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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 20 / 11 / 0 / 61 it is the complementary color CMYK 0 / 5 / 11 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 20 / 11 / 0 / 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 20 / 11 / 0 / 61: CMYK 10 / 5 / 0 / 63, CMYK 10 / 5 / 0 / 56, CMYK 10 / 5 / 0 / 48, CMYK 10 / 5 / 0 / 41 and CMYK 10 / 5 / 0 / 33

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 20 / 11 / 0 / 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 20 / 11 / 0 / 61: CMYK 19 / 10 / 0 / 61, CMYK 21 / 11 / 0 / 69, CMYK 25 / 13 / 0 / 76, CMYK 31 / 17 / 0 / 84 and CMYK 48 / 26 / 0 / 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 11 / 0 / 61

HEX #505963

RGB 80 89 99

HSL 211.58, 0.11%, 0.35%

LAB 37.39, -1.13, -6.94

 

Complementary color

CMYK 0 / 5 / 11 / 31

HEX #AFA69C

RGB 175 166 156

HSL 31.58, 0.11%, 0.65%

LAB 68.6, 1.48, 6.33

 

CMYK 10 / 5 / 0 / 63

HEX #55595E

RGB 85 89 94

HSL 213.33, 0.05%, 0.35%

LAB 37.63, -0.46, -3.43

 

CMYK 10 / 5 / 0 / 56

HEX #666B71

RGB 102 107 113

HSL 212.73, 0.05%, 0.42%

LAB 44.99, -0.6, -4.01

 

CMYK 10 / 5 / 0 / 48

HEX #777D84

RGB 119 125 132

HSL 212.31, 0.05%, 0.49%

LAB 52.12, -0.74, -4.57

 

CMYK 10 / 5 / 0 / 41

HEX #888F97

RGB 136 143 151

HSL 212, 0.07%, 0.56%

LAB 59.08, -0.88, -5.12

 

CMYK 10 / 5 / 0 / 33

HEX #99A1AA

RGB 153 161 170

HSL 211.76, 0.09%, 0.63%

LAB 65.88, -1.01, -5.65

 

CMYK 19 / 10 / 0 / 61

HEX #505963

RGB 80 89 99

HSL 211.58, 0.11%, 0.35%

LAB 37.39, -1.13, -6.94

 

CMYK 21 / 11 / 0 / 69

HEX #3F4750

RGB 63 71 80

HSL 211.76, 0.12%, 0.28%

LAB 29.77, -0.99, -6.47

 

CMYK 25 / 13 / 0 / 76

HEX #2E353D

RGB 46 53 61

HSL 212, 0.14%, 0.21%

LAB 21.81, -0.83, -6

 

CMYK 31 / 17 / 0 / 84

HEX #1D232A

RGB 29 35 42

HSL 212.31, 0.18%, 0.14%

LAB 13.41, -0.66, -5.55

 

CMYK 48 / 26 / 0 / 91

HEX #0C1117

RGB 12 17 23

HSL 212.73, 0.31%, 0.07%

LAB 4.89, -0.3, -4.28

 

CMYK 19 / 10 / 0 / 61

HEX #505963

RGB 80 89 99

HSL 211.58, 0.11%, 0.35%

LAB 37.39, -1.13, -6.94

 

CMYK 20 / 14 / 0 / 61

HEX #4F5563

RGB 79 85 99

HSL 222, 0.11%, 0.35%

LAB 36.1, 0.98, -8.89

 

CMYK 20 / 17 / 0 / 61

HEX #4F5263

RGB 79 82 99

HSL 231, 0.11%, 0.35%

LAB 35.2, 2.86, -10.25

 

CMYK 20 / 20 / 0 / 61

HEX #4F4F63

RGB 79 79 99

HSL 240, 0.11%, 0.35%

LAB 34.3, 4.76, -11.61

 

CMYK 16 / 20 / 0 / 61

HEX #534F63

RGB 83 79 99

HSL 252, 0.11%, 0.35%

LAB 34.66, 6.22, -11.02

 

CMYK 19 / 10 / 0 / 61

HEX #505963

RGB 80 89 99

HSL 211.58, 0.11%, 0.35%

LAB 37.39, -1.13, -6.94

 

CMYK 19 / 10 / 0 / 41

HEX #798796

RGB 121 135 150

HSL 211.03, 0.12%, 0.53%

LAB 55.68, -1.72, -9.73

 

CMYK 19 / 10 / 0 / 21

HEX #A2B5C9

RGB 162 181 201

HSL 210.77, 0.27%, 0.71%

LAB 72.86, -2.26, -12.32

 

CMYK 19 / 10 / 0 / 1

HEX #CCE3FC

RGB 204 227 252

HSL 211.25, 0.89%, 0.89%

LAB 89.3, -2.48, -14.68

 

CMYK 19 / 10 / 0 / 81

HEX #272B30

RGB 39 43 48

HSL 213.33, 0.1%, 0.17%

LAB 17.33, -0.45, -3.84

 

CMYK 19 / 10 / 0 / 61

HEX #505963

RGB 80 89 99

HSL 211.58, 0.11%, 0.35%

LAB 37.39, -1.13, -6.94

 

CMYK 6 / 20 / 0 / 61

HEX #5D4F63

RGB 93 79 99

HSL 282, 0.11%, 0.35%

LAB 35.64, 9.98, -9.46

 

CMYK 3 / 0 / 20 / 61

HEX #60634F

RGB 96 99 79

HSL 69, 0.11%, 0.35%

LAB 41.18, -5.05, 10.99

 

CMYK 19 / 10 / 0 / 61

HEX #505963

RGB 80 89 99

HSL 211.58, 0.11%, 0.35%

LAB 37.39, -1.13, -6.94

 

CMYK 0 / 20 / 11 / 61

HEX #634F58

RGB 99 79 88

HSL 333, 0.11%, 0.35%

LAB 35.89, 10.03, -2.11

 

CMYK 11 / 0 / 20 / 61

HEX #58634F

RGB 88 99 79

HSL 93, 0.11%, 0.35%

LAB 40.51, -8.36, 9.97

 

CMYK 19 / 10 / 0 / 61

HEX #505963

RGB 80 89 99

HSL 211.58, 0.11%, 0.35%

LAB 37.39, -1.13, -6.94

 

CMYK 6 / 20 / 0 / 61

HEX #5D4F63

RGB 93 79 99

HSL 282, 0.11%, 0.35%

LAB 35.64, 9.98, -9.46

 

CMYK 0 / 10 / 20 / 61

HEX #63594F

RGB 99 89 79

HSL 30, 0.11%, 0.35%

LAB 38.48, 2.21, 7.26

 

CMYK 15 / 0 / 20 / 61

HEX #54634F

RGB 84 99 79

HSL 105, 0.11%, 0.35%

LAB 40.2, -9.97, 9.49

 

CMYK 19 / 10 / 0 / 61

HEX #505963

RGB 80 89 99

HSL 211.58, 0.11%, 0.35%

LAB 37.39, -1.13, -6.94

 

CMYK 0 / 20 / 1 / 61

HEX #634F62

RGB 99 79 98

HSL 303, 0.11%, 0.35%

LAB 36.23, 12.07, -7.88

 

CMYK 0 / 10 / 20 / 61

HEX #63594F

RGB 99 89 79

HSL 30, 0.11%, 0.35%

LAB 38.48, 2.21, 7.26

 

CMYK 20 / 0 / 20 / 61

HEX #4F634F

RGB 79 99 79

HSL 120, 0.11%, 0.35%

LAB 39.83, -11.94, 8.92

 

Description

Color code: CMYK 20 / 11 / 0 / 61 | qconv.com Color code: CMYK 20 / 11 / 0 / 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 89 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 89 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 11 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 11% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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