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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 53 / 0 / 43 it is the complementary color CMYK 25 / 0 / 41 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 53 / 0 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 53 / 0 / 43: CMYK 14 / 51 / 0 / 45, CMYK 14 / 46 / 0 / 38, CMYK 13 / 42 / 0 / 30, CMYK 13 / 38 / 0 / 23 and CMYK 13 / 35 / 0 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 53 / 0 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 53 / 0 / 43: CMYK 21 / 53 / 0 / 43, CMYK 22 / 60 / 0 / 51, CMYK 24 / 70 / 0 / 58, CMYK 27 / 84 / 0 / 65 and CMYK 32 / 100 / 0 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 53 / 0 / 43

HEX #734491

RGB 115 68 145

HSL 276.62, 0.36%, 0.42%

LAB 37.52, 34.9, -34.8

 

Complementary color

CMYK 25 / 0 / 41 / 27

HEX #8CBB6E

RGB 140 187 110

HSL 96.62, 0.36%, 0.58%

LAB 71.04, -29.51, 34.05

 

CMYK 14 / 51 / 0 / 45

HEX #78448C

RGB 120 68 140

HSL 283.33, 0.35%, 0.41%

LAB 37.88, 35.21, -31.15

 

CMYK 14 / 46 / 0 / 38

HEX #89569F

RGB 137 86 159

HSL 281.92, 0.3%, 0.48%

LAB 44.91, 34.37, -31.39

 

CMYK 13 / 42 / 0 / 30

HEX #9A68B2

RGB 154 104 178

HSL 280.54, 0.32%, 0.55%

LAB 51.82, 33.54, -31.59

 

CMYK 13 / 38 / 0 / 23

HEX #AB7AC5

RGB 171 122 197

HSL 279.2, 0.39%, 0.63%

LAB 58.61, 32.76, -31.77

 

CMYK 13 / 35 / 0 / 15

HEX #BC8CD8

RGB 188 140 216

HSL 277.89, 0.49%, 0.7%

LAB 65.28, 32.02, -31.95

 

CMYK 21 / 53 / 0 / 43

HEX #734491

RGB 115 68 145

HSL 276.62, 0.36%, 0.42%

LAB 37.52, 34.9, -34.8

 

CMYK 22 / 60 / 0 / 51

HEX #62327E

RGB 98 50 126

HSL 277.89, 0.43%, 0.35%

LAB 30.36, 35.76, -34.6

 

CMYK 24 / 70 / 0 / 58

HEX #51206B

RGB 81 32 107

HSL 279.2, 0.54%, 0.27%

LAB 23.15, 36.39, -34.18

 

CMYK 27 / 84 / 0 / 65

HEX #400E58

RGB 64 14 88

HSL 280.54, 0.73%, 0.2%

LAB 16.05, 36.26, -33.22

 

CMYK 32 / 100 / 0 / 73

HEX #2F0045

RGB 47 0 69

HSL 280.87, 1%, 0.14%

LAB 9.27, 34.56, -31.3

 

CMYK 21 / 53 / 0 / 43

HEX #734491

RGB 115 68 145

HSL 276.62, 0.36%, 0.42%

LAB 37.52, 34.9, -34.8

 

CMYK 12 / 53 / 0 / 43

HEX #7F4491

RGB 127 68 145

HSL 285.97, 0.36%, 0.42%

LAB 39.05, 38.37, -32.28

 

CMYK 3 / 53 / 0 / 43

HEX #8C4491

RGB 140 68 145

HSL 296.1, 0.36%, 0.42%

LAB 40.82, 42.17, -29.38

 

CMYK 0 / 53 / 6 / 43

HEX #914489

RGB 145 68 137

HSL 306.23, 0.36%, 0.42%

LAB 41.15, 42.16, -23.95

 

CMYK 0 / 53 / 14 / 43

HEX #91447D

RGB 145 68 125

HSL 315.58, 0.36%, 0.42%

LAB 40.63, 40.06, -17.42

 

CMYK 21 / 53 / 0 / 43

HEX #734491

RGB 115 68 145

HSL 276.62, 0.36%, 0.42%

LAB 37.52, 34.9, -34.8

 

CMYK 21 / 53 / 0 / 23

HEX #9B5CC4

RGB 155 92 196

HSL 276.35, 0.47%, 0.56%

LAB 50.23, 44.47, -44.49

 

CMYK 21 / 53 / 0 / 3

HEX #C474F7

RGB 196 116 247

HSL 276.64, 0.89%, 0.71%

LAB 62.46, 53.81, -53.5

 

CMYK 21 / 53 / 0 / 83

HEX #22142B

RGB 34 20 43

HSL 276.52, 0.37%, 0.12%

LAB 9.11, 12.71, -12.86

 

CMYK 20 / 53 / 0 / 63

HEX #4B2C5E

RGB 75 44 94

HSL 277.2, 0.36%, 0.27%

LAB 24.02, 24.62, -24.37

 

CMYK 21 / 53 / 0 / 43

HEX #734491

RGB 115 68 145

HSL 276.62, 0.36%, 0.42%

LAB 37.52, 34.9, -34.8

 

CMYK 0 / 53 / 43 / 43

HEX #914453

RGB 145 68 83

HSL 348.31, 0.36%, 0.42%

LAB 39.2, 34.07, 6.61

 

CMYK 53 / 0 / 43 / 43

HEX #449153

RGB 68 145 83

HSL 131.69, 0.36%, 0.42%

LAB 54.14, -37.82, 25.82

 

CMYK 21 / 53 / 0 / 43

HEX #734491

RGB 115 68 145

HSL 276.62, 0.36%, 0.42%

LAB 37.52, 34.9, -34.8

 

CMYK 0 / 21 / 53 / 43

HEX #917244

RGB 145 114 68

HSL 35.84, 0.36%, 0.42%

LAB 50.06, 6.25, 29.97

 

CMYK 53 / 0 / 21 / 43

HEX #449172

RGB 68 145 114

HSL 155.84, 0.36%, 0.42%

LAB 54.76, -31.54, 9.3

 

CMYK 21 / 53 / 0 / 43

HEX #734491

RGB 115 68 145

HSL 276.62, 0.36%, 0.42%

LAB 37.52, 34.9, -34.8

 

CMYK 0 / 53 / 43 / 43

HEX #914453

RGB 145 68 83

HSL 348.31, 0.36%, 0.42%

LAB 39.2, 34.07, 6.61

 

CMYK 32 / 0 / 53 / 43

HEX #639144

RGB 99 145 68

HSL 95.84, 0.36%, 0.42%

LAB 55.4, -29.89, 35.63

 

CMYK 53 / 0 / 10 / 43

HEX #449182

RGB 68 145 130

HSL 168.31, 0.36%, 0.42%

LAB 55.17, -27.61, 0.72

 

CMYK 21 / 53 / 0 / 43

HEX #734491

RGB 115 68 145

HSL 276.62, 0.36%, 0.42%

LAB 37.52, 34.9, -34.8

 

CMYK 0 / 48 / 53 / 43

HEX #914C44

RGB 145 76 68

HSL 6.23, 0.36%, 0.42%

LAB 40.58, 28.13, 17.81

 

CMYK 32 / 0 / 53 / 43

HEX #639144

RGB 99 145 68

HSL 95.84, 0.36%, 0.42%

LAB 55.4, -29.89, 35.63

 

CMYK 53 / 6 / 0 / 43

HEX #448991

RGB 68 137 145

HSL 186.23, 0.36%, 0.42%

LAB 53.13, -19.38, -10.96

 

Description

Color code: CMYK 21 / 53 / 0 / 43 | qconv.com Color code: CMYK 21 / 53 / 0 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 68 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 68 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 53 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 53% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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