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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 8 / 0 / 6 it is the complementary color CMYK 0 / 51 / 79 / 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 8 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 8 / 0 / 6: CMYK 19 / 6 / 0 / 8, CMYK 19 / 6 / 0 / 0, CMYK 12 / 0 / 0 / 0, CMYK 5 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 8 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 8 / 0 / 6: CMYK 23 / 8 / 0 / 6, CMYK 24 / 8 / 0 / 13, CMYK 25 / 8 / 0 / 21, CMYK 27 / 9 / 0 / 28 and CMYK 29 / 9 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 8 / 0 / 6

HEX #B9DDF0

RGB 185 221 240

HSL 200.73, 0.65%, 0.83%

LAB 86.17, -7.69, -13.19

 

Complementary color

CMYK 0 / 51 / 79 / 73

HEX #46220F

RGB 70 34 15

HSL 20.73, 0.65%, 0.17%

LAB 17.83, 15.36, 19.83

 

CMYK 19 / 6 / 0 / 8

HEX #BEDDEB

RGB 190 221 235

HSL 198.67, 0.53%, 0.83%

LAB 86.33, -7.26, -10.26

 

CMYK 19 / 6 / 0 / 0

HEX #CFEFFE

RGB 207 239 254

HSL 199.15, 0.96%, 0.9%

LAB 92.64, -7.3, -10.71

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 23 / 8 / 0 / 6

HEX #B9DDF0

RGB 185 221 240

HSL 200.73, 0.65%, 0.83%

LAB 86.17, -7.69, -13.19

 

CMYK 24 / 8 / 0 / 13

HEX #A8CBDD

RGB 168 203 221

HSL 200.38, 0.44%, 0.76%

LAB 79.76, -7.64, -12.77

 

CMYK 25 / 8 / 0 / 21

HEX #97B9CA

RGB 151 185 202

HSL 200, 0.32%, 0.69%

LAB 73.25, -7.6, -12.36

 

CMYK 27 / 9 / 0 / 28

HEX #86A7B7

RGB 134 167 183

HSL 199.59, 0.25%, 0.62%

LAB 66.62, -7.55, -11.94

 

CMYK 29 / 9 / 0 / 36

HEX #7595A4

RGB 117 149 164

HSL 199.15, 0.21%, 0.55%

LAB 59.85, -7.5, -11.52

 

CMYK 23 / 8 / 0 / 6

HEX #B9DDF0

RGB 185 221 240

HSL 200.73, 0.65%, 0.83%

LAB 86.17, -7.69, -13.19

 

CMYK 23 / 12 / 0 / 6

HEX #B7D3EF

RGB 183 211 239

HSL 210, 0.64%, 0.83%

LAB 83.38, -3.3, -16.85

 

CMYK 23 / 15 / 0 / 6

HEX #B7CAEF

RGB 183 202 239

HSL 219.64, 0.64%, 0.83%

LAB 81.04, 1.47, -20.39

 

CMYK 23 / 20 / 0 / 6

HEX #B7C0EF

RGB 183 192 239

HSL 230.36, 0.64%, 0.83%

LAB 78.46, 6.85, -24.3

 

CMYK 23 / 23 / 0 / 6

HEX #B7B7EF

RGB 183 183 239

HSL 240, 0.64%, 0.83%

LAB 76.17, 11.76, -27.8

 

CMYK 23 / 8 / 0 / 6

HEX #B9DDF0

RGB 185 221 240

HSL 200.73, 0.65%, 0.83%

LAB 86.17, -7.69, -13.19

 

CMYK 22 / 8 / 0 / 86

HEX #1C2124

RGB 28 33 36

HSL 202.5, 0.13%, 0.13%

LAB 12.36, -1.44, -2.79

 

CMYK 23 / 8 / 0 / 66

HEX #435057

RGB 67 80 87

HSL 201, 0.13%, 0.3%

LAB 33.18, -3.35, -5.82

 

CMYK 23 / 8 / 0 / 46

HEX #6A7F8A

RGB 106 127 138

HSL 200.63, 0.13%, 0.48%

LAB 51.93, -5.01, -8.48

 

CMYK 23 / 8 / 0 / 26

HEX #92AEBD

RGB 146 174 189

HSL 200.93, 0.25%, 0.66%

LAB 69.51, -6.23, -10.85

 

CMYK 23 / 8 / 0 / 6

HEX #B9DDF0

RGB 185 221 240

HSL 200.73, 0.65%, 0.83%

LAB 86.17, -7.69, -13.19

 

CMYK 11 / 23 / 0 / 6

HEX #D5B7EF

RGB 213 183 239

HSL 272.14, 0.64%, 0.83%

LAB 78.6, 21.03, -23.87

 

CMYK 0 / 1 / 23 / 6

HEX #EFECB7

RGB 239 236 183

HSL 56.79, 0.64%, 0.83%

LAB 92.47, -7.28, 26.14

 

CMYK 23 / 8 / 0 / 6

HEX #B9DDF0

RGB 185 221 240

HSL 200.73, 0.65%, 0.83%

LAB 86.17, -7.69, -13.19

 

CMYK 0 / 23 / 8 / 6

HEX #EFB7DD

RGB 239 183 221

HSL 319.29, 0.64%, 0.83%

LAB 80.43, 26.2, -11.19

 

CMYK 8 / 0 / 23 / 6

HEX #DDEFB7

RGB 221 239 183

HSL 79.29, 0.64%, 0.83%

LAB 91.92, -15.29, 25.17

 

CMYK 23 / 8 / 0 / 6

HEX #B9DDF0

RGB 185 221 240

HSL 200.73, 0.65%, 0.83%

LAB 86.17, -7.69, -13.19

 

CMYK 11 / 23 / 0 / 6

HEX #D5B7EF

RGB 213 183 239

HSL 272.14, 0.64%, 0.83%

LAB 78.6, 21.03, -23.87

 

CMYK 0 / 15 / 23 / 6

HEX #EFCAB7

RGB 239 202 183

HSL 20.36, 0.64%, 0.83%

LAB 83.97, 10.2, 14.33

 

CMYK 13 / 0 / 23 / 6

HEX #D1EFB7

RGB 209 239 183

HSL 92.14, 0.64%, 0.83%

LAB 91.1, -19.53, 23.91

 

CMYK 23 / 8 / 0 / 6

HEX #B9DDF0

RGB 185 221 240

HSL 200.73, 0.65%, 0.83%

LAB 86.17, -7.69, -13.19

 

CMYK 4 / 23 / 0 / 6

HEX #E6B7EF

RGB 230 183 239

HSL 290.36, 0.64%, 0.83%

LAB 80.14, 26.47, -21.4

 

CMYK 0 / 15 / 23 / 6

HEX #EFCAB7

RGB 239 202 183

HSL 20.36, 0.64%, 0.83%

LAB 83.97, 10.2, 14.33

 

CMYK 20 / 0 / 23 / 6

HEX #C0EFB7

RGB 192 239 183

HSL 110.36, 0.64%, 0.83%

LAB 90.03, -25.36, 22.26

 

Description

Color code: CMYK 23 / 8 / 0 / 6 | qconv.com Color code: CMYK 23 / 8 / 0 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 221 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 221 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 8 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 8% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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