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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 53 / 0 / 23 it is the complementary color CMYK 39 / 0 / 64 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 53 / 0 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 53 / 0 / 23: CMYK 16 / 52 / 0 / 25, CMYK 16 / 48 / 0 / 18, CMYK 15 / 44 / 0 / 10, CMYK 15 / 41 / 0 / 3 and CMYK 11 / 36 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 53 / 0 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 53 / 0 / 23: CMYK 21 / 53 / 0 / 23, CMYK 22 / 58 / 0 / 31, CMYK 23 / 65 / 0 / 38, CMYK 25 / 73 / 0 / 45 and CMYK 28 / 83 / 0 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 53 / 0 / 23

HEX #9B5CC4

RGB 155 92 196

HSL 276.35, 0.47%, 0.56%

LAB 50.23, 44.47, -44.49

 

Complementary color

CMYK 39 / 0 / 64 / 36

HEX #64A33B

RGB 100 163 59

HSL 96.35, 0.47%, 0.44%

LAB 60.97, -38.71, 46.35

 

CMYK 16 / 52 / 0 / 25

HEX #A05CBF

RGB 160 92 191

HSL 281.21, 0.44%, 0.55%

LAB 50.56, 44.73, -41.05

 

CMYK 16 / 48 / 0 / 18

HEX #B16ED2

RGB 177 110 210

HSL 280.2, 0.53%, 0.63%

LAB 57.22, 43.92, -41.26

 

CMYK 15 / 44 / 0 / 10

HEX #C280E5

RGB 194 128 229

HSL 279.21, 0.66%, 0.7%

LAB 63.81, 43.12, -41.42

 

CMYK 15 / 41 / 0 / 3

HEX #D392F8

RGB 211 146 248

HSL 278.24, 0.88%, 0.77%

LAB 70.3, 42.33, -41.57

 

CMYK 11 / 36 / 0 / 0

HEX #E4A4FF

RGB 228 164 255

HSL 282.2, 1%, 0.82%

LAB 76.23, 39.14, -36.01

 

CMYK 21 / 53 / 0 / 23

HEX #9B5CC4

RGB 155 92 196

HSL 276.35, 0.47%, 0.56%

LAB 50.23, 44.47, -44.49

 

CMYK 22 / 58 / 0 / 31

HEX #8A4AB1

RGB 138 74 177

HSL 277.28, 0.41%, 0.49%

LAB 43.47, 45.29, -44.31

 

CMYK 23 / 65 / 0 / 38

HEX #79389E

RGB 121 56 158

HSL 278.24, 0.48%, 0.42%

LAB 36.67, 45.97, -43.99

 

CMYK 25 / 73 / 0 / 45

HEX #68268B

RGB 104 38 139

HSL 279.21, 0.57%, 0.35%

LAB 29.9, 46.3, -43.4

 

CMYK 28 / 83 / 0 / 53

HEX #571478

RGB 87 20 120

HSL 280.2, 0.71%, 0.27%

LAB 23.28, 45.82, -42.29

 

CMYK 21 / 53 / 0 / 23

HEX #9B5CC4

RGB 155 92 196

HSL 276.35, 0.47%, 0.56%

LAB 50.23, 44.47, -44.49

 

CMYK 13 / 54 / 0 / 24

HEX #AA5AC3

RGB 170 90 195

HSL 285.71, 0.47%, 0.56%

LAB 51.61, 49.33, -41.61

 

CMYK 4 / 54 / 0 / 24

HEX #BC5AC3

RGB 188 90 195

HSL 296, 0.47%, 0.56%

LAB 53.97, 54.21, -37.74

 

CMYK 0 / 54 / 6 / 24

HEX #C35AB8

RGB 195 90 184

HSL 306.29, 0.47%, 0.56%

LAB 54.42, 54.2, -30.62

 

CMYK 0 / 54 / 14 / 24

HEX #C35AA7

RGB 195 90 167

HSL 316, 0.47%, 0.56%

LAB 53.71, 51.42, -21.85

 

CMYK 21 / 53 / 0 / 23

HEX #9B5CC4

RGB 155 92 196

HSL 276.35, 0.47%, 0.56%

LAB 50.23, 44.47, -44.49

 

CMYK 21 / 53 / 0 / 3

HEX #C374F7

RGB 195 116 247

HSL 276.18, 0.89%, 0.71%

LAB 62.35, 53.55, -53.68

 

CMYK 21 / 53 / 0 / 83

HEX #22142B

RGB 34 20 43

HSL 276.52, 0.37%, 0.12%

LAB 9.11, 12.71, -12.86

 

CMYK 21 / 53 / 0 / 63

HEX #4A2C5E

RGB 74 44 94

HSL 276, 0.36%, 0.27%

LAB 23.89, 24.3, -24.58

 

CMYK 21 / 53 / 0 / 43

HEX #734491

RGB 115 68 145

HSL 276.62, 0.36%, 0.42%

LAB 37.52, 34.9, -34.8

 

CMYK 21 / 53 / 0 / 23

HEX #9B5CC4

RGB 155 92 196

HSL 276.35, 0.47%, 0.56%

LAB 50.23, 44.47, -44.49

 

CMYK 0 / 54 / 43 / 24

HEX #C35A6F

RGB 195 90 111

HSL 348, 0.47%, 0.56%

LAB 51.91, 44.02, 8.59

 

CMYK 54 / 0 / 43 / 24

HEX #5AC36F

RGB 90 195 111

HSL 132, 0.47%, 0.56%

LAB 71.11, -48.43, 33.17

 

CMYK 21 / 53 / 0 / 23

HEX #9B5CC4

RGB 155 92 196

HSL 276.35, 0.47%, 0.56%

LAB 50.23, 44.47, -44.49

 

CMYK 0 / 22 / 54 / 24

HEX #C3995A

RGB 195 153 90

HSL 36, 0.47%, 0.56%

LAB 65.84, 8.12, 38.82

 

CMYK 54 / 0 / 22 / 24

HEX #5AC399

RGB 90 195 153

HSL 156, 0.47%, 0.56%

LAB 71.9, -40.4, 12

 

CMYK 21 / 53 / 0 / 23

HEX #9B5CC4

RGB 155 92 196

HSL 276.35, 0.47%, 0.56%

LAB 50.23, 44.47, -44.49

 

CMYK 0 / 54 / 43 / 24

HEX #C35A6F

RGB 195 90 111

HSL 348, 0.47%, 0.56%

LAB 51.91, 44.02, 8.59

 

CMYK 32 / 0 / 54 / 24

HEX #84C35A

RGB 132 195 90

HSL 96, 0.47%, 0.56%

LAB 72.68, -38.51, 45.9

 

CMYK 54 / 0 / 11 / 24

HEX #5AC3AE

RGB 90 195 174

HSL 168, 0.47%, 0.56%

LAB 72.4, -35.5, 1.34

 

CMYK 21 / 53 / 0 / 23

HEX #9B5CC4

RGB 155 92 196

HSL 276.35, 0.47%, 0.56%

LAB 50.23, 44.47, -44.49

 

CMYK 0 / 49 / 54 / 24

HEX #C3645A

RGB 195 100 90

HSL 5.71, 0.47%, 0.56%

LAB 53.44, 36.93, 23.07

 

CMYK 32 / 0 / 54 / 24

HEX #84C35A

RGB 132 195 90

HSL 96, 0.47%, 0.56%

LAB 72.68, -38.51, 45.9

 

CMYK 54 / 6 / 0 / 24

HEX #5AB8C3

RGB 90 184 195

HSL 186.29, 0.47%, 0.56%

LAB 69.75, -24.67, -14.08

 

Description

Color code: CMYK 21 / 53 / 0 / 23 | qconv.com Color code: CMYK 21 / 53 / 0 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 92 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 92 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 53 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 53% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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