203

HSL 286.06, 0.58%, 0.52%

LAB 47.23, 64.16, -53.2

 

CMYK 4 / 70 / 0 / 20

HEX #C23DCB

RGB 194 61 203

HSL 296.2, 0.58%, 0.52%

LAB 50.83, 69.3, -47.25

 

CMYK 0 / 70 / 7 / 20

HEX #CB3DBD

RGB 203 61 189

HSL 305.92, 0.58%, 0.52%

LAB 51.51, 69.05, -37.99

 

CMYK 0 / 70 / 19 / 20

HEX #CB3DA5

RGB 203 61 165

HSL 316.06, 0.58%, 0.52%

LAB 50.39, 65.56, -25.68

 

CMYK 28 / 70 / 0 / 20

HEX #933DCC

RGB 147 61 204

HSL 276.08, 0.58%, 0.52%

LAB 44.09, 59.64, -59

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 27 / 71 / 0 / 80

HEX #250F33

RGB 37 15 51

HSL 276.67, 0.55%, 0.13%

LAB 8.77, 19.5, -19.26

 

CMYK 27 / 70 / 0 / 60

HEX #4A1F66

RGB 74 31 102

HSL 276.34, 0.53%, 0.26%

LAB 21.56, 33.95, -33.53

 

CMYK 28 / 70 / 0 / 40

HEX #6E2E99

RGB 110 46 153

HSL 275.89, 0.54%, 0.39%

LAB 33.07, 47.15, -46.84

 

CMYK 28 / 70 / 0 / 20

HEX #933DCC

RGB 147 61 204

HSL 276.08, 0.58%, 0.52%

LAB 44.09, 59.64, -59

 

CMYK 0 / 70 / 56 / 20

HEX #CB3D5A

RGB 203 61 90

HSL 347.75, 0.58%, 0.52%

LAB 47.97, 57.52, 15.96

 

CMYK 70 / 0 / 56 / 20

HEX #3DCB5A

RGB 61 203 90

HSL 132.25, 0.58%, 0.52%

LAB 72.52, -60.67, 45.09

 

CMYK 28 / 70 / 0 / 20

HEX #933DCC

RGB 147 61 204

HSL 276.08, 0.58%, 0.52%

LAB 44.09, 59.64, -59

 

CMYK 0 / 28 / 70 / 20

HEX #CB923D

RGB 203 146 61

HSL 35.92, 0.58%, 0.52%

LAB 64.64, 13.35, 51.86

 

CMYK 70 / 0 / 28 / 20

HEX #3DCB92

RGB 61 203 146

HSL 155.92, 0.58%, 0.52%

LAB 73.4, -50.82, 17.75

 

CMYK 28 / 70 / 0 / 20

HEX #933DCC

RGB 147 61 204

HSL 276.08, 0.58%, 0.52%

LAB 44.09, 59.64, -59

 

CMYK 0 / 70 / 56 / 20

HEX #CB3D5A

RGB 203 61 90

HSL 347.75, 0.58%, 0.52%

LAB 47.97, 57.52, 15.96

 

CMYK 42 / 0 / 70 / 20

HEX #76CB3D

RGB 118 203 61

HSL 95.92, 0.58%, 0.52%

LAB 74.13, -49.3, 59.76

 

CMYK 70 / 0 / 14 / 20

HEX #3DCBAF

RGB 61 203 175

HSL 168.17, 0.58%, 0.52%

LAB 74.06, -43.95, 3.11

 

CMYK 28 / 70 / 0 / 20

HEX #933DCC

RGB 147 61 204

HSL 276.08, 0.58%, 0.52%

LAB 44.09, 59.64, -59

 

CMYK 0 / 63 / 70 / 20

HEX #CB4B3D

RGB 203 75 61

HSL 5.92, 0.58%, 0.52%

LAB 49.58, 49.99, 35.19

 

CMYK 42 / 0 / 70 / 20

HEX #76CB3D

RGB 118 203 61

HSL 95.92, 0.58%, 0.52%

LAB 74.13, -49.3, 59.76

 

CMYK 70 / 7 / 0 / 20

HEX #3DBDCB

RGB 61 189 203

HSL 185.92, 0.58%, 0.52%

LAB 70.66, -29.74, -17.17

 

Description

Color code: CMYK 28 / 70 / 0 / 20 | qconv.com Color code: CMYK 28 / 70 / 0 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 61 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 61 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 70 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 70% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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